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Yet at the same time, Migliorini's color and brushstrokes capture all the vibrations of the objects, which are not only luminous and atmospheric, but also existential.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini, originally from Rignano, where he was born in 1907, received his artistic training in Florence. Having moved to the Tuscan capital in 1924, he became an illustrator for the Nuovo Giornale newspaper and associated with Ardengo Soffici and Ottone Rosai. His first solo exhibition was also held in Florence. In the 1950s, his fame spread beyond the region and throughout Italy, with over 100 exhibitions, consistently acclaimed by critics and the public.\u003c\/p\u003e","brand":"Bicci David","offers":[{"title":"Default Title","offer_id":56211623379330,"sku":"DBIC002","price":1150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_8759_6d27e0dd-7081-417b-8c8b-04296ddadf25.jpg?v=1768401222"},{"product_id":"dino-migliorini-senza-titolo-4","title":"Dino Migliorini - Untitled","description":"\u003cp\u003eLandscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has always been an artist's aspiration. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance, then with atmospheric rendering in the 16th century, up until the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini's artistic journey is equally dominated by instinct and compositional rigor. In his recurring subjects, tied to the countryside and peasant life, he fundamentally begins with a post-Impressionist pictorial style, in which brushstrokes construct forms and volumes through a complex intersection of planes. Each brushstroke is placed on different planes, creating concrete, solid volumes. Yet at the same time, Migliorini's color and brushstrokes capture all the vibrations of the objects, which are not only luminous and atmospheric, but also existential.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini, originally from Rignano, where he was born in 1907, received his artistic training in Florence. Having moved to the Tuscan capital in 1924, he became an illustrator for the Nuovo Giornale newspaper and associated with Ardengo Soffici and Ottone Rosai. His first solo exhibition was also held in Florence. In the 1950s, his fame spread beyond the region and throughout Italy, with over 100 exhibitions, consistently acclaimed by critics and the public.\u003c\/p\u003e","brand":"Bicci David abbassata da 1150 a 400€","offers":[{"title":"Default Title","offer_id":56211623444866,"sku":"DBIC003","price":1150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_8762.jpg?v=1768401225"},{"product_id":"dino-migliorini-senza-titolo-5","title":"Dino Migliorini - Untitled","description":"\u003cp\u003eLandscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has always been an artist's aspiration. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance, then with atmospheric rendering in the 16th century, up until the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini's artistic journey is equally dominated by instinct and compositional rigor. In his recurring subjects, tied to the countryside and peasant life, he fundamentally begins with a post-Impressionist pictorial style, in which brushstrokes construct forms and volumes through a complex intersection of planes. Each brushstroke is placed on different planes, creating concrete, solid volumes. Yet at the same time, Migliorini's color and brushstrokes capture all the vibrations of the objects, which are not only luminous and atmospheric, but also existential.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini, originally from Rignano, where he was born in 1907, received his artistic training in Florence. Having moved to the Tuscan capital in 1924, he became an illustrator for the Nuovo Giornale newspaper and associated with Ardengo Soffici and Ottone Rosai. His first solo exhibition was also held in Florence. In the 1950s, his fame spread beyond the region and throughout Italy, with over 100 exhibitions, consistently acclaimed by critics and the public.\u003c\/p\u003e","brand":"Cini Andrea","offers":[{"title":"Default Title","offer_id":56211623477634,"sku":"ACIN001","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_8777.jpg?v=1768401226"},{"product_id":"marco-panchetti-mare-nero","title":"Marco Panchetti - Black Sea","description":"","brand":"Panchetti Marco","offers":[{"title":"Default Title","offer_id":56211681149314,"sku":"MPAN003","price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Mare-nero.jpg?v=1768401438"},{"product_id":"marco-panchetti-notte-note","title":"Marco Panchetti - Night of Notes","description":"","brand":"Panchetti Marco","offers":[{"title":"Default Title","offer_id":56211681313154,"sku":"MPAN007","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Notte-di-note.jpg?v=1768401444"},{"product_id":"lorenzo-palazzi-castiglioncello-livorno","title":"Lorenzo Palazzi - Castiglioncello in Livorno","description":"\u003cp style=\"text-align: justify;\"\u003eThe painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The Impressionists, in particular, favored subjects related to modern life in urban, bourgeois settings.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eLorenzo Palazzi's painting style is closely connected to the artist's formative years, the Labronica School, which developed a highly refined landscape painting influenced by Post-Impressionism and Post-Macchiaiolism. Indeed, the entire compositional structure of the work is based on extremely rapid, cursive brushwork, sketching the subjects with a few rapid strokes. The sense of immediacy in the rendering is striking. The emphasis on color is equally striking, with dense brushstrokes featuring a light-giving white.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eLorenzo Palazzi was a painter from Livorno, born in 1921 and died in 1990. He trained under the guidance of his grandfather, Professor Anselmi, a restorer at the National Museums. His entire artistic career was marked by genre painting typical of Livorno, achieving considerable critical and public success. Palazzi participated in the first Quadriennale dell'Arte in Turin and subsequently in the 2000 International Art Fair in Bologna.\u003c\/p\u003e","brand":"Manno Vincenzo","offers":[{"title":"Default Title","offer_id":56211797475714,"sku":"VMAN005","price":2300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_8851.jpg?v=1768401718"},{"product_id":"r-vitale-senza-titolo","title":"R. Vitale - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003eThe subject can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e The entire composition is played out by painter R. Vitale through the use of color, which is the work's central theme. Indeed, the painter is capable of creating this view with a rapid, cursive brushstroke, lending a sense of freshness and vivacity to the entire scene. Vitale is capable of giving form to an object even with a single brushstroke. A brushstroke that, to return to the initial discussion, is charged with color, almost material.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eR. Vitale is an artist whose conception of landscape painting is rooted in an impressionistic, cursive, and synthetic technique. The subject is constructed with a few rapid brushstrokes filled with dense, textured color.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e\u003c\/p\u003e","brand":"Baiocchi Alessandro","offers":[{"title":"Default Title","offer_id":56211844661634,"sku":"ABAI002","price":1100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_4244.jpg?v=1768401795"},{"product_id":"carlo-coppo-senza-titolo","title":"Carlo Coppo - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003e Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has always been an artist's aspiration. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance, then with atmospheric rendering in the 16th century, up until the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eCarlo Coppo's landscape painting is based on a quest for a naturalistic rendering of the view, through the skillful use of classical and traditional painting techniques. Coppo's style, in constructing his compositions, sometimes favors the role of color. This is evident in canvases where the landscape presents itself as a surface where various areas of color interact, leaving the hues to measure space and determine depth. In other works, however, a more defined drawing structure appears, in which the presence of an orthogonal perspective is also perceptible. The writing, in both cases, is always fluid and flowing, at times cursive, filled with a dense color that captures all the light and atmospheric vibrations of the landscape.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eCarlo Coppo is a Novara-based artist specializing in landscape painting and still life. His style is deeply rooted in tradition and demonstrates an aspiration to achieve a fresh and immediate naturalism through the use of a highly pictorial approach inspired by Impressionism, but also through the more traditional means of drawing and perspective.\u003c\/p\u003e","brand":"Baiocchi Alessandro abbassata da 2200 a 400€","offers":[{"title":"Default Title","offer_id":56211844727170,"sku":"ABAI003","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_4246.jpg?v=1768401796"}],"url":"https:\/\/cjfh11-ee.myshopify.com\/en\/collections\/olio-su-supporto-rigido.oembed","provider":"Venderequadri","version":"1.0","type":"link"}