{"title":"Quadri da collezionare","description":"","products":[{"product_id":"attese","title":"\"Waiting\"","description":"\u003cp\u003e The canvas is visualized as a temporal portal where the three-dimensionality of the space given by the plaster and the shine given by the application of epoxy resin partially covering the canvas insinuate themselves.\u003cbr\u003e\n Inspired by Lucio Fontana's \"Attese\", the cuts on the canvas are reinterpreted with the application of chalk, but the meaning remains unchanged.\u003c\/p\u003e","brand":"Claudia Gota","offers":[{"title":"Default Title","offer_id":56203707253122,"sku":"112621","price":810.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/20241217_200004_1.jpg?v=1768319994"},{"product_id":"alberto-burri-casa-campagna","title":"Alberto Burri - Country House","description":"","brand":"Zoppi Ramona","offers":[{"title":"Default Title","offer_id":56210533548418,"sku":"RZOP001","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/djn.jpg?v=1768390873"},{"product_id":"mario-schifano-crocera-verso-linfinito","title":"Mario Schifano - Cruise to Infinity","description":"","brand":"Valverde Estrada Xavier Jacinto abbassata a 800\/1000","offers":[{"title":"Default Title","offer_id":56210675630466,"sku":"XVAL001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/FullSizeRender-2-1.jpg?v=1768392116"},{"product_id":"mario-schifano-emulsionata","title":"Mario Schifano - Emulsified","description":"\u003cp style=\"text-align: justify;\"\u003e\u003ca href=\"http:\/\/www.marioschifano.it\/\"\u003eMario Schifano\u003c\/a\u003e was born in Homs, Libya, on September 20, 1934. He began his career in the Informal movement, producing canvases with a highly textured surface. Works of this kind opened his first solo exhibition in 1959 at the Galleria Appia Antica in Rome. However, it was during the 1960 exhibition at the Galleria La Salita, where he featured Angeli, Festa, Lo Savio, and Uncini, that critics began to take an interest in his work. Having abandoned Informalism, he now painted monochrome paintings, large sheets of paper glued to canvas and covered with a single, tactile, superficial, dripping color. The painting became a \"screen,\" a starting point, a space for a denied event in which, a few years later, numbers, letters, and symbolic fragments of consumerist civilization would emerge, such as the Esso and Coca-Cola logos.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eIn 1962, Schifano traveled to the United States; he became familiar with Pop Art, was impressed by the work of Dine and Kline, and exhibited at the Sidney Janis Gallery in New York in the show \"The New Realist.\" In 1964, he was invited to the Venice Biennale for the first time. The artist now worked in thematic cycles: anemic landscapes, and the revisitation of art history with works dedicated to Futurism. He was drawn to images borrowed from the mass media and therefore part of the collective heritage. This phase of Schifano's work was addressed by both attentive critics, such as Maurizio Calvesi, Maurizio Fagiolo, and Alberto Boatto, as well as illustrious writers, such as Alberto Moravia and Goffredo Parise. At Studio Marconi, in 1967, he presented the feature film Anna Carini Seen in August by Butterflies, which was followed by the film trilogy Satellite, Human Non-Human, and Transplant, Consumption, and Death by Franco Brocani. His first cinematic experiences, which he pursued alongside his painting, date back to 1964, and these immediately reveal the artist's critical attention to the uninterrupted flow of images produced by our technological civilization, in which reality is constantly replaced by its \"double,\" be it photography, television, or cinema. He exhibited at the 1982 and 1984 editions of the Venice Biennale. \u003c\/p\u003e\r\n \u003cp style=\"text-align: justify;\"\u003eA focus on the natural characterizes all of Schifano's current work: landscapes, water lilies, fields of wheat, the movement of the sea, and expanses of sand are recreated, reinvented, and filtered through memories, impulses, sensations, surfacings of the deep, and sequences of images conveyed by television sets, advertising, and magazines, and thus take the form of geographies of memory. In 1990, the Palazzo delle Esposizioni in Rome, on the occasion of its reopening, dedicated an exhibition to him entitled \"Divulgare,\" featuring large-scale works created for the occasion. In 1996, Schifano paid homage to his auxiliary Muse, television, understood as a continuous flow of images capable of structuring itself as the true and only all-encompassing reality of our era. While in the late 1960s he limited himself to extracting individual frames from television programs and projecting them decontextualized onto the canvas, now, however, he intervenes pictorially on the images, further changing their meaning.\u003c\/p\u003e","brand":"Rotondi Corrado 35000 abbassata 12000€","offers":[{"title":"Default Title","offer_id":56210683527554,"sku":"CROT005","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Schifano.jpg?v=1768392165"},{"product_id":"mimmo-rotella-calze-rete","title":"Mimmo Rotella - Fishnet Stockings","description":"","brand":"Scarpellini Enrico","offers":[{"title":"Default Title","offer_id":56211262570882,"sku":"ESCA001","price":3360.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Calze-a-rete-33x23-2004-9-50.jpg?v=1768398461"},{"product_id":"mimmo-rotella-amore-alto-mare","title":"Mimmo Rotella - Love on the High Seas","description":"\u003cp\u003eThe work uses the decollage technique, employed by various artists since the 1950s, which involves layering posters or flyers, which are then gradually torn away. This technique is undoubtedly linked to the poetics of the object, the use of discarded materials from consumer society, Pop Art's interest in mass media, and an artistic gesture, as the artist tears down the posters.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work is part of Mimmo Rotella's famous decollage series. The object, in this case overlapping posters, is reconfigured by the artist through the act of tearing. This practice simply introduces the accidental nature of reality directly and suddenly into the artwork, giving it a new meaning. The tears, which mimic the ravages of time on the posters or the effects of weather, shift the work from an abstract dimension to the concrete dimension of existence.\u003c\/p\u003e\n\n\n\u003cp\u003e Mimmo Rotella (Catanzaro 1918-Milan 2006) was an artist deeply engaged in experimenting with new artistic languages ​​in the second half of the 20th century. After some experiments with phonetic poetry, he created his first décollages in 1954. In Paris, he participated in the Nouveau Réalisme movement, and his interest in the poetics of mechanical processes was also expressed through the creation of Mec-art, or processes of serial image transcription.\u003c\/p\u003e","brand":"Ferrara Mario 21000","offers":[{"title":"Default Title","offer_id":56211536150914,"sku":"MFER003","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_3270-copia.jpg?v=1768400333"},{"product_id":"mario-schifano-case","title":"Mario Schifano - Houses","description":"","brand":"Mazzarra Guido abbassata da 2200 a 1500€","offers":[{"title":"Default Title","offer_id":56211681018242,"sku":"GMAZ002","price":2200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/20180131_102106_001.jpg?v=1768401435"},{"product_id":"mimmo-rotella-a-qualcuno-piace-caldo-2","title":"Mimmo Rotella - Some Like It Hot","description":"","brand":"Cellai Alessandro","offers":[{"title":"Default Title","offer_id":56212023050626,"sku":"ACEL002","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_9888-copia.jpg?v=1768402998"},{"product_id":"mimmo-rotella-cera-una-volta-2","title":"Mimmo Rotella - Once Upon a Time","description":"","brand":"Cellai Alessandro","offers":[{"title":"Default Title","offer_id":56212023116162,"sku":null,"price":6000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_9881-copia.jpg?v=1768403001"},{"product_id":"mimmo-rotella-chanel-n-5","title":"Mimmo Rotella - Chanel No. 5","description":"\u003cp style=\"text-align: justify;\"\u003eThe work was conceived using the Décollage technique, used by various artists since the 1950s, which involves layering posters or flyers, which are then gradually torn away. This technique is undoubtedly linked primarily to the poetics of the object, as it involves the use of discarded materials from consumer society, but also to Pop Art's interest in mass media, as well as to an artistic gesture, as the artist tears down the posters.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThe work is part of Mimmo Rotella's famous decollage series. The object, composed of overlapping posters, is reconfigured by the artist through the act of tearing. This practice simply introduces the accidental nature of reality directly and suddenly into the artwork, giving it a new meaning. The tears, which mimic the ravages of time or weather on the posters, shift the work from an abstract dimension to the concrete dimension of existence.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Mimmo Rotella (Catanzaro 1918-Milan 2006) was an artist deeply engaged in experimenting with new artistic languages ​​in the second half of the 20th century. After some experiments with phonetic poetry, he created his first décollages in 1954. In Paris, he participated in the Nouveau Réalisme movement, and his interest in the poetics of mechanical processes was also expressed through the creation of Mec-art, or processes of serial image transcription.\u003c\/p\u003e","brand":"Frigo Maria","offers":[{"title":"Default Title","offer_id":56212684308866,"sku":"MFRI003","price":3500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/marilyn-chanel-5.jpg?v=1768406458"},{"product_id":"mario-schifano-esso","title":"Mario Schifano - It","description":"\u003cp style=\"text-align: justify;\"\u003e The work draws on a pop aesthetic in its use of sign elements and their serial repetition. Pop Art was born in the United States in the second half of the 20th century as an interest\/critique by artists of the contemporary \"consumer society.\" All expressions of Pop Art presuppose a sort of double bond with the world of consumerism and the mass media. On the one hand, the artwork is reduced to a mere consumer product, thanks to the use of advertising language in the works and their serial reproduction through mechanical processes. On the other, it is the advertising images and consumer goods themselves that become works of art, as the most genuine and truthful expression of the new society.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThis work is emblematic of Mario Schifano's Pop art, but it also demonstrates connections with the poetics of the object brought to the fore by the New Dada and Nouveau Réalisme movements. Indeed, the process involves the depiction of an everyday, mass-produced image\/object. The image, in this case the sign of an oil company, is reproduced in a mechanical, stereotypical manner, but is tainted by Schifano's pictorialism, using a technique that takes into account the gestures of Abstract Expressionism. The color interferes with the object, creating emotional tension, further enhanced by the use of dripping, which causes the paint to flow outward onto the image.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eMario Schifano was a Roman artist born in 1934 in Homs, Libya. He was the leading exponent of the Piazza del Popolo School. This group of painters met at the Caffè Rosati and shared an artistic language inspired by Pop Art, but with a new sensibility also influenced by the experiments of American Abstract Expressionism. The use of symbols of consumer society, repeated serially, is distinctly Pop, but their pictorial interpretation, whether dirty or textured, or using gestural techniques like dripping, offers a new vision and a different reconfiguration. Mario Schifano passed away in Rome in 1998.\u003c\/p\u003e","brand":"Savegnago Piergiorgio 500€","offers":[{"title":"Default Title","offer_id":56212950155650,"sku":"PSAV013","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/schifano-1-2.jpg?v=1768407815"},{"product_id":"mario-schifano-coca-cola-2","title":"Mario Schifano - Coca-Cola","description":"\u003cp style=\"text-align: justify;\"\u003eThe work draws on a pop aesthetic in its use of sign elements and their serial repetition. Pop Art was born in the United States in the second half of the 20th century as an interest\/critique by artists of the contemporary \"consumer society.\" All expressions of Pop Art presuppose a sort of double bond with the world of consumerism and the mass media. On the one hand, the artwork is reduced to a mere consumer product, thanks to the use of advertising language in the works and their serial reproduction through mechanical processes. On the other, it is the advertising images and consumer goods themselves that become works of art, as the most genuine and truthful expression of the new society.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThis work is emblematic of Mario Schifano's Pop art, but it also demonstrates connections with the poetics of the object brought to the fore by the New Dada and Nouveau Réalisme movements. Indeed, the process involves the depiction of an everyday, mass-produced image\/object. The image, in this case the label of a famous soft drink, is reproduced in a mechanical, stereotypical manner, but is tainted by Schifano's pictorialism, using a technique that takes into account the gestures of Abstract Expressionism. The color interferes with the object, creating emotional tension, further enhanced by the use of dripping, which causes the paint to flow outward onto the image.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eMario Schifano was a Roman artist born in 1934 in Homs, Libya. He was the leading exponent of the Piazza del Popolo School. This group of painters met at the Caffè Rosati and shared an artistic language inspired by Pop Art, but with a new sensibility also influenced by the experiments of American Abstract Expressionism. The use of symbols of consumer society, repeated serially, is distinctly Pop, but their pictorial interpretation, whether dirty or textured, or using gestural techniques like dripping, offers a new vision and a different reconfiguration. Mario Schifano passed away in Rome in 1998.\u003c\/p\u003e","brand":"Savegnago Piergiorgio 500€","offers":[{"title":"Default Title","offer_id":56212950188418,"sku":"PSAV014","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/schifano-3-2.jpg?v=1768407816"},{"product_id":"mario-schifano-acquario","title":"Mario Schifano - Aquarium","description":"\u003cp style=\"text-align: justify;\"\u003eThe work draws on a pop aesthetic in its use of famous or mass-produced images and their pictorial reworking. Pop Art emerged in the United States in the second half of the 20th century as a result of artists' interest in and critique of the contemporary \"consumer society.\" All expressions of Pop Art presuppose a sort of double bond with the world of consumerism and mass media. On the one hand, the artwork is reduced to a mere consumer product, thanks to the use of advertising language in the works and their serial reproduction through mechanical processes. On the other hand, as in this case, the mass-produced images themselves become works of art, as a more genuine and truthful expression of the new society and thanks to the artist's recontextualization.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eIn this series of works, we can appreciate Mario Schifano's different approach to mass-produced and popular images (in this case, four fish in an aquarium). The underlying concept is always the same: to reconfigure a familiar, even banal, image through a pictorial process. This pictorial process, as always with Schifano, involves gestural techniques akin to American Abstract Expressionism. The difference in this series of works is that the artist, with his gestures, affects only the background, recreating the pop image in negative. Compositionally, we can appreciate how the image and the artist's gestures interact, blending together thanks to the effects of paint dripping.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eMario Schifano was a Roman artist born in 1934 in Homs, Libya. He was the leading exponent of the Piazza del Popolo School. This group of painters met at the Caffè Rosati and shared an artistic language inspired by Pop Art, but with a new sensibility also influenced by the experiments of American Abstract Expressionism. The use of symbols of consumer society, repeated serially, is distinctly Pop, but their pictorial interpretation, whether dirty or textured, or using gestural techniques like dripping, offers a new vision and a different reconfiguration. Mario Schifano passed away in Rome in 1998.\u003c\/p\u003e","brand":"Savegnago Piergiorgio 500€","offers":[{"title":"Default Title","offer_id":56212950253954,"sku":"PSAV017","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/schifano-2-2.jpg?v=1768407819"},{"product_id":"andy-warhol-marilyn","title":"Andy Warhol - Marilyn","description":"\u003cp style=\"text-align: justify;\"\u003eThe work draws on a pop aesthetic in its use of famous or mass-produced images and their mechanical reworking. Pop Art emerged in the United States in the second half of the 20th century as a result of artists' interest in and critique of the contemporary \"consumer society.\" All expressions of Pop Art presuppose a sort of double bond with the world of consumerism and mass media. On the one hand, the artwork is reduced to a mere consumer product, thanks to the use of advertising language in the works and their serial reproduction through mechanical processes. On the other hand, as in this case, the mass-produced images themselves become works of art, as a more genuine and truthful expression of the new society and thanks to the artist's recontextualization.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThe work is emblematic of the research of Andy Warhol, founder and leading exponent of Pop Art. The iconic image of the diva, the quintessential symbol of mass media culture, becomes a work of art itself. The painter's intervention merely recontextualizes the image, always within the context of a reflection on the new languages ​​of seriality. Mechanical reproduction thus becomes the primary means of creating and disseminating the artwork, which itself becomes an object of consumption. Formally, the color is saturated in accordance with the new demands dictated by the advertising image.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAndy Warhol, pseudonym of Andrew Warhola Jr. (Pittsburgh, August 6, 1928 – New York, February 22, 1987), was an American painter, sculptor, screenwriter, producer, director, cinematographer, editor, and actor. He was one of the most important figures in the Pop Art movement. His artistic output encompassed a multitude of works, which he serially reproduced. The activities and experiments of his Factory defined an era and made him one of the most influential figures in 20th-century culture.\u003c\/p\u003e","brand":"Belcaro Alessandro 2950","offers":[{"title":"Default Title","offer_id":56213558362498,"sku":"ABEL001","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_20190529_143321.jpg?v=1768409963"},{"product_id":"mario-schifano-europa","title":"Mario Schifano - Europe","description":"","brand":"Berti Giovanni 3500€","offers":[{"title":"Default Title","offer_id":56215613866370,"sku":"GBER006","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-20200121-WA0012.jpg?v=1768427847"},{"product_id":"andy-warhol-marylin","title":"Andy Warhol - Marilyn","description":"\u003cp\u003eThe work draws on a pop aesthetic in its use of famous or mass-produced images and their mechanical reworking. Pop Art emerged in the United States in the second half of the 20th century as a result of artists' interest in and critique of the contemporary \"consumer society.\" All expressions of Pop Art presuppose a sort of double bond with the world of consumerism and mass media. On the one hand, the artwork is reduced to a mere consumer product, thanks to the use of advertising language in the works and their serial reproduction through mechanical processes. On the other hand, as in this case, the mass-produced images themselves become works of art, as a more genuine and truthful expression of the new society and thanks to the artist's recontextualization.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work is emblematic of the research of Andy Warhol, founder and leading exponent of Pop Art. The iconic image of the diva, the quintessential symbol of mass media culture, becomes a work of art itself. The painter's intervention merely recontextualizes the image, always within the context of a reflection on the new languages ​​of seriality. Mechanical reproduction thus becomes the primary means of creating and disseminating the artwork, which itself becomes an object of consumption. Formally, the color is saturated in accordance with the new demands dictated by the advertising image.\u003c\/p\u003e\n\n\n \u003cp\u003eAndy Warhol, pseudonym of Andrew Warhola Jr. (Pittsburgh, August 6, 1928 – New York, February 22, 1987), was an American painter, sculptor, screenwriter, producer, director, cinematographer, editor, and actor. Warhol was one of the most important figures in the Pop Art movement. His artistic output encompassed a multitude of works, which he serially reproduced. The activities and experiments of his Factory defined an era and made him one of the most influential figures in 20th-century culture.\u003c\/p\u003e","brand":"Zattoni Paolo abbassata da 12000 a 6500\/7000€","offers":[{"title":"Default Title","offer_id":56217834815874,"sku":"PZAT00","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/2-copia_6b79f67b-532c-4055-8102-e5135fe68594.jpg?v=1768468684"},{"product_id":"andy-warhol-marilyn-monroe","title":"Andy Warhol - Marilyn Monroe","description":"\u003cp\u003e The work draws on a pop aesthetic in its use of famous or mass-produced images and their mechanical reworking. Pop Art emerged in the United States in the second half of the 20th century as a result of artists' interest in and critique of the contemporary \"consumer society.\" All expressions of Pop Art presuppose a sort of double bond with the world of consumerism and mass media. On the one hand, the artwork is reduced to a mere consumer product, thanks to the use of advertising language in the works and their serial reproduction through mechanical processes. On the other hand, as in this case, the mass-produced images themselves become works of art, as a more genuine and truthful expression of the new society and thanks to the artist's recontextualization.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work is emblematic of the research of Andy Warhol, founder and leading exponent of Pop Art. The iconic image of the diva, the quintessential symbol of mass media culture, becomes a work of art itself. The painter's intervention merely recontextualizes the image, always within the context of a reflection on the new languages ​​of seriality. Mechanical reproduction thus becomes the primary means of creating and disseminating the artwork, which itself becomes an object of consumption. Formally, the color is saturated in accordance with the new demands dictated by the advertising image.\u003c\/p\u003e\n\n\n \u003cp\u003eThe silkscreen was inspired by Andy Warhol's famous work, which immortalized the diva's face in various versions. In 1970, the artist allowed two Belgian friends to produce a series of silkscreens featuring Marilyn's face, based on the original silkscreen, distinguishable by some color variations and the wording \"published by Sunday B. Morning.\" Andy Warhol, pseudonym of Andrew Warhola Jr. (Pittsburgh, August 6, 1928 – New York, February 22, 1987), was an American painter, sculptor, screenwriter, producer, director, cinematographer, editor, and actor. Warhol was one of the most important figures in the Pop Art movement. His artistic output included a multitude of works, which he serially reproduced. The activities and experiments of his Factory defined an era and made him one of the most influential figures in 20th-century culture.\u003c\/p\u003e","brand":"Boscolo Lino","offers":[{"title":"Default Title","offer_id":56217928434050,"sku":"LBOS001","price":1280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/ANDY-WARHOL-OPERA-FRONTE.jpg?v=1768469624"},{"product_id":"mario-schifano-acerbo","title":"Mario Schifano - Acerbo","description":"\u003cp\u003e The \"Still Life\" genre emerged in the early 17th century. It consisted of the depiction of compositions of inanimate subjects, most often flowers or fruit. While initially it was an opportunity for painters to experiment with a naturalistic or photographic reproduction of reality, with contemporary art the \"Still Life\" also became a way of interpreting reality. Indeed, as happened, for example, in the Cubist avant-garde or in Giorgio Morandi, the in-depth exploration of objects was aimed at a conceptual representation, taken beyond the simple sensory element. In this silkscreen, Mario Schifano takes the still life subject to its extremes, which, consistent with his research, becomes a powerful gestural expression and arises from a profound reflection on the relationship between art, mass imagery, and technology.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work was executed in an expressionist and abstract manner. The still life is interpreted in an extremely synthetic manner, with an almost brutal exercise in reduction. The surface is completely two-dimensional, with no allowance for spatial depth. The brushstrokes delineate the forms in a very tormented and nervous manner. Color is used according to an emotional and spiritual interpretation, without any connection to reality. The work is therefore highly indicative of the artist's conception of the reproduction of reality. For Mario Schifano, the two-dimensionality of the painted surface is comparable to that of a television screen, a computer monitor. For this reason, his pictorial approach, linked to the gesturality of American Abstract Expressionism, can also be interpreted as interference, an electrical disturbance in a vision of the world filtered through technology. Furthermore, there is another relevant theme, more closely linked to a Pop aesthetic. The images Schifano takes are always banal, stereotypical, like kitsch postcards (like the still life, an overused genre in the history of art). But the artist's pictorialism acts on the massified image, giving a new meaning and a new poetics to what is ordinary and mediocre.\u003c\/p\u003e\n\n\n \u003cp\u003eMario Schifano was a Roman artist born in 1934 in Homs, Libya. He was the leading exponent of the Piazza del Popolo School. This group of painters met at the Caffè Rosati and shared an artistic language inspired by Pop Art, but with a new sensibility also influenced by the experiments of American Abstract Expressionism. The use of symbols of consumer society, repeated serially, is distinctly Pop, but their pictorial interpretation, whether dirty or textured, or using gestural techniques like dripping, offers a new vision and a different reconfiguration. Mario Schifano passed away in Rome in 1998.\u003c\/p\u003e","brand":"Catania Andrea abbassata da 1000 a 600€","offers":[{"title":"Default Title","offer_id":56217995542914,"sku":"ACAT001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2021-09-01-11-27-01.jpg?v=1768470060"},{"product_id":"robert-indiana-classic-love","title":"ROBERT INDIANA - CLASSIC LOVE","description":"\u003cp\u003e Robert Indiana (New Castle, Indiana, USA, 1928) once said he considered himself the\u003cbr\u003e\n least pop among pop artists. He would like to think of his work primarily as\u003cbr\u003e\n autobiographical. Indiana, although he sometimes used literary and historical references in his\u003cbr\u003e\n works of art, supports the use of the written word in art. Language understood as\u003cbr\u003e\n social message was the definition of his mantra. The works HOPE and LOVE by\u003cbr\u003e\n Robert Indiana are undoubtedly his most recognizable and sought-after pieces, having by now\u003cbr\u003e\n assumed iconic status. The exaggerated use of scale, exhibited in his letters of enormous\u003cbr\u003e \nsize, and bright colors can be characteristic of the Pop Art period, years\u003cbr\u003e\n during which these works came to light, however it would be reductive to suggest that\u003cbr\u003e\n simply the captivating quality of Indiana's sculptures allowed them to\u003cbr\u003e\n transcend their own time and reach us today. The eternity of these sculptures can\u003cbr\u003e\n be attributed only to Indiana's encapsulation of the primary desire\u003cbr\u003e\n human to feel and experience the joys of love and hope, an understanding\u003cbr\u003e\n that speaks universally to viewers around the world.\u003c\/p\u003e","brand":"Marco Andolfi 3800€ abbassata a 3400€","offers":[{"title":"Default Title","offer_id":56218227081602,"sku":"MAND024","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/ANDOLFI-24.jpg?v=1768472045"},{"product_id":"robert-indiana-german-love-2","title":"ROBERT INDIANA - GERMAN LOVE","description":"\u003cp\u003e Robert Indiana (New Castle, Indiana, USA, 1928) once said he considered himself the\u003cbr\u003e\n least pop among pop artists. He would like to think of his work primarily as\u003cbr\u003e \nautobiographical. Indiana, although he sometimes used literary and historical references in his\u003cbr\u003e\n works of art, supports the use of the written word in art. Language understood as\u003cbr\u003e\n social message was the definition of his mantra. The works HOPE and LOVE by\u003cbr\u003e\n Robert Indiana are undoubtedly his most recognizable and sought-after pieces, having by now\u003cbr\u003e\n assumed iconic status. The exaggerated use of scale, exhibited in his letters of enormous\u003cbr\u003e\n size, and bright colors can be characteristic of the Pop Art period, years\u003cbr\u003e\n during which these works came to light, however it would be reductive to suggest that\u003cbr\u003e\n simply the captivating quality of Indiana's sculptures allowed them to\u003cbr\u003e\n transcend their own time and reach us today. The eternity of these sculptures can\u003cbr\u003e\n be attributed only to Indiana's encapsulation of the primary desire\u003cbr\u003e\n human to feel and experience the joys of love and hope, an understanding\u003cbr\u003e \nthat speaks universally to viewers around the world.\u003c\/p\u003e","brand":"Marco Andolfi","offers":[{"title":"Default Title","offer_id":56218228916610,"sku":"MAND025","price":8000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/ANDOLFI-25-BIS.jpg?v=1768472048"},{"product_id":"robert-indiana-german-love-2-2","title":"ROBERT INDIANA - GERMAN LOVE","description":"\u003cp\u003eRobert Indiana (New Castle, Indiana, USA, 1928) once said he considered himself the\u003cbr\u003e\n least pop among pop artists. He would like to think of his work primarily as\u003cbr\u003e\n autobiographical. Indiana, although he sometimes used literary and historical references in his\u003cbr\u003e\n works of art, supports the use of the written word in art. Language understood as\u003cbr\u003e\n social message was the definition of his mantra. The works HOPE and LOVE by\u003cbr\u003e\n Robert Indiana are undoubtedly his most recognizable and sought-after pieces, having by now\u003cbr\u003e\n assumed iconic status. The exaggerated use of scale, exhibited in his letters of enormous\u003cbr\u003e\n size, and bright colors can be characteristic of the Pop Art period, years\u003cbr\u003e\n during which these works came to light, however it would be reductive to suggest that\u003cbr\u003e\n simply the captivating quality of Indiana's sculptures allowed them to\u003cbr\u003e\n transcend their own time and reach us today. The eternity of these sculptures can\u003cbr\u003e \nbe attributed only to Indiana's encapsulation of the primary desire\u003cbr\u003e\n human to feel and experience the joys of love and hope, an understanding\u003cbr\u003e\n that speaks universally to viewers around the world.\u003c\/p\u003e","brand":"Marco Andolfi","offers":[{"title":"Default Title","offer_id":56218229113218,"sku":"MAND026","price":8000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/ANDOLFI-26-BIS.jpg?v=1768472050"},{"product_id":"robert-indiana-german-love-2-2-2","title":"ROBERT INDIANA -Czech Love","description":"\u003cp\u003e Robert Indiana (New Castle, Indiana, USA, 1928) once said he considered himself the\u003cbr\u003e\n least pop among pop artists. He would like to think of his work primarily as\u003cbr\u003e \nautobiographical. Indiana, although he sometimes used literary and historical references in his\u003cbr\u003e\n works of art, supports the use of the written word in art. Language understood as\u003cbr\u003e\n social message was the definition of his mantra. The works HOPE and LOVE by\u003cbr\u003e\n Robert Indiana are undoubtedly his most recognizable and sought-after pieces, having by now\u003cbr\u003e\n assumed iconic status. The exaggerated use of scale, exhibited in his letters of enormous\u003cbr\u003e\n size, and bright colors can be characteristic of the Pop Art period, years\u003cbr\u003e\n during which these works came to light, however it would be reductive to suggest that\u003cbr\u003e\n simply the captivating quality of Indiana's sculptures allowed them to\u003cbr\u003e\n transcend their own time and reach us today. The eternity of these sculptures can\u003cbr\u003e\n be attributed only to Indiana's encapsulation of the primary desire\u003cbr\u003e\n human to feel and experience the joys of love and hope, an understanding\u003cbr\u003e \nthat speaks universally to viewers around the world.\u003c\/p\u003e","brand":"Marco Andolfi 3000","offers":[{"title":"Default Title","offer_id":56218229735810,"sku":"MAND028","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/ANDOLFI-28-BIS.jpg?v=1768472052"},{"product_id":"aligi-sassu-momenti-di-pace-2-2","title":"ALIGI SASSU - Moments of Peace","description":"\u003cdiv\u003e ORIGINAL 20-COLOR SILKSCREEN PRINT ON JADE CONSTELLATION WATERCOLOR CARDBOARD 70 X 50 CM MADE IN VENICE ON FIORENZO FALLANI'S FRAMES IN 225 COPIES, EACH WITH THE ARTIST'S AUTOGRAPHED SIGNATURE AND THE IMPRESSION OF THE SANZANOBI SEAL TO GUARANTEE ITS AUTHENTICITY\u003c\/div\u003e\n\n\u003cdiv\u003e\u003c\/div\u003e\n\n\u003cdiv\u003e\n\n\r \nAligi Sassu was born in Milan, \u003ca title=\"Lombardy\" href=\"https:\/\/it.wikipedia.org\/wiki\/Lombardia\" target=\"_blank\" rel=\"noopener\"\u003eLombardy\u003c\/a\u003e , to Lina Pedretti, originally from \u003ca title=\"Parma\" href=\"https:\/\/it.wikipedia.org\/wiki\/Parma\" target=\"_blank\" rel=\"noopener\"\u003eParma\u003c\/a\u003e , and Antonio Sassu, \u003ca title=\"Sardinia\" href=\"https:\/\/it.wikipedia.org\/wiki\/Sardegna\" target=\"_blank\" rel=\"noopener\"\u003ea Sardinian\u003c\/a\u003e , who in \u003ca title=\"1894\" href=\"https:\/\/it.wikipedia.org\/wiki\/1894\" target=\"_blank\" rel=\"noopener\"\u003e1894\u003c\/a\u003e had been one of the founders of the \u003ca title=\"Italian Socialist Party\" href=\"https:\/\/it.wikipedia.org\/wiki\/Partito_Socialista_Italiano\" target=\"_blank\" rel=\"noopener\"\u003eItalian Socialist Party\u003c\/a\u003e in \u003ca title=\"Sassari\" href=\"https:\/\/it.wikipedia.org\/wiki\/Sassari\" target=\"_blank\" rel=\"noopener\"\u003eSassari\u003c\/a\u003e and who had moved to Milan in \u003ca title=\"1896\" href=\"https:\/\/it.wikipedia.org\/wiki\/1896\" target=\"_blank\" rel=\"noopener\"\u003e1896.\u003c\/a\u003e His father, a close friend of \u003ca title=\"Carlo Carrà\" href=\"https:\/\/it.wikipedia.org\/wiki\/Carlo_Carr%C3%A0\" target=\"_blank\" rel=\"noopener\"\u003eCarlo Carrà\u003c\/a\u003e , took him in 1919, when he was just seven years old, to the \u003ci\u003eNational \u003ca title=\"Futurism\" href=\"https:\/\/it.wikipedia.org\/wiki\/Futurismo\" target=\"_blank\" rel=\"noopener\"\u003eFuturist\u003c\/a\u003e Exhibition\u003c\/i\u003e at the \u003ci\u003eMoretti Gallery\u003c\/i\u003e in \u003ci\u003ePalazzo Cova\u003c\/i\u003e , which brought together the greatest Futurists and the younger generation.\r \n\r \nAt the beginning of \u003ca title=\"1921\" href=\"https:\/\/it.wikipedia.org\/wiki\/1921\" target=\"_blank\" rel=\"noopener\"\u003e1921\u003c\/a\u003e the Sassu family moved back to \u003ca title=\"Sardinia\" href=\"https:\/\/it.wikipedia.org\/wiki\/Sardegna\" target=\"_blank\" rel=\"noopener\"\u003eSardinia\u003c\/a\u003e , to \u003ca title=\"Thiesi\" href=\"https:\/\/it.wikipedia.org\/wiki\/Thiesi\" target=\"_blank\" rel=\"noopener\"\u003eThiesi\u003c\/a\u003e in the province of Sassari, where Antonio opened a shop. There Aligi attended elementary school and became acquainted for the first time with \u003ca title=\"Equus caballus\" href=\"https:\/\/it.wikipedia.org\/wiki\/Equus_caballus\" target=\"_blank\" rel=\"noopener\"\u003ehorses\u003c\/a\u003e , which would later become his \u003ci\u003e\u003ca title=\"Brand\" href=\"https:\/\/it.wikipedia.org\/wiki\/Marchio\" target=\"_blank\" rel=\"noopener\"\u003etrademark\u003c\/a\u003e\u003c\/i\u003e , and the bright colours of Sardinia which would permeate his \u003ca title=\"Painting\" href=\"https:\/\/it.wikipedia.org\/wiki\/Pittura\" target=\"_blank\" rel=\"noopener\"\u003epainting\u003c\/a\u003e . After a three-year stay, the family returned to Milan and here Aligi showed even more his interest in \u003ca title=\"Reading\" href=\"https:\/\/it.wikipedia.org\/wiki\/Lettura\" target=\"_blank\" rel=\"noopener\"\u003ereading\u003c\/a\u003e and \u003ca class=\"mw-redirect\" title=\"Futurist\" href=\"https:\/\/it.wikipedia.org\/wiki\/Futurista\" target=\"_blank\" rel=\"noopener\"\u003efuturist\u003c\/a\u003e \u003ca title=\"Art\" href=\"https:\/\/it.wikipedia.org\/wiki\/Arte\" target=\"_blank\" rel=\"noopener\"\u003eart\u003c\/a\u003e . \u003csup id=\"cite_ref-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Aligi_Sassu#cite_note-1\" target=\"_blank\" rel=\"noopener\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e\n \u003cdiv class=\"thumb tright\"\u003e\n\n\u003cdiv class=\"thumbinner\"\u003e\n\n\n\u003ca class=\"image\" href=\"https:\/\/it.wikipedia.org\/wiki\/File:Statue_%22Grande_cavallo_impennato%22_by_Aligi_Sassu_in_Piazza_San_Magno_Legnano.jpeg\" target=\"_blank\" rel=\"noopener\"\u003e\u003cimg class=\"thumbimage\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/3\/3e\/Statue_%22Grande_cavallo_impennato%22_by_Aligi_Sassu_in_Piazza_San_Magno_Legnano.jpeg\/220px-Statue_%22Grande_cavallo_impennato%22_by_Aligi_Sassu_in_Piazza_San_Magno_Legnano.jpeg\" srcset=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/3\/3e\/Statue_%22Grande_cavallo_impennato%22_by_Aligi_Sassu_in_Piazza_San_Magno_Legnano.jpeg\/330px-Statue_%22Grande_cavallo_impennato%22_by_Aligi_Sassu_in_Piazza_San_Magno_Legnano.jpeg 1.5x, https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/3\/3e\/Statue_%22Grande_cavallo_impennato%22_by_Aligi_Sassu_in_Piazza_San_Magno_Legnano.jpeg\/440px-Statue_%22Grande_cavallo_impennato%22_by_Aligi_Sassu_in_Piazza_San_Magno_Legnano.jpeg 2x\" alt=\"\" width=\"220\" height=\"293\" data-file-width=\"2448\" data-file-height=\"3264\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"thumbcaption\"\u003e\n\n\u003cdiv class=\"magnify\"\u003e\u003c\/div\u003e\n\n Sculpture by Aligi Sassu, Legnano\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\r \nIn \u003ca title=\"1925\" href=\"https:\/\/it.wikipedia.org\/wiki\/1925\" target=\"_blank\" rel=\"noopener\"\u003e1925\u003c\/a\u003e , with his family now in financial straits, he was forced to leave school. Initially, he worked as an apprentice at \u003ci\u003ePressa\u003c\/i\u003e , a \u003ca title=\"Lithography\" href=\"https:\/\/it.wikipedia.org\/wiki\/Litografia\" target=\"_blank\" rel=\"noopener\"\u003elithographic\u003c\/a\u003e workshop; the following year, he worked as an assistant to a mural decorator; at the same time, by attending evening classes, he managed to complete his studies. Together with his friend and futurist \u003ca class=\"mw-redirect\" title=\"Designer\" href=\"https:\/\/it.wikipedia.org\/wiki\/Designer\" target=\"_blank\" rel=\"noopener\"\u003edesigner\u003c\/a\u003e \u003ca title=\"Bruno Munari\" href=\"https:\/\/it.wikipedia.org\/wiki\/Bruno_Munari\" target=\"_blank\" rel=\"noopener\"\u003eBruno Munari\u003c\/a\u003e , he introduced himself to \u003ca title=\"Philip Thomas Marinetti\" href=\"https:\/\/it.wikipedia.org\/wiki\/Filippo_Tommaso_Marinetti\" target=\"_blank\" rel=\"noopener\"\u003eFilippo Tommaso Marinetti\u003c\/a\u003e , the founder of \u003ca title=\"Futurism\" href=\"https:\/\/it.wikipedia.org\/wiki\/Futurismo\" target=\"_blank\" rel=\"noopener\"\u003eFuturism\u003c\/a\u003e . This meeting was fruitful: in \u003ca title=\"1928\" href=\"https:\/\/it.wikipedia.org\/wiki\/1928\" target=\"_blank\" rel=\"noopener\"\u003e1928,\u003c\/a\u003e he was invited by Marinetti to participate with his works in the \u003ca title=\"Venice Biennale\" href=\"https:\/\/it.wikipedia.org\/wiki\/Biennale_di_Venezia\" target=\"_blank\" rel=\"noopener\"\u003eVenice Biennale\u003c\/a\u003e .\r \n\r \nShortly afterwards, together with Bruno Munari, he defined the \u003ci\u003eManifesto of Painting \"Dynamism and Muscular Reform\"\u003c\/i\u003e (which remained unpublished until 1977), assuming as its basic premise the representation of dynamic, anti-naturalistic forms. In those years, thanks to his father's friendships, he was able to become familiar with the works of \u003ca title=\"Umberto Boccioni\" href=\"https:\/\/it.wikipedia.org\/wiki\/Umberto_Boccioni\" target=\"_blank\" rel=\"noopener\"\u003eBoccioni\u003c\/a\u003e and \u003ca title=\"Carlo Carrà\" href=\"https:\/\/it.wikipedia.org\/wiki\/Carlo_Carr%C3%A0\" target=\"_blank\" rel=\"noopener\"\u003eCarlo Carrà\u003c\/a\u003e , \u003ca title=\"Gaetano Previati\" href=\"https:\/\/it.wikipedia.org\/wiki\/Gaetano_Previati\" target=\"_blank\" rel=\"noopener\"\u003eGaetano Previati\u003c\/a\u003e , \u003ca title=\"Giant X\" href=\"https:\/\/it.wikipedia.org\/wiki\/Giandante_X\" target=\"_blank\" rel=\"noopener\"\u003eGiandante X\u003c\/a\u003e (as Dante Persico was known), and \u003ca class=\"new\" title=\"Giuseppe Gorgerino (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Giuseppe_Gorgerino\u0026amp;action=edit\u0026amp;redlink=1\" target=\"_blank\" rel=\"noopener\"\u003eGiuseppe Gorgerino\u003c\/a\u003e , and he sometimes drew inspiration from them in his paintings. He studied \u003ca class=\"mw-redirect\" title=\"Picasso\" href=\"https:\/\/it.wikipedia.org\/wiki\/Picasso\" target=\"_blank\" rel=\"noopener\"\u003ePicasso\u003c\/a\u003e , \u003ca title=\"Diego Velázquez\" href=\"https:\/\/it.wikipedia.org\/wiki\/Diego_Vel%C3%A1zquez\" target=\"_blank\" rel=\"noopener\"\u003eDiego Velázquez\u003c\/a\u003e , and the plastic \u003ca title=\"Nudity\" href=\"https:\/\/it.wikipedia.org\/wiki\/Nudit%C3%A0\" target=\"_blank\" rel=\"noopener\"\u003enude\u003c\/a\u003e . From this period is \u003ci\u003eThe Last Supper\u003c\/i\u003e , the painting that epitomizes the art of Aligi Sassu and, in the modern clothing of the characters and the urban setting, foreshadows what would be his future style.\r \n\r \nIn the years between \u003ca title=\"1927\" href=\"https:\/\/it.wikipedia.org\/wiki\/1927\" target=\"_blank\" rel=\"noopener\"\u003e1927\u003c\/a\u003e and \u003ca title=\"1929\" href=\"https:\/\/it.wikipedia.org\/wiki\/1929\" target=\"_blank\" rel=\"noopener\"\u003e1929\u003c\/a\u003e he painted mostly small-sized pictures, often having \u003ca title=\"Sport\" href=\"https:\/\/it.wikipedia.org\/wiki\/Sport\" target=\"_blank\" rel=\"noopener\"\u003esport\u003c\/a\u003e , \u003ca title=\"Industry\" href=\"https:\/\/it.wikipedia.org\/wiki\/Industria\" target=\"_blank\" rel=\"noopener\"\u003eindustry\u003c\/a\u003e and machines as their subject; this is how the \u003ci\u003eCyclists\u003c\/i\u003e , \u003ci\u003ethe Miners\u003c\/i\u003e , \u003ci\u003ethe Worker\u003c\/i\u003e , \u003ci\u003ethe Boxers\u003c\/i\u003e and the \u003ci\u003eRed Men\u003c\/i\u003e were born. With \u003ca title=\"Giacomo Manzù\" href=\"https:\/\/it.wikipedia.org\/wiki\/Giacomo_Manz%C3%B9\" target=\"_blank\" rel=\"noopener\"\u003eGiacomo Manzù\u003c\/a\u003e , \u003ca class=\"new\" title=\"Nino Strada (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Nino_Strada\u0026amp;action=edit\u0026amp;redlink=1\" target=\"_blank\" rel=\"noopener\"\u003eNino Strada\u003c\/a\u003e , \u003ca class=\"new\" title=\"Candido Grassi (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Candido_Grassi\u0026amp;action=edit\u0026amp;redlink=1\" target=\"_blank\" rel=\"noopener\"\u003eCandido Grassi\u003c\/a\u003e , \u003ca class=\"new\" title=\"Giuseppe Occhetti (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Giuseppe_Occhetti\u0026amp;action=edit\u0026amp;redlink=1\" target=\"_blank\" rel=\"noopener\"\u003eGiuseppe Occhetti\u003c\/a\u003e , \u003ca title=\"Gino Pancheri\" href=\"https:\/\/it.wikipedia.org\/wiki\/Gino_Pancheri\" target=\"_blank\" rel=\"noopener\"\u003eGino Pancheri\u003c\/a\u003e , in \u003ca title=\"1930\" href=\"https:\/\/it.wikipedia.org\/wiki\/1930\" target=\"_blank\" rel=\"noopener\"\u003e1930\u003c\/a\u003e he managed to set up his first important exhibition in Milan, also reviewed by Carlo Carrà. In \u003ca title=\"1934\" href=\"https:\/\/it.wikipedia.org\/wiki\/1934\" target=\"_blank\" rel=\"noopener\"\u003e1934\u003c\/a\u003e he stayed for a period of three months in \u003ca title=\"Paris\" href=\"https:\/\/it.wikipedia.org\/wiki\/Parigi\" target=\"_blank\" rel=\"noopener\"\u003eParis\u003c\/a\u003e \u003csup id=\"cite_ref-2\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Aligi_Sassu#cite_note-2\" target=\"_blank\" rel=\"noopener\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e (in rue Elisée des Beaux Artes) studying in depth the works of \u003ca title=\"Henri Matisse\" href=\"https:\/\/it.wikipedia.org\/wiki\/Henri_Matisse\" target=\"_blank\" rel=\"noopener\"\u003eMatisse\u003c\/a\u003e , \u003ca title=\"Théodore Géricault\" href=\"https:\/\/it.wikipedia.org\/wiki\/Th%C3%A9odore_G%C3%A9ricault\" target=\"_blank\" rel=\"noopener\"\u003eThéodore Géricault\u003c\/a\u003e , \u003ca title=\"Eugène Delacroix\" href=\"https:\/\/it.wikipedia.org\/wiki\/Eug%C3%A8ne_Delacroix\" target=\"_blank\" rel=\"noopener\"\u003eDelacroix\u003c\/a\u003e , \u003ca title=\"Paul Cézanne\" href=\"https:\/\/it.wikipedia.org\/wiki\/Paul_C%C3%A9zanne\" target=\"_blank\" rel=\"noopener\"\u003eCezanne\u003c\/a\u003e and the paintings of the nineteenth-century painters exhibited at the \u003ca class=\"mw-redirect\" title=\"Louvre\" href=\"https:\/\/it.wikipedia.org\/wiki\/Louvre\" target=\"_blank\" rel=\"noopener\"\u003eLouvre\u003c\/a\u003e .\r \n\r \nIn particular, the influence of Delacroix and his \u003ci\u003ebattles\u003c\/i\u003e is clearly visible in Sassu's paintings. He returned to Paris the following year and again in early 1936. In \u003ca title=\"1935\" href=\"https:\/\/it.wikipedia.org\/wiki\/1935\" target=\"_blank\" rel=\"noopener\"\u003e1935\u003c\/a\u003e he formed the \u003ci\u003eRed Group\u003c\/i\u003e with \u003ca title=\"Nino Franchina\" href=\"https:\/\/it.wikipedia.org\/wiki\/Nino_Franchina\" target=\"_blank\" rel=\"noopener\"\u003eNino Franchina\u003c\/a\u003e , \u003ca class=\"new\" title=\"Vittorio Della Porta (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Vittorio_Della_Porta\u0026amp;action=edit\u0026amp;redlink=1\" target=\"_blank\" rel=\"noopener\"\u003eVittorio Della Porta\u003c\/a\u003e and others. In 1936 he painted \u003ci\u003eThe Café\u003c\/i\u003e , one of his most famous paintings, depicting \u003ci\u003ethe Coupole\u003c\/i\u003e in \u003ca title=\"Paris\" href=\"https:\/\/it.wikipedia.org\/wiki\/Parigi\" target=\"_blank\" rel=\"noopener\"\u003eParis\u003c\/a\u003e , as well as \u003ci\u003eThe Councils\u003c\/i\u003e , a satirical vision of the clergy of Rome. In the meantime, his political commitment increased and, when the \u003ca title=\"Spanish Civil War\" href=\"https:\/\/it.wikipedia.org\/wiki\/Guerra_civile_spagnola\" target=\"_blank\" rel=\"noopener\"\u003eCivil War\u003c\/a\u003e broke out in \u003ca title=\"Spain\" href=\"https:\/\/it.wikipedia.org\/wiki\/Spagna\" target=\"_blank\" rel=\"noopener\"\u003eSpain\u003c\/a\u003e , he became an active anti-fascist. An anti-Francoist and sympathizer of the Spanish partisans, he painted The \u003ci\u003eShooting in the Asturias\u003c\/i\u003e .\r \n\r \nAccused of conspiracy, locked up in the \u003ca title=\"Regina Coeli Prison\" href=\"https:\/\/it.wikipedia.org\/wiki\/Carcere_di_Regina_Coeli\" target=\"_blank\" rel=\"noopener\"\u003eRegina Coeli prison\u003c\/a\u003e in \u003ca title=\"Rome\" href=\"https:\/\/it.wikipedia.org\/wiki\/Roma\" target=\"_blank\" rel=\"noopener\"\u003eRome\u003c\/a\u003e , he went through a rather problematic period at the end of which he took up painting again. His drawings with mythological subjects and portraits of prisoners date back to this period. He was pardoned in July \u003ca title=\"1938\" href=\"https:\/\/it.wikipedia.org\/wiki\/1938\" target=\"_blank\" rel=\"noopener\"\u003e1938\u003c\/a\u003e , but remained under special surveillance. Only in \u003ca title=\"1941\" href=\"https:\/\/it.wikipedia.org\/wiki\/1941\" target=\"_blank\" rel=\"noopener\"\u003e1941\u003c\/a\u003e was he able to exhibit again: for the first time the \u003ci\u003eUomini rossi\u003c\/i\u003e appeared in public. The exhibition took place in the \"Bottega di Corrente\". Although he had been an active participant in \u003ca title=\"Current (magazine)\" href=\"https:\/\/it.wikipedia.org\/wiki\/Corrente_(rivista)\" target=\"_blank\" rel=\"noopener\"\u003eCorrente\u003c\/a\u003e \u003csup id=\"cite_ref-3\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Aligi_Sassu#cite_note-3\" target=\"_blank\" rel=\"noopener\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e , the periodical of cultural opposition to the regime, Sassu preferred to opt for a \"personal\" exhibition, not adhering to the collective exhibitions of the artists of the time.\r \n\r \nIn \u003ca title=\"1943\" href=\"https:\/\/it.wikipedia.org\/wiki\/1943\" target=\"_blank\" rel=\"noopener\"\u003e1943\u003c\/a\u003e he illustrated \u003ca title=\"Alessandro Manzoni\" href=\"https:\/\/it.wikipedia.org\/wiki\/Alessandro_Manzoni\" target=\"_blank\" rel=\"noopener\"\u003eManzoni\u003c\/a\u003e 's \" \u003ci\u003ePromessi sposi\u003c\/i\u003e \" with fifty-eight watercolours \u003csup id=\"cite_ref-4\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Aligi_Sassu#cite_note-4\" target=\"_blank\" rel=\"noopener\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e . He presented these tables later, in \u003ca title=\"1983\" href=\"https:\/\/it.wikipedia.org\/wiki\/1983\" target=\"_blank\" rel=\"noopener\"\u003e1983\u003c\/a\u003e , in \u003ci\u003eManzoni's house\u003c\/i\u003e in Milan. In \u003ca title=\"1947\" href=\"https:\/\/it.wikipedia.org\/wiki\/1947\" target=\"_blank\" rel=\"noopener\"\u003e1947\u003c\/a\u003e , having moved to the \u003ca title=\"Province of Varese\" href=\"https:\/\/it.wikipedia.org\/wiki\/Provincia_di_Varese\" target=\"_blank\" rel=\"noopener\"\u003eprovince of Varese\u003c\/a\u003e , he worked assiduously, painting in particular \u003ci\u003eCoffee\u003c\/i\u003e , reminiscences of \u003ca title=\"Paris\" href=\"https:\/\/it.wikipedia.org\/wiki\/Parigi\" target=\"_blank\" rel=\"noopener\"\u003eParis\u003c\/a\u003e , and sacred subjects. Shortly afterwards he devoted himself to ceramics, producing around a hundred pieces. Returning to Sardinia in \u003ca title=\"1950\" href=\"https:\/\/it.wikipedia.org\/wiki\/1950\" target=\"_blank\" rel=\"noopener\"\u003e1950\u003c\/a\u003e , he drew inspiration from the landscapes that surrounded him and painted scenes of peasant and seafaring life, such as the \u003ci\u003eTonnare\u003c\/i\u003e ; he studied the \u003ca class=\"mw-redirect\" title=\"Murals\" href=\"https:\/\/it.wikipedia.org\/wiki\/Murales\" target=\"_blank\" rel=\"noopener\"\u003emurals\u003c\/a\u003e and muralists \u003ca title=\"Diego Rivera\" href=\"https:\/\/it.wikipedia.org\/wiki\/Diego_Rivera\" target=\"_blank\" rel=\"noopener\"\u003eDiego Rivera\u003c\/a\u003e and \u003ca title=\"Jose Clemente Orozco\" href=\"https:\/\/it.wikipedia.org\/wiki\/Jos%C3%A9_Clemente_Orozco\" target=\"_blank\" rel=\"noopener\"\u003eJosé Clemente Orozco\u003c\/a\u003e , and then \u003ca title=\"Vincent van Gogh\" href=\"https:\/\/it.wikipedia.org\/wiki\/Vincent_van_Gogh\" target=\"_blank\" rel=\"noopener\"\u003eVincent van Gogh\u003c\/a\u003e and \u003ca title=\"Piero della Francesca\" href=\"https:\/\/it.wikipedia.org\/wiki\/Piero_della_Francesca\" target=\"_blank\" rel=\"noopener\"\u003ePiero della Francesca\u003c\/a\u003e . Notable from that period is \u003ci\u003eLa Minia\u003c\/i\u003e , the fresco in the guesthouse of the mines of Monteponi (Iglesias) and not only for its dimensions, 3.50 m by 12 m.\n \u003cdiv class=\"thumb tright\"\u003e\n\n\u003cdiv class=\"thumbinner\"\u003e\n\n\n\u003ca class=\"image\" href=\"https:\/\/it.wikipedia.org\/wiki\/File:Aligi_Sassu,_Martiri_di_Piazzale_Loreto,_(1944).jpg\" target=\"_blank\" rel=\"noopener\"\u003e\u003cimg class=\"thumbimage\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/e\/ed\/Aligi_Sassu%2C_Martiri_di_Piazzale_Loreto%2C_%281944%29.jpg\/220px-Aligi_Sassu%2C_Martiri_di_Piazzale_Loreto%2C_%281944%29.jpg\" srcset=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/e\/ed\/Aligi_Sassu%2C_Martiri_di_Piazzale_Loreto%2C_%281944%29.jpg\/330px-Aligi_Sassu%2C_Martiri_di_Piazzale_Loreto%2C_%281944%29.jpg 1.5x, https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/e\/ed\/Aligi_Sassu%2C_Martiri_di_Piazzale_Loreto%2C_%281944%29.jpg\/440px-Aligi_Sassu%2C_Martiri_di_Piazzale_Loreto%2C_%281944%29.jpg 2x\" alt=\"\" width=\"220\" height=\"166\" data-file-width=\"1112\" data-file-height=\"841\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"thumbcaption\"\u003e\n\n\u003cdiv class=\"magnify\"\u003e\u003c\/div\u003e\n\n Martyrs of Piazzale Loreto\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\r \nWith Mazzotti and Fabbri, in \u003ca title=\"1954\" href=\"https:\/\/it.wikipedia.org\/wiki\/1954\" target=\"_blank\" rel=\"noopener\"\u003e1954\u003c\/a\u003e , in \u003ca title=\"Vallauris\" href=\"https:\/\/it.wikipedia.org\/wiki\/Vallauris\" target=\"_blank\" rel=\"noopener\"\u003eVallauris\u003c\/a\u003e he met \u003ca class=\"mw-redirect\" title=\"Picasso\" href=\"https:\/\/it.wikipedia.org\/wiki\/Picasso\" target=\"_blank\" rel=\"noopener\"\u003ePicasso\u003c\/a\u003e for the first time. Two years later, at a new meeting in \u003ca title=\"The California\" href=\"https:\/\/it.wikipedia.org\/wiki\/La_Californie\" target=\"_blank\" rel=\"noopener\"\u003eLa Californie\u003c\/a\u003e , Picasso showed him the sculptures that he would later exhibit at the Museum of \u003ca title=\"Antibes\" href=\"https:\/\/it.wikipedia.org\/wiki\/Antibes\" target=\"_blank\" rel=\"noopener\"\u003eAntibes\u003c\/a\u003e . The same year he exhibited at the Venice Biennale, among other works \u003ci\u003e, The Martyrs of Piazzale Loreto\u003c\/i\u003e , which \u003ca title=\"Giulio Carlo Argan\" href=\"https:\/\/it.wikipedia.org\/wiki\/Giulio_Carlo_Argan\" target=\"_blank\" rel=\"noopener\"\u003eGiulio Carlo Argan\u003c\/a\u003e purchased for the \u003ca title=\"National Gallery of Modern and Contemporary Art\" href=\"https:\/\/it.wikipedia.org\/wiki\/Galleria_nazionale_d%27arte_moderna_e_contemporanea\" target=\"_blank\" rel=\"noopener\"\u003eNational Gallery of Modern and Contemporary Art\u003c\/a\u003e . In \u003ca class=\"new\" title=\"Albissola Capo (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Albissola_Capo\u0026amp;action=edit\u0026amp;redlink=1\" target=\"_blank\" rel=\"noopener\"\u003eAlbissola Capo\u003c\/a\u003e painted the cycle of the \u003ci\u003eChronicles of Albisola\u003c\/i\u003e , a good representation of the artistic life of the town which at the time saw the gathering of ceramists, poets, writers, critics, and of which Aligi Sassu was a protagonist together with \u003ca title=\"Lucio Fontana\" href=\"https:\/\/it.wikipedia.org\/wiki\/Lucio_Fontana\" target=\"_blank\" rel=\"noopener\"\u003eLucio Fontana\u003c\/a\u003e , \u003ca title=\"Salvatore Fancello\" href=\"https:\/\/it.wikipedia.org\/wiki\/Salvatore_Fancello\" target=\"_blank\" rel=\"noopener\"\u003eSalvatore Fancello\u003c\/a\u003e and other artists. The work, commissioned by the owner of the \u003ci\u003eTrattoria Pescetto\u003c\/i\u003e , occupied an entire thirty-five metre wall and, when the restaurant closed 14 years later, it was completely dismantled. Today only a few photographs remain.\r \n\nIn \u003ca title=\"Arcumeggia\" href=\"https:\/\/it.wikipedia.org\/wiki\/Arcumeggia\" target=\"_blank\" rel=\"noopener\"\u003eArcumeggia\u003c\/a\u003e he painted the \u003ca class=\"mw-redirect\" title=\"Frescoes\" href=\"https:\/\/it.wikipedia.org\/wiki\/Affreschi\" target=\"_blank\" rel=\"noopener\"\u003efrescoes\u003c\/a\u003e \u003ci\u003eRunners\u003c\/i\u003e (1957), a work of considerable size in homage to cycling, \u003ci\u003eJesus nailed to the cross\u003c\/i\u003e , XI station of the \u003ci\u003eVia Crucis\u003c\/i\u003e (1963), and \u003ci\u003eSaint Martin gives part of his cloak to the poor\u003c\/i\u003e (1991).\n\r \nTen years later, his Spanish period began (in \u003ca title=\"1963\" href=\"https:\/\/it.wikipedia.org\/wiki\/1963\" target=\"_blank\" rel=\"noopener\"\u003e1963\u003c\/a\u003e in the Balearic Islands), with the \u003ci\u003eTauromachie\u003c\/i\u003e , presented by the Spanish poet \u003ca title=\"Rafael Alberti\" href=\"https:\/\/it.wikipedia.org\/wiki\/Rafael_Alberti\" target=\"_blank\" rel=\"noopener\"\u003eRafael Alberti\u003c\/a\u003e , the mythological characters, his experiments with acrylics and increasingly bright colours (red will be even more present in his paintings). In \u003ca title=\"1965\" href=\"https:\/\/it.wikipedia.org\/wiki\/1965\" target=\"_blank\" rel=\"noopener\"\u003e1965,\u003c\/a\u003e his drawings and sculptures were exhibited at the Galleria Civica in Monza; it was then the turn of an anthological exhibition in Bucharest and, subsequently, at the Galleria d'Arte Moderna in Cagliari (where, in \u003ca title=\"1967\" href=\"https:\/\/it.wikipedia.org\/wiki\/1967\" target=\"_blank\" rel=\"noopener\"\u003e1967\u003c\/a\u003e , \u003ca title=\"Foiso Fois\" href=\"https:\/\/it.wikipedia.org\/wiki\/Foiso_Fois\" target=\"_blank\" rel=\"noopener\"\u003eFoiso Fois\u003c\/a\u003e was also present). In the same year, he moved to \u003ca title=\"Monticello Brianza\" href=\"https:\/\/it.wikipedia.org\/wiki\/Monticello_Brianza\" target=\"_blank\" rel=\"noopener\"\u003eMonticello Brianza\u003c\/a\u003e , during which he mainly painted \u003ci\u003emurals\u003c\/i\u003e .\r \n\r \nFrom \u003ca title=\"1968\" href=\"https:\/\/it.wikipedia.org\/wiki\/1968\" target=\"_blank\" rel=\"noopener\"\u003e1968\u003c\/a\u003e belong various large paintings, among which the \u003ci\u003eChe Guevara\u003c\/i\u003e , donated to the Museum of \u003ca title=\"Havana\" href=\"https:\/\/it.wikipedia.org\/wiki\/L%27Avana\" target=\"_blank\" rel=\"noopener\"\u003eHavana\u003c\/a\u003e . In \u003ca title=\"1969\" href=\"https:\/\/it.wikipedia.org\/wiki\/1969\" target=\"_blank\" rel=\"noopener\"\u003e1969\u003c\/a\u003e , at the Biennale, he was awarded the first prize for the \u003ci\u003epainted wall\u003c\/i\u003e . In \u003ca title=\"1972\" href=\"https:\/\/it.wikipedia.org\/wiki\/1972\" target=\"_blank\" rel=\"noopener\"\u003e1972\u003c\/a\u003e he married \u003ca class=\"new\" title=\"Helenita Olivares (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Helenita_Olivares\u0026amp;action=edit\u0026amp;redlink=1\" target=\"_blank\" rel=\"noopener\"\u003eHelenita Olivares\u003c\/a\u003e . Travelling between \u003ca title=\"Majorca\" href=\"https:\/\/it.wikipedia.org\/wiki\/Maiorca\" target=\"_blank\" rel=\"noopener\"\u003eMajorca\u003c\/a\u003e and \u003ca title=\"Italy\" href=\"https:\/\/it.wikipedia.org\/wiki\/Italia\" target=\"_blank\" rel=\"noopener\"\u003eItaly\u003c\/a\u003e , he collaborated in \u003ca title=\"1973\" href=\"https:\/\/it.wikipedia.org\/wiki\/1973\" target=\"_blank\" rel=\"noopener\"\u003e1973\u003c\/a\u003e with the \u003ca title=\"Sicilian Vespers\" href=\"https:\/\/it.wikipedia.org\/wiki\/Vespri_siciliani\" target=\"_blank\" rel=\"noopener\"\u003eSicilian Vespers\u003c\/a\u003e for the reopening of the \u003ca title=\"Teatro Regio (Turin)\" href=\"https:\/\/it.wikipedia.org\/wiki\/Teatro_Regio_(Torino)\" target=\"_blank\" rel=\"noopener\"\u003eTeatro Regio\u003c\/a\u003e in \u003ca title=\"Turin\" href=\"https:\/\/it.wikipedia.org\/wiki\/Torino\" target=\"_blank\" rel=\"noopener\"\u003eTurin\u003c\/a\u003e . In the \u003ca class=\"mw-redirect\" title=\"Vatican\" href=\"https:\/\/it.wikipedia.org\/wiki\/Vaticano\" target=\"_blank\" rel=\"noopener\"\u003eVatican\u003c\/a\u003e a room was dedicated to him in the \u003ci\u003eGallery of Modern Art\u003c\/i\u003e . Three years later he created two mosaics for the parish of \u003ca title=\"Andrew the Apostle\" href=\"https:\/\/it.wikipedia.org\/wiki\/Andrea_apostolo\" target=\"_blank\" rel=\"noopener\"\u003eSant'Andrea\u003c\/a\u003e in \u003ca title=\"Pescara\" href=\"https:\/\/it.wikipedia.org\/wiki\/Pescara\" target=\"_blank\" rel=\"noopener\"\u003ePescara\u003c\/a\u003e and the following year he exhibited his works in the cities of \u003ca title=\"Rotterdam\" href=\"https:\/\/it.wikipedia.org\/wiki\/Rotterdam\" target=\"_blank\" rel=\"noopener\"\u003eRotterdam\u003c\/a\u003e , \u003ca title=\"Toronto\" href=\"https:\/\/it.wikipedia.org\/wiki\/Toronto\" target=\"_blank\" rel=\"noopener\"\u003eToronto\u003c\/a\u003e and \u003ca title=\"Majorca\" href=\"https:\/\/it.wikipedia.org\/wiki\/Maiorca\" target=\"_blank\" rel=\"noopener\"\u003eMajorca\u003c\/a\u003e . In \u003ca title=\"1984\" href=\"https:\/\/it.wikipedia.org\/wiki\/1984\" target=\"_blank\" rel=\"noopener\"\u003e1984\u003c\/a\u003e he held a first anthological exhibition in \u003ca title=\"Ferrara\" href=\"https:\/\/it.wikipedia.org\/wiki\/Ferrara\" target=\"_blank\" rel=\"noopener\"\u003eFerrara\u003c\/a\u003e , at the \u003ca title=\"Diamond Palace\" href=\"https:\/\/it.wikipedia.org\/wiki\/Palazzo_dei_Diamanti\" target=\"_blank\" rel=\"noopener\"\u003ePalazzo dei Diamanti\u003c\/a\u003e , and then in Rome at \u003ca title=\"Castel Sant'Angelo\" href=\"https:\/\/it.wikipedia.org\/wiki\/Castel_Sant%27Angelo\" target=\"_blank\" rel=\"noopener\"\u003eCastel Sant'Angelo\u003c\/a\u003e , which was followed by one in Milan, at the \u003ca class=\"new\" title=\"Royal Palace of Milan (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Palazzo_reale_di_Milano\u0026amp;action=edit\u0026amp;redlink=1\" target=\"_blank\" rel=\"noopener\"\u003ePalazzo Reale\u003c\/a\u003e \u003csup id=\"cite_ref-5\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Aligi_Sassu#cite_note-5\" target=\"_blank\" rel=\"noopener\"\u003e[5]\u003c\/a\u003e\u003c\/sup\u003e .\r \n\r \nSubsequently, exhibitions were held in \u003ca title=\"Seville\" href=\"https:\/\/it.wikipedia.org\/wiki\/Siviglia\" target=\"_blank\" rel=\"noopener\"\u003eSeville\u003c\/a\u003e , \u003ca title=\"Germany\" href=\"https:\/\/it.wikipedia.org\/wiki\/Germania\" target=\"_blank\" rel=\"noopener\"\u003eGermany\u003c\/a\u003e , \u003ca title=\"Madrid\" href=\"https:\/\/it.wikipedia.org\/wiki\/Madrid\" target=\"_blank\" rel=\"noopener\"\u003eMadrid\u003c\/a\u003e , \u003ca title=\"Toronto\" href=\"https:\/\/it.wikipedia.org\/wiki\/Toronto\" target=\"_blank\" rel=\"noopener\"\u003eToronto\u003c\/a\u003e , \u003ca class=\"mw-redirect\" title=\"Montreal\" href=\"https:\/\/it.wikipedia.org\/wiki\/Montreal\" target=\"_blank\" rel=\"noopener\"\u003eMontreal\u003c\/a\u003e and \u003ca title=\"Ottawa\" href=\"https:\/\/it.wikipedia.org\/wiki\/Ottawa\" target=\"_blank\" rel=\"noopener\"\u003eOttawa\u003c\/a\u003e . In 1986 he exhibited in \u003ca title=\"Palma de Mallorca\" href=\"https:\/\/it.wikipedia.org\/wiki\/Palma_di_Maiorca\" target=\"_blank\" rel=\"noopener\"\u003ePalma de Mallorca\u003c\/a\u003e , at the \u003ca title=\"Rome Quadrennial\" href=\"https:\/\/it.wikipedia.org\/wiki\/Quadriennale_di_Roma\" target=\"_blank\" rel=\"noopener\"\u003eXI Quadriennale in Rome\u003c\/a\u003e , at the \u003ca title=\"Milan Triennale\" href=\"https:\/\/it.wikipedia.org\/wiki\/Triennale_di_Milano\" target=\"_blank\" rel=\"noopener\"\u003eTriennale in Milan\u003c\/a\u003e and at the \u003ca title=\"Mantegna's House\" href=\"https:\/\/it.wikipedia.org\/wiki\/Casa_del_Mantegna\" target=\"_blank\" rel=\"noopener\"\u003eCasa del Mantegna\u003c\/a\u003e in \u003ca title=\"Mantua\" href=\"https:\/\/it.wikipedia.org\/wiki\/Mantova\" target=\"_blank\" rel=\"noopener\"\u003eMantua\u003c\/a\u003e and \u003ca title=\"Munich\" href=\"https:\/\/it.wikipedia.org\/wiki\/Monaco_di_Baviera\" target=\"_blank\" rel=\"noopener\"\u003eMunich\u003c\/a\u003e . In the same year he completed the one hundred and thirteen plates on the \u003ci\u003eDivine Comedy\u003c\/i\u003e \u003csup id=\"cite_ref-6\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Aligi_Sassu#cite_note-6\" target=\"_blank\" rel=\"noopener\"\u003e[6]\u003c\/a\u003e\u003c\/sup\u003e . In 1992 he participated in the exhibition project \u003ca class=\"new\" title=\"Italian Art in the World (this page doesn't exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Arte_Italiana_nel_mondo\u0026amp;action=edit\u0026amp;redlink=1\" target=\"_blank\" rel=\"noopener\"\u003eArte Italiana nel mondo\u003c\/a\u003e in \u003ca class=\"mw-redirect\" title=\"South America\" href=\"https:\/\/it.wikipedia.org\/wiki\/Sud_America\" target=\"_blank\" rel=\"noopener\"\u003eSouth America\u003c\/a\u003e , exhibiting in \u003ca title=\"Sao Paulo (Brazil)\" href=\"https:\/\/it.wikipedia.org\/wiki\/San_Paolo_(Brasile)\" target=\"_blank\" rel=\"noopener\"\u003eSan Paolo\u003c\/a\u003e , \u003ca title=\"Bogota\" href=\"https:\/\/it.wikipedia.org\/wiki\/Bogot%C3%A0\" target=\"_blank\" rel=\"noopener\"\u003eBogota\u003c\/a\u003e and \u003ca title=\"Buenos Aires\" href=\"https:\/\/it.wikipedia.org\/wiki\/Buenos_Aires\" target=\"_blank\" rel=\"noopener\"\u003eBuenos Aires\u003c\/a\u003e . In \u003ca title=\"Brussels\" href=\"https:\/\/it.wikipedia.org\/wiki\/Bruxelles\" target=\"_blank\" rel=\"noopener\"\u003eBrussels\u003c\/a\u003e , in the new seat of the \u003ca title=\"European Parliament\" href=\"https:\/\/it.wikipedia.org\/wiki\/Parlamento_europeo\" target=\"_blank\" rel=\"noopener\"\u003eEuropean Parliament\u003c\/a\u003e , in \u003ca title=\"1993\" href=\"https:\/\/it.wikipedia.org\/wiki\/1993\" target=\"_blank\" rel=\"noopener\"\u003e1993\u003c\/a\u003e he completed the ceramic mural \u003ci\u003eI Miti del Mediterraneo\u003c\/i\u003e , which occupies 150 square metres. The \u003ci\u003eManuscriptum\u003c\/i\u003e engravings for the travelling exhibition in \u003ca title=\"Sweden\" href=\"https:\/\/it.wikipedia.org\/wiki\/Svezia\" target=\"_blank\" rel=\"noopener\"\u003eSweden\u003c\/a\u003e \"I ponti di Leonardo\" date back to \u003ca title=\"1994\" href=\"https:\/\/it.wikipedia.org\/wiki\/1994\" target=\"_blank\" rel=\"noopener\"\u003e1994.\u003c\/a\u003e The exhibition at the \u003ca class=\"mw-redirect\" title=\"Gallery of Modern and Contemporary Art of Bergamo\" href=\"https:\/\/it.wikipedia.org\/wiki\/Galleria_d%27Arte_Moderna_e_Contemporanea_di_Bergamo\" target=\"_blank\" rel=\"noopener\"\u003eGalleria d'Arte Moderna e Contemporanea in Bergamo\u003c\/a\u003e took place in the following year, and the anthological exhibition at \u003ca title=\"Strozzi Palace\" href=\"https:\/\/it.wikipedia.org\/wiki\/Palazzo_Strozzi\" target=\"_blank\" rel=\"noopener\"\u003ePalazzo Strozzi\u003c\/a\u003e \u003csup id=\"cite_ref-7\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Aligi_Sassu#cite_note-7\" target=\"_blank\" rel=\"noopener\"\u003e[7]\u003c\/a\u003e\u003c\/sup\u003e in \u003ca title=\"Florence\" href=\"https:\/\/it.wikipedia.org\/wiki\/Firenze\" target=\"_blank\" rel=\"noopener\"\u003eFlorence\u003c\/a\u003e in \u003ca title=\"1999\" href=\"https:\/\/it.wikipedia.org\/wiki\/1999\" target=\"_blank\" rel=\"noopener\"\u003e1999\u003c\/a\u003e .\n \u003cdiv class=\"thumb tright\"\u003e\n\n\u003cdiv class=\"thumbinner\"\u003e\n\n\n\u003ca class=\"image\" href=\"https:\/\/it.wikipedia.org\/wiki\/File:Right_side_of_%22Nuredduna%22_sculpture_by_Aligi_Sassu,_1995_(Legnano).JPG\" target=\"_blank\" rel=\"noopener\"\u003e\u003cimg class=\"thumbimage\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/2\/29\/Right_side_of_%22Nuredduna%22_sculpture_by_Aligi_Sassu%2C_1995_%28Legnano%29.JPG\/220px-Right_side_of_%22Nuredduna%22_sculpture_by_Aligi_Sassu%2C_1995_%28Legnano%29.JPG\" srcset=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/2\/29\/Right_side_of_%22Nuredduna%22_sculpture_by_Aligi_Sassu%2C_1995_%28Legnano%29.JPG\/330px-Right_side_of_%22Nuredduna%22_sculpture_by_Aligi_Sassu%2C_1995_%28Legnano%29.JPG 1.5x, https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/2\/29\/Right_side_of_%22Nuredduna%22_sculpture_by_Aligi_Sassu%2C_1995_%28Legnano%29.JPG\/440px-Right_side_of_%22Nuredduna%22_sculpture_by_Aligi_Sassu%2C_1995_%28Legnano%29.JPG 2x\" alt=\"\" width=\"220\" height=\"392\" data-file-width=\"2048\" data-file-height=\"3648\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"thumbcaption\"\u003e\n\n\u003cdiv class=\"magnify\"\u003e\u003c\/div\u003e\n\n The \u003ci\u003eNuredduna\u003c\/i\u003e sculpture from 1995\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\r \nIn \u003ca title=\"1996\" href=\"https:\/\/it.wikipedia.org\/wiki\/1996\" target=\"_blank\" rel=\"noopener\"\u003e1996,\u003c\/a\u003e he donated 356 works, created since 1927, to the city of \u003ca title=\"Lugano\" href=\"https:\/\/it.wikipedia.org\/wiki\/Lugano\" target=\"_blank\" rel=\"noopener\"\u003eLugano\u003c\/a\u003e : this gave birth to the \u003ci\u003eAligi Sassu and Helenita Olivares Foundation\u003c\/i\u003e , which has since held thematic exhibitions of his works. On June 25, 1999, the Aligi Sassu and Helenita Olivares Foundation was founded in Mallorca by will of the Sassu couple. On March 31, 2000, the non-profit cultural association Amici dell'Arte di Aligi Sassu was established in Besana in Brianza. He died in Pollença on July 17 of the same year, at the age of 88, his \u003ca title=\"Birthday\" href=\"https:\/\/it.wikipedia.org\/wiki\/Compleanno\" target=\"_blank\" rel=\"noopener\"\u003ebirthday\u003c\/a\u003e .\n\n\n\u003c\/div\u003e","brand":"paolo tacchin 1710€","offers":[{"title":"Default Title","offer_id":56218597392770,"sku":"patac003","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/momentidipace.jpg?v=1776669636"},{"product_id":"andy-warhol-mao","title":"Andy Warhol - Mao","description":"\u003cp\u003eThe work draws on a pop aesthetic in its use of famous or mass-produced images and their mechanical reworking. Pop Art emerged in the United States in the second half of the 20th century as a result of artists' interest in and critique of the contemporary \"consumer society.\" All expressions of Pop Art presuppose a sort of double bond with the world of consumerism and mass media. On the one hand, the artwork is reduced to a mere consumer product, thanks to the use of advertising language in the works and their serial reproduction through mechanical processes. On the other hand, as in this case, the mass-produced images themselves become works of art, as a more genuine and truthful expression of the new society and thanks to the artist's recontextualization.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work is emblematic of the research of Andy Warhol, founder and leading exponent of Pop Art. The iconic image of a historical figure, the quintessential symbol of mass media culture, becomes a work of art itself. The painter's intervention merely recontextualizes the image, always within the context of a reflection on the new languages ​​of seriality. Mechanical reproduction thus becomes the primary means of creating and disseminating the artwork, which itself becomes an object of consumption. Formally, the color is saturated in accordance with the new demands dictated by the advertising image.\u003c\/p\u003e\n\n\n \u003cp\u003eAndy Warhol, pseudonym of Andrew Warhola Jr. (Pittsburgh, August 6, 1928 – New York, February 22, 1987), was an American painter, sculptor, screenwriter, producer, director, cinematographer, editor, and actor. Warhol was one of the most important figures in the Pop Art movement. His artistic output encompassed a multitude of works, which he serially reproduced. The activities and experiments of his Factory defined an era and made him one of the most influential figures in 20th-century culture.\u003c\/p\u003e","brand":"Le Galloudec Evelyne","offers":[{"title":"Default Title","offer_id":56218608271746,"sku":"ELEG007","price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Warhol.jpg?v=1768474723"},{"product_id":"mario-schifano-cruise-to-infinity","title":"Mario Schifano - Cruise to Infinity","description":"","brand":"Ripa Salvatore","offers":[{"title":"Default Title","offer_id":56218633601410,"sku":"SRIP009","price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/SCHIFANO-scaled_96cc8371-9040-4af1-a529-c89a80d6c15c.jpg?v=1768475040"},{"product_id":"andy-warhol-marilyn-monroe-11-30","title":"Andy Warhol - Marilyn Monroe 11.30","description":"\u003cp\u003eThe work draws on a pop aesthetic in its use of famous or mass-produced images and their mechanical reworking. Pop Art emerged in the United States in the second half of the 20th century as a result of artists' interest in and critique of the contemporary \"consumer society.\" All expressions of Pop Art presuppose a sort of double bond with the world of consumerism and mass media. On the one hand, the artwork is reduced to a mere consumer product, thanks to the use of advertising language in the works and their serial reproduction through mechanical processes. On the other hand, as in this case, the mass-produced images themselves become works of art, as a more genuine and truthful expression of the new society and thanks to the artist's recontextualization.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work is emblematic of the research of Andy Warhol, founder and leading exponent of Pop Art. The iconic image of the diva, the quintessential symbol of mass media culture, becomes a work of art itself. The painter's intervention merely recontextualizes the image, always within the context of a reflection on the new languages ​​of seriality. Mechanical reproduction thus becomes the primary means of creating and disseminating the artwork, which itself becomes an object of consumption. Formally, the color is saturated in accordance with the new demands dictated by the advertising image.\u003c\/p\u003e\n\n\n \u003cp\u003eThe silkscreen was inspired by Andy Warhol's famous work, which immortalized the diva's face in various versions. In 1970, the artist allowed two Belgian friends to produce a series of silkscreens featuring Marilyn's face, based on the original silkscreen, distinguishable by some color variations and the wording \"published by Sunday B. Morning.\" Andy Warhol, pseudonym of Andrew Warhola Jr. (Pittsburgh, August 6, 1928 – New York, February 22, 1987), was an American painter, sculptor, screenwriter, producer, director, cinematographer, editor, and actor. Warhol was one of the most important figures in the Pop Art movement. His artistic output included a multitude of works, which he serially reproduced. The activities and experiments of his Factory defined an era and made him one of the most influential figures in 20th-century culture.\u003c\/p\u003e","brand":"Soligo Alberto","offers":[{"title":"Default Title","offer_id":56218647888258,"sku":"ASOL001","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Andy-Warhol-Marilyn.jpg?v=1768475256"},{"product_id":"mario-schifano-il-deserto","title":"Mario Schifano - The Desert","description":"","brand":"Fusetti Enea Mauro","offers":[{"title":"Default Title","offer_id":56218751926658,"sku":"EFUS001","price":1350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2023-07-06-09-55-05-2.jpg?v=1768476448"},{"product_id":"andy-warhol-goethe","title":"Andy Warhol - Goethe","description":"","brand":"Landini Nathan","offers":[{"title":"Default Title","offer_id":56219198488962,"sku":"NLAN002","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/1-7_eeb1604f-2315-4481-80cf-d9a313055d08.jpg?v=1768478746"},{"product_id":"andy-warhol-harald-toni-shumacher","title":"Andy Warhol - Harald (Toni) Shumacher","description":"","brand":"Della Santa Stefano (15000)","offers":[{"title":"Default Title","offer_id":56219217559938,"sku":"SDEL001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/ANDY-WARHOL.jpg?v=1768478950"},{"product_id":"la-dolce-vita-mimmo-rotella","title":"THE SWEET LIFE - MIMMO ROTELLA","description":"An artist with a multifaceted personality and intense visual concepts always aligned with an avant-garde taste, Mimmo Rotella was born in Catanzaro on October 7, 1918. After graduating from the \u003ca href=\"http:\/\/www.abana.it\/it\/\"\u003eAcademy of Fine Arts in Naples\u003c\/a\u003e , he settled in Rome in 1945. The first phase of his career was characterized by experimentation with different pictorial styles, which would lead him to revolutionize the artistic languages ​​of the post-war period. In 1951, Rotella held his first solo exhibition at the Chiurazzi Gallery in Rome, which received widespread acclaim. Rotella's paintings began to arouse considerable interest, so much so that that same year he was awarded a scholarship by the \u003ca href=\"http:\/\/www.fulbright.it\/\"\u003eFulbright Foundation\u003c\/a\u003e . This enabled him to attend the prestigious \u003ca href=\"https:\/\/kcai.edu\/\"\u003eUniversity of Kansas City\u003c\/a\u003e . Rotella reciprocated by creating a mural panel in the Physics Department and by recording the first \u003ca href=\"https:\/\/www.youtube.com\/watch?v=vYgdBim-Ub4\"\u003ephonetic poems\u003c\/a\u003e he defined as \"epistaltic.\" In 1952 he was invited by \u003ca href=\"https:\/\/www.harvard.edu\/\"\u003eHarvard University\u003c\/a\u003e to perform a phonetic poetry performance in Boston and by the Library of Congress in Washington to record some phonetic poems. Back in Italy, after a period of reflection on the means of painting and the need to use new tools, he invented the \" \u003ca href=\"http:\/\/www.mimmorotellainstitute.it\/decollage.html\"\u003edécollage\u003c\/a\u003e \" technique, characterized by tearing off advertising posters posted in the streets and pasting the fragments, whether front or back, onto the canvas. Memorable examples of this phase are \"Un poco in su\" and \"Collage\", both from 1954. From 1958 Rotella gradually abandoned purely abstract compositions to create décollages with clearly legible images. This trend culminated in the \"Cinecittà\" series, created in 1962 (which includes \"Eroi in galera\" and \"Tre minuti di tempo\") and in the series dedicated to movie stars and famous people (\"Assalto della notte\", 1962; \"Marilyn calda\", 1963 and so on).\r \n\nFrom the 1960s onwards, Mimmo Rotella dedicated his works to posters of world cinema featuring the faces of Hollywood's greats. In 1961, at the invitation of critic \u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Pierre_Restany\"\u003ePierre Restany\u003c\/a\u003e , he joined the \u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Nouveau_R%C3%A9alisme\"\u003eNouveaux Réalistes\u003c\/a\u003e group, in which Raymond Hains, Jacques Mah de la Villeglè, and \u003ca href=\"https:\/\/it.qaz.wiki\/wiki\/Fran%C3%A7ois_Dufrene\"\u003eFrancois Dufrène\u003c\/a\u003e were already using advertising posters with processes similar to his. Having moved to Paris in 1964, the painter Mimmo Rotella continued to work on the definition of a new technique, \u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Mec-Art\"\u003eMec Art\u003c\/a\u003e , with which he creates works using mechanical processes on emulsion canvases.\n\r \nIn 1972 he published the autobiographical volume “Autorotella” for the Sugar publishing house, performing his phonetic poems at the book presentation at the \u003ca href=\"https:\/\/www.laboratorioformentini.it\/\"\u003eCircolo Culturale Formentini\u003c\/a\u003e in Milan.\n\n Mimmo Rotella's works from the 1970s are marked by frequent trips to the USA, India, Nepal, before finally settling in Milan in 1980. The “ \u003ca href=\"http:\/\/www.mimmorotellainstitute.it\/copertura-o-blank.html\"\u003eCoperture\u003c\/a\u003e ” belong to the early 1980s, posters that Mimmo Rotella covers with sheets of paper that hide the image underneath.\n\r \nHe returned to painting in the mid-1990s with the \"Cinecittà 2\" series, which explored the theme of cinema on large-scale canvases, and with the \" \u003ca href=\"http:\/\/www.mimmorotellainstitute.it\/sovrapittura.html\"\u003eSovratipture\u003c\/a\u003e \" series on collage and sheet metal. These pictorial interventions on torn posters glued to metal panels characterize the artist's most recent period. \u003ca href=\"https:\/\/www.nonsolocinema.com\/E-MORTO-MIMMO-ROTELLA-L-INVENTORE.html\"\u003eHe died in Milan on January 8, 2006.\u003c\/a\u003e\n\n Mimmo Rotella's works are on sale at stable medium-high prices.","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56219244986754,"sku":"OPUS0002","price":950.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/ROTELLA_04c14064-533b-4341-ba71-8ad86ff53ea3.jpg?v=1768479233"},{"product_id":"alberto-burri-senza-titolo-2","title":"Alberto Burri - Untitled","description":"","brand":"Farrotti Milco","offers":[{"title":"Default Title","offer_id":56220363424130,"sku":"MFAR003","price":2800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/2265415a-b1d4-4a29-9b47-74b333e63faf.jpg?v=1768490144"},{"product_id":"andy-warhol-dapres-ritratto-di-joseph-beuys","title":"Andy Warhol (after) - Portrait of Joseph Beuys","description":"","brand":"Rossetti Andera 3000","offers":[{"title":"Default Title","offer_id":56220723839362,"sku":"AROS003","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/RIGA-3-WARHOL-ROSETTI--scaled.jpg?v=1768492755"},{"product_id":"mario-schifano-cuba","title":"Mario Schifano - Cuba","description":"","brand":"GENNARI CRISTINA","offers":[{"title":"Default Title","offer_id":56559938011522,"sku":null,"price":1800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_4064_dcee8d79-e953-46b5-aa2d-0cfa0bb54f87.jpg?v=1776168338"},{"product_id":"robert-indiana-love","title":"Robert Indiana - Love","description":"\u003cp\u003eTappeto in lana in tiratura limitata. \u003c\/p\u003e","brand":"MASSIMILIANO DI PIETRO","offers":[{"title":"Default Title","offer_id":56598117908866,"sku":null,"price":2000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2026-04-07-14-45-37.jpg?v=1777464965"},{"product_id":"omaggio-a-imola-michele-cascella","title":"Omaggio a Imola - Michele Cascella","description":"\u003ch2\u003eOmaggio a Imola — Michele Cascella\u003c\/h2\u003e\u003cp\u003eUn paesaggio dell'anima, sospeso tra luce e memoria. \u003cem\u003eOmaggio a Imola\u003c\/em\u003e è un olio su tela di Michele Cascella, maestro indiscusso della pittura figurativa italiana del Novecento, capace di trasformare ogni veduta in un racconto poetico fatto di colore e atmosfera.\u003c\/p\u003e\u003cp\u003eLa composizione rivela la cifra stilistica inconfondibile di Cascella: pennellate vibranti che catturano la luminosità del paesaggio emiliano, una tavolozza calda e avvolgente che invita lo sguardo a indugiare sui dettagli, a perdersi nella profondità della scena. Possedere quest'opera significa portare in casa un frammento autentico della grande tradizione pittorica italiana.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtista:\u003c\/strong\u003e Michele Cascella\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTecnica:\u003c\/strong\u003e Olio su tela\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoggetto:\u003c\/strong\u003e Paesaggio figurativo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCategoria:\u003c\/strong\u003e Pittura storicizzata — Selezione OPUS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondizioni:\u003c\/strong\u003e Ottimo stato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePrezzo:\u003c\/strong\u003e €5.000\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eOpera selezionata per le collezioni \u003cem\u003eArtisti in evidenza\u003c\/em\u003e e \u003cem\u003eQuadri da collezionare\u003c\/em\u003e di Venderequadri.\u003c\/p\u003e","brand":"Venderequadri","offers":[{"title":"Default Title","offer_id":56661991784834,"sku":null,"price":5000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/aimola20x30.jpg?v=1779353938"}],"url":"https:\/\/cjfh11-ee.myshopify.com\/en\/collections\/quadri-da-collezionare.oembed?page=2","provider":"Venderequadri","version":"1.0","type":"link"}