{"product_id":"aligi-sassu-momenti-di-pace-2-2","title":"ALIGI SASSU - Moments of Peace","description":"\u003cdiv\u003e ORIGINAL 20-COLOR SILKSCREEN PRINT ON JADE CONSTELLATION WATERCOLOR CARDBOARD 70 X 50 CM MADE IN VENICE ON FIORENZO FALLANI'S FRAMES IN 225 COPIES, EACH WITH THE ARTIST'S AUTOGRAPHED SIGNATURE AND THE IMPRESSION OF THE SANZANOBI SEAL TO GUARANTEE ITS AUTHENTICITY\u003c\/div\u003e\n\n\u003cdiv\u003e\u003c\/div\u003e\n\n\u003cdiv\u003e\n\n\r \nAligi Sassu was born in Milan, \u003ca title=\"Lombardy\" href=\"https:\/\/it.wikipedia.org\/wiki\/Lombardia\" target=\"_blank\" rel=\"noopener\"\u003eLombardy\u003c\/a\u003e , to Lina Pedretti, originally from \u003ca title=\"Parma\" href=\"https:\/\/it.wikipedia.org\/wiki\/Parma\" target=\"_blank\" rel=\"noopener\"\u003eParma\u003c\/a\u003e , and Antonio Sassu, \u003ca title=\"Sardinia\" href=\"https:\/\/it.wikipedia.org\/wiki\/Sardegna\" target=\"_blank\" rel=\"noopener\"\u003ea Sardinian\u003c\/a\u003e , who in \u003ca title=\"1894\" href=\"https:\/\/it.wikipedia.org\/wiki\/1894\" target=\"_blank\" rel=\"noopener\"\u003e1894\u003c\/a\u003e had been one of the founders of the \u003ca title=\"Italian Socialist Party\" href=\"https:\/\/it.wikipedia.org\/wiki\/Partito_Socialista_Italiano\" target=\"_blank\" rel=\"noopener\"\u003eItalian Socialist Party\u003c\/a\u003e in \u003ca title=\"Sassari\" href=\"https:\/\/it.wikipedia.org\/wiki\/Sassari\" target=\"_blank\" rel=\"noopener\"\u003eSassari\u003c\/a\u003e and who had moved to Milan in \u003ca title=\"1896\" href=\"https:\/\/it.wikipedia.org\/wiki\/1896\" target=\"_blank\" rel=\"noopener\"\u003e1896.\u003c\/a\u003e His father, a close friend of \u003ca title=\"Carlo Carrà\" href=\"https:\/\/it.wikipedia.org\/wiki\/Carlo_Carr%C3%A0\" target=\"_blank\" rel=\"noopener\"\u003eCarlo Carrà\u003c\/a\u003e , took him in 1919, when he was just seven years old, to the \u003ci\u003eNational \u003ca title=\"Futurism\" href=\"https:\/\/it.wikipedia.org\/wiki\/Futurismo\" target=\"_blank\" rel=\"noopener\"\u003eFuturist\u003c\/a\u003e Exhibition\u003c\/i\u003e at the \u003ci\u003eMoretti Gallery\u003c\/i\u003e in \u003ci\u003ePalazzo Cova\u003c\/i\u003e , which brought together the greatest Futurists and the younger generation.\r \n\r \nAt the beginning of \u003ca title=\"1921\" href=\"https:\/\/it.wikipedia.org\/wiki\/1921\" target=\"_blank\" rel=\"noopener\"\u003e1921\u003c\/a\u003e the Sassu family moved back to \u003ca title=\"Sardinia\" href=\"https:\/\/it.wikipedia.org\/wiki\/Sardegna\" target=\"_blank\" rel=\"noopener\"\u003eSardinia\u003c\/a\u003e , to \u003ca title=\"Thiesi\" href=\"https:\/\/it.wikipedia.org\/wiki\/Thiesi\" target=\"_blank\" rel=\"noopener\"\u003eThiesi\u003c\/a\u003e in the province of Sassari, where Antonio opened a shop. There Aligi attended elementary school and became acquainted for the first time with \u003ca title=\"Equus caballus\" href=\"https:\/\/it.wikipedia.org\/wiki\/Equus_caballus\" target=\"_blank\" rel=\"noopener\"\u003ehorses\u003c\/a\u003e , which would later become his \u003ci\u003e\u003ca title=\"Brand\" href=\"https:\/\/it.wikipedia.org\/wiki\/Marchio\" target=\"_blank\" rel=\"noopener\"\u003etrademark\u003c\/a\u003e\u003c\/i\u003e , and the bright colours of Sardinia which would permeate his \u003ca title=\"Painting\" href=\"https:\/\/it.wikipedia.org\/wiki\/Pittura\" target=\"_blank\" rel=\"noopener\"\u003epainting\u003c\/a\u003e . After a three-year stay, the family returned to Milan and here Aligi showed even more his interest in \u003ca title=\"Reading\" href=\"https:\/\/it.wikipedia.org\/wiki\/Lettura\" target=\"_blank\" rel=\"noopener\"\u003ereading\u003c\/a\u003e and \u003ca class=\"mw-redirect\" title=\"Futurist\" href=\"https:\/\/it.wikipedia.org\/wiki\/Futurista\" target=\"_blank\" rel=\"noopener\"\u003efuturist\u003c\/a\u003e \u003ca title=\"Art\" href=\"https:\/\/it.wikipedia.org\/wiki\/Arte\" target=\"_blank\" rel=\"noopener\"\u003eart\u003c\/a\u003e . \u003csup id=\"cite_ref-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Aligi_Sassu#cite_note-1\" target=\"_blank\" rel=\"noopener\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e\n \u003cdiv class=\"thumb tright\"\u003e\n\n\u003cdiv class=\"thumbinner\"\u003e\n\n\n\u003ca class=\"image\" href=\"https:\/\/it.wikipedia.org\/wiki\/File:Statue_%22Grande_cavallo_impennato%22_by_Aligi_Sassu_in_Piazza_San_Magno_Legnano.jpeg\" target=\"_blank\" rel=\"noopener\"\u003e\u003cimg class=\"thumbimage\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/3\/3e\/Statue_%22Grande_cavallo_impennato%22_by_Aligi_Sassu_in_Piazza_San_Magno_Legnano.jpeg\/220px-Statue_%22Grande_cavallo_impennato%22_by_Aligi_Sassu_in_Piazza_San_Magno_Legnano.jpeg\" srcset=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/3\/3e\/Statue_%22Grande_cavallo_impennato%22_by_Aligi_Sassu_in_Piazza_San_Magno_Legnano.jpeg\/330px-Statue_%22Grande_cavallo_impennato%22_by_Aligi_Sassu_in_Piazza_San_Magno_Legnano.jpeg 1.5x, https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/3\/3e\/Statue_%22Grande_cavallo_impennato%22_by_Aligi_Sassu_in_Piazza_San_Magno_Legnano.jpeg\/440px-Statue_%22Grande_cavallo_impennato%22_by_Aligi_Sassu_in_Piazza_San_Magno_Legnano.jpeg 2x\" alt=\"\" width=\"220\" height=\"293\" data-file-width=\"2448\" data-file-height=\"3264\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"thumbcaption\"\u003e\n\n\u003cdiv class=\"magnify\"\u003e\u003c\/div\u003e\n\n Sculpture by Aligi Sassu, Legnano\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\r \nIn \u003ca title=\"1925\" href=\"https:\/\/it.wikipedia.org\/wiki\/1925\" target=\"_blank\" rel=\"noopener\"\u003e1925\u003c\/a\u003e , with his family now in financial straits, he was forced to leave school. Initially, he worked as an apprentice at \u003ci\u003ePressa\u003c\/i\u003e , a \u003ca title=\"Lithography\" href=\"https:\/\/it.wikipedia.org\/wiki\/Litografia\" target=\"_blank\" rel=\"noopener\"\u003elithographic\u003c\/a\u003e workshop; the following year, he worked as an assistant to a mural decorator; at the same time, by attending evening classes, he managed to complete his studies. Together with his friend and futurist \u003ca class=\"mw-redirect\" title=\"Designer\" href=\"https:\/\/it.wikipedia.org\/wiki\/Designer\" target=\"_blank\" rel=\"noopener\"\u003edesigner\u003c\/a\u003e \u003ca title=\"Bruno Munari\" href=\"https:\/\/it.wikipedia.org\/wiki\/Bruno_Munari\" target=\"_blank\" rel=\"noopener\"\u003eBruno Munari\u003c\/a\u003e , he introduced himself to \u003ca title=\"Philip Thomas Marinetti\" href=\"https:\/\/it.wikipedia.org\/wiki\/Filippo_Tommaso_Marinetti\" target=\"_blank\" rel=\"noopener\"\u003eFilippo Tommaso Marinetti\u003c\/a\u003e , the founder of \u003ca title=\"Futurism\" href=\"https:\/\/it.wikipedia.org\/wiki\/Futurismo\" target=\"_blank\" rel=\"noopener\"\u003eFuturism\u003c\/a\u003e . This meeting was fruitful: in \u003ca title=\"1928\" href=\"https:\/\/it.wikipedia.org\/wiki\/1928\" target=\"_blank\" rel=\"noopener\"\u003e1928,\u003c\/a\u003e he was invited by Marinetti to participate with his works in the \u003ca title=\"Venice Biennale\" href=\"https:\/\/it.wikipedia.org\/wiki\/Biennale_di_Venezia\" target=\"_blank\" rel=\"noopener\"\u003eVenice Biennale\u003c\/a\u003e .\r \n\r \nShortly afterwards, together with Bruno Munari, he defined the \u003ci\u003eManifesto of Painting \"Dynamism and Muscular Reform\"\u003c\/i\u003e (which remained unpublished until 1977), assuming as its basic premise the representation of dynamic, anti-naturalistic forms. In those years, thanks to his father's friendships, he was able to become familiar with the works of \u003ca title=\"Umberto Boccioni\" href=\"https:\/\/it.wikipedia.org\/wiki\/Umberto_Boccioni\" target=\"_blank\" rel=\"noopener\"\u003eBoccioni\u003c\/a\u003e and \u003ca title=\"Carlo Carrà\" href=\"https:\/\/it.wikipedia.org\/wiki\/Carlo_Carr%C3%A0\" target=\"_blank\" rel=\"noopener\"\u003eCarlo Carrà\u003c\/a\u003e , \u003ca title=\"Gaetano Previati\" href=\"https:\/\/it.wikipedia.org\/wiki\/Gaetano_Previati\" target=\"_blank\" rel=\"noopener\"\u003eGaetano Previati\u003c\/a\u003e , \u003ca title=\"Giant X\" href=\"https:\/\/it.wikipedia.org\/wiki\/Giandante_X\" target=\"_blank\" rel=\"noopener\"\u003eGiandante X\u003c\/a\u003e (as Dante Persico was known), and \u003ca class=\"new\" title=\"Giuseppe Gorgerino (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Giuseppe_Gorgerino\u0026amp;action=edit\u0026amp;redlink=1\" target=\"_blank\" rel=\"noopener\"\u003eGiuseppe Gorgerino\u003c\/a\u003e , and he sometimes drew inspiration from them in his paintings. He studied \u003ca class=\"mw-redirect\" title=\"Picasso\" href=\"https:\/\/it.wikipedia.org\/wiki\/Picasso\" target=\"_blank\" rel=\"noopener\"\u003ePicasso\u003c\/a\u003e , \u003ca title=\"Diego Velázquez\" href=\"https:\/\/it.wikipedia.org\/wiki\/Diego_Vel%C3%A1zquez\" target=\"_blank\" rel=\"noopener\"\u003eDiego Velázquez\u003c\/a\u003e , and the plastic \u003ca title=\"Nudity\" href=\"https:\/\/it.wikipedia.org\/wiki\/Nudit%C3%A0\" target=\"_blank\" rel=\"noopener\"\u003enude\u003c\/a\u003e . From this period is \u003ci\u003eThe Last Supper\u003c\/i\u003e , the painting that epitomizes the art of Aligi Sassu and, in the modern clothing of the characters and the urban setting, foreshadows what would be his future style.\r \n\r \nIn the years between \u003ca title=\"1927\" href=\"https:\/\/it.wikipedia.org\/wiki\/1927\" target=\"_blank\" rel=\"noopener\"\u003e1927\u003c\/a\u003e and \u003ca title=\"1929\" href=\"https:\/\/it.wikipedia.org\/wiki\/1929\" target=\"_blank\" rel=\"noopener\"\u003e1929\u003c\/a\u003e he painted mostly small-sized pictures, often having \u003ca title=\"Sport\" href=\"https:\/\/it.wikipedia.org\/wiki\/Sport\" target=\"_blank\" rel=\"noopener\"\u003esport\u003c\/a\u003e , \u003ca title=\"Industry\" href=\"https:\/\/it.wikipedia.org\/wiki\/Industria\" target=\"_blank\" rel=\"noopener\"\u003eindustry\u003c\/a\u003e and machines as their subject; this is how the \u003ci\u003eCyclists\u003c\/i\u003e , \u003ci\u003ethe Miners\u003c\/i\u003e , \u003ci\u003ethe Worker\u003c\/i\u003e , \u003ci\u003ethe Boxers\u003c\/i\u003e and the \u003ci\u003eRed Men\u003c\/i\u003e were born. With \u003ca title=\"Giacomo Manzù\" href=\"https:\/\/it.wikipedia.org\/wiki\/Giacomo_Manz%C3%B9\" target=\"_blank\" rel=\"noopener\"\u003eGiacomo Manzù\u003c\/a\u003e , \u003ca class=\"new\" title=\"Nino Strada (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Nino_Strada\u0026amp;action=edit\u0026amp;redlink=1\" target=\"_blank\" rel=\"noopener\"\u003eNino Strada\u003c\/a\u003e , \u003ca class=\"new\" title=\"Candido Grassi (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Candido_Grassi\u0026amp;action=edit\u0026amp;redlink=1\" target=\"_blank\" rel=\"noopener\"\u003eCandido Grassi\u003c\/a\u003e , \u003ca class=\"new\" title=\"Giuseppe Occhetti (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Giuseppe_Occhetti\u0026amp;action=edit\u0026amp;redlink=1\" target=\"_blank\" rel=\"noopener\"\u003eGiuseppe Occhetti\u003c\/a\u003e , \u003ca title=\"Gino Pancheri\" href=\"https:\/\/it.wikipedia.org\/wiki\/Gino_Pancheri\" target=\"_blank\" rel=\"noopener\"\u003eGino Pancheri\u003c\/a\u003e , in \u003ca title=\"1930\" href=\"https:\/\/it.wikipedia.org\/wiki\/1930\" target=\"_blank\" rel=\"noopener\"\u003e1930\u003c\/a\u003e he managed to set up his first important exhibition in Milan, also reviewed by Carlo Carrà. In \u003ca title=\"1934\" href=\"https:\/\/it.wikipedia.org\/wiki\/1934\" target=\"_blank\" rel=\"noopener\"\u003e1934\u003c\/a\u003e he stayed for a period of three months in \u003ca title=\"Paris\" href=\"https:\/\/it.wikipedia.org\/wiki\/Parigi\" target=\"_blank\" rel=\"noopener\"\u003eParis\u003c\/a\u003e \u003csup id=\"cite_ref-2\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Aligi_Sassu#cite_note-2\" target=\"_blank\" rel=\"noopener\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e (in rue Elisée des Beaux Artes) studying in depth the works of \u003ca title=\"Henri Matisse\" href=\"https:\/\/it.wikipedia.org\/wiki\/Henri_Matisse\" target=\"_blank\" rel=\"noopener\"\u003eMatisse\u003c\/a\u003e , \u003ca title=\"Théodore Géricault\" href=\"https:\/\/it.wikipedia.org\/wiki\/Th%C3%A9odore_G%C3%A9ricault\" target=\"_blank\" rel=\"noopener\"\u003eThéodore Géricault\u003c\/a\u003e , \u003ca title=\"Eugène Delacroix\" href=\"https:\/\/it.wikipedia.org\/wiki\/Eug%C3%A8ne_Delacroix\" target=\"_blank\" rel=\"noopener\"\u003eDelacroix\u003c\/a\u003e , \u003ca title=\"Paul Cézanne\" href=\"https:\/\/it.wikipedia.org\/wiki\/Paul_C%C3%A9zanne\" target=\"_blank\" rel=\"noopener\"\u003eCezanne\u003c\/a\u003e and the paintings of the nineteenth-century painters exhibited at the \u003ca class=\"mw-redirect\" title=\"Louvre\" href=\"https:\/\/it.wikipedia.org\/wiki\/Louvre\" target=\"_blank\" rel=\"noopener\"\u003eLouvre\u003c\/a\u003e .\r \n\r \nIn particular, the influence of Delacroix and his \u003ci\u003ebattles\u003c\/i\u003e is clearly visible in Sassu's paintings. He returned to Paris the following year and again in early 1936. In \u003ca title=\"1935\" href=\"https:\/\/it.wikipedia.org\/wiki\/1935\" target=\"_blank\" rel=\"noopener\"\u003e1935\u003c\/a\u003e he formed the \u003ci\u003eRed Group\u003c\/i\u003e with \u003ca title=\"Nino Franchina\" href=\"https:\/\/it.wikipedia.org\/wiki\/Nino_Franchina\" target=\"_blank\" rel=\"noopener\"\u003eNino Franchina\u003c\/a\u003e , \u003ca class=\"new\" title=\"Vittorio Della Porta (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Vittorio_Della_Porta\u0026amp;action=edit\u0026amp;redlink=1\" target=\"_blank\" rel=\"noopener\"\u003eVittorio Della Porta\u003c\/a\u003e and others. In 1936 he painted \u003ci\u003eThe Café\u003c\/i\u003e , one of his most famous paintings, depicting \u003ci\u003ethe Coupole\u003c\/i\u003e in \u003ca title=\"Paris\" href=\"https:\/\/it.wikipedia.org\/wiki\/Parigi\" target=\"_blank\" rel=\"noopener\"\u003eParis\u003c\/a\u003e , as well as \u003ci\u003eThe Councils\u003c\/i\u003e , a satirical vision of the clergy of Rome. In the meantime, his political commitment increased and, when the \u003ca title=\"Spanish Civil War\" href=\"https:\/\/it.wikipedia.org\/wiki\/Guerra_civile_spagnola\" target=\"_blank\" rel=\"noopener\"\u003eCivil War\u003c\/a\u003e broke out in \u003ca title=\"Spain\" href=\"https:\/\/it.wikipedia.org\/wiki\/Spagna\" target=\"_blank\" rel=\"noopener\"\u003eSpain\u003c\/a\u003e , he became an active anti-fascist. An anti-Francoist and sympathizer of the Spanish partisans, he painted The \u003ci\u003eShooting in the Asturias\u003c\/i\u003e .\r \n\r \nAccused of conspiracy, locked up in the \u003ca title=\"Regina Coeli Prison\" href=\"https:\/\/it.wikipedia.org\/wiki\/Carcere_di_Regina_Coeli\" target=\"_blank\" rel=\"noopener\"\u003eRegina Coeli prison\u003c\/a\u003e in \u003ca title=\"Rome\" href=\"https:\/\/it.wikipedia.org\/wiki\/Roma\" target=\"_blank\" rel=\"noopener\"\u003eRome\u003c\/a\u003e , he went through a rather problematic period at the end of which he took up painting again. His drawings with mythological subjects and portraits of prisoners date back to this period. He was pardoned in July \u003ca title=\"1938\" href=\"https:\/\/it.wikipedia.org\/wiki\/1938\" target=\"_blank\" rel=\"noopener\"\u003e1938\u003c\/a\u003e , but remained under special surveillance. Only in \u003ca title=\"1941\" href=\"https:\/\/it.wikipedia.org\/wiki\/1941\" target=\"_blank\" rel=\"noopener\"\u003e1941\u003c\/a\u003e was he able to exhibit again: for the first time the \u003ci\u003eUomini rossi\u003c\/i\u003e appeared in public. The exhibition took place in the \"Bottega di Corrente\". Although he had been an active participant in \u003ca title=\"Current (magazine)\" href=\"https:\/\/it.wikipedia.org\/wiki\/Corrente_(rivista)\" target=\"_blank\" rel=\"noopener\"\u003eCorrente\u003c\/a\u003e \u003csup id=\"cite_ref-3\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Aligi_Sassu#cite_note-3\" target=\"_blank\" rel=\"noopener\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e , the periodical of cultural opposition to the regime, Sassu preferred to opt for a \"personal\" exhibition, not adhering to the collective exhibitions of the artists of the time.\r \n\r \nIn \u003ca title=\"1943\" href=\"https:\/\/it.wikipedia.org\/wiki\/1943\" target=\"_blank\" rel=\"noopener\"\u003e1943\u003c\/a\u003e he illustrated \u003ca title=\"Alessandro Manzoni\" href=\"https:\/\/it.wikipedia.org\/wiki\/Alessandro_Manzoni\" target=\"_blank\" rel=\"noopener\"\u003eManzoni\u003c\/a\u003e 's \" \u003ci\u003ePromessi sposi\u003c\/i\u003e \" with fifty-eight watercolours \u003csup id=\"cite_ref-4\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Aligi_Sassu#cite_note-4\" target=\"_blank\" rel=\"noopener\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e . He presented these tables later, in \u003ca title=\"1983\" href=\"https:\/\/it.wikipedia.org\/wiki\/1983\" target=\"_blank\" rel=\"noopener\"\u003e1983\u003c\/a\u003e , in \u003ci\u003eManzoni's house\u003c\/i\u003e in Milan. In \u003ca title=\"1947\" href=\"https:\/\/it.wikipedia.org\/wiki\/1947\" target=\"_blank\" rel=\"noopener\"\u003e1947\u003c\/a\u003e , having moved to the \u003ca title=\"Province of Varese\" href=\"https:\/\/it.wikipedia.org\/wiki\/Provincia_di_Varese\" target=\"_blank\" rel=\"noopener\"\u003eprovince of Varese\u003c\/a\u003e , he worked assiduously, painting in particular \u003ci\u003eCoffee\u003c\/i\u003e , reminiscences of \u003ca title=\"Paris\" href=\"https:\/\/it.wikipedia.org\/wiki\/Parigi\" target=\"_blank\" rel=\"noopener\"\u003eParis\u003c\/a\u003e , and sacred subjects. Shortly afterwards he devoted himself to ceramics, producing around a hundred pieces. Returning to Sardinia in \u003ca title=\"1950\" href=\"https:\/\/it.wikipedia.org\/wiki\/1950\" target=\"_blank\" rel=\"noopener\"\u003e1950\u003c\/a\u003e , he drew inspiration from the landscapes that surrounded him and painted scenes of peasant and seafaring life, such as the \u003ci\u003eTonnare\u003c\/i\u003e ; he studied the \u003ca class=\"mw-redirect\" title=\"Murals\" href=\"https:\/\/it.wikipedia.org\/wiki\/Murales\" target=\"_blank\" rel=\"noopener\"\u003emurals\u003c\/a\u003e and muralists \u003ca title=\"Diego Rivera\" href=\"https:\/\/it.wikipedia.org\/wiki\/Diego_Rivera\" target=\"_blank\" rel=\"noopener\"\u003eDiego Rivera\u003c\/a\u003e and \u003ca title=\"Jose Clemente Orozco\" href=\"https:\/\/it.wikipedia.org\/wiki\/Jos%C3%A9_Clemente_Orozco\" target=\"_blank\" rel=\"noopener\"\u003eJosé Clemente Orozco\u003c\/a\u003e , and then \u003ca title=\"Vincent van Gogh\" href=\"https:\/\/it.wikipedia.org\/wiki\/Vincent_van_Gogh\" target=\"_blank\" rel=\"noopener\"\u003eVincent van Gogh\u003c\/a\u003e and \u003ca title=\"Piero della Francesca\" href=\"https:\/\/it.wikipedia.org\/wiki\/Piero_della_Francesca\" target=\"_blank\" rel=\"noopener\"\u003ePiero della Francesca\u003c\/a\u003e . Notable from that period is \u003ci\u003eLa Minia\u003c\/i\u003e , the fresco in the guesthouse of the mines of Monteponi (Iglesias) and not only for its dimensions, 3.50 m by 12 m.\n \u003cdiv class=\"thumb tright\"\u003e\n\n\u003cdiv class=\"thumbinner\"\u003e\n\n\n\u003ca class=\"image\" href=\"https:\/\/it.wikipedia.org\/wiki\/File:Aligi_Sassu,_Martiri_di_Piazzale_Loreto,_(1944).jpg\" target=\"_blank\" rel=\"noopener\"\u003e\u003cimg class=\"thumbimage\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/e\/ed\/Aligi_Sassu%2C_Martiri_di_Piazzale_Loreto%2C_%281944%29.jpg\/220px-Aligi_Sassu%2C_Martiri_di_Piazzale_Loreto%2C_%281944%29.jpg\" srcset=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/e\/ed\/Aligi_Sassu%2C_Martiri_di_Piazzale_Loreto%2C_%281944%29.jpg\/330px-Aligi_Sassu%2C_Martiri_di_Piazzale_Loreto%2C_%281944%29.jpg 1.5x, https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/e\/ed\/Aligi_Sassu%2C_Martiri_di_Piazzale_Loreto%2C_%281944%29.jpg\/440px-Aligi_Sassu%2C_Martiri_di_Piazzale_Loreto%2C_%281944%29.jpg 2x\" alt=\"\" width=\"220\" height=\"166\" data-file-width=\"1112\" data-file-height=\"841\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"thumbcaption\"\u003e\n\n\u003cdiv class=\"magnify\"\u003e\u003c\/div\u003e\n\n Martyrs of Piazzale Loreto\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\r \nWith Mazzotti and Fabbri, in \u003ca title=\"1954\" href=\"https:\/\/it.wikipedia.org\/wiki\/1954\" target=\"_blank\" rel=\"noopener\"\u003e1954\u003c\/a\u003e , in \u003ca title=\"Vallauris\" href=\"https:\/\/it.wikipedia.org\/wiki\/Vallauris\" target=\"_blank\" rel=\"noopener\"\u003eVallauris\u003c\/a\u003e he met \u003ca class=\"mw-redirect\" title=\"Picasso\" href=\"https:\/\/it.wikipedia.org\/wiki\/Picasso\" target=\"_blank\" rel=\"noopener\"\u003ePicasso\u003c\/a\u003e for the first time. Two years later, at a new meeting in \u003ca title=\"The California\" href=\"https:\/\/it.wikipedia.org\/wiki\/La_Californie\" target=\"_blank\" rel=\"noopener\"\u003eLa Californie\u003c\/a\u003e , Picasso showed him the sculptures that he would later exhibit at the Museum of \u003ca title=\"Antibes\" href=\"https:\/\/it.wikipedia.org\/wiki\/Antibes\" target=\"_blank\" rel=\"noopener\"\u003eAntibes\u003c\/a\u003e . The same year he exhibited at the Venice Biennale, among other works \u003ci\u003e, The Martyrs of Piazzale Loreto\u003c\/i\u003e , which \u003ca title=\"Giulio Carlo Argan\" href=\"https:\/\/it.wikipedia.org\/wiki\/Giulio_Carlo_Argan\" target=\"_blank\" rel=\"noopener\"\u003eGiulio Carlo Argan\u003c\/a\u003e purchased for the \u003ca title=\"National Gallery of Modern and Contemporary Art\" href=\"https:\/\/it.wikipedia.org\/wiki\/Galleria_nazionale_d%27arte_moderna_e_contemporanea\" target=\"_blank\" rel=\"noopener\"\u003eNational Gallery of Modern and Contemporary Art\u003c\/a\u003e . In \u003ca class=\"new\" title=\"Albissola Capo (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Albissola_Capo\u0026amp;action=edit\u0026amp;redlink=1\" target=\"_blank\" rel=\"noopener\"\u003eAlbissola Capo\u003c\/a\u003e painted the cycle of the \u003ci\u003eChronicles of Albisola\u003c\/i\u003e , a good representation of the artistic life of the town which at the time saw the gathering of ceramists, poets, writers, critics, and of which Aligi Sassu was a protagonist together with \u003ca title=\"Lucio Fontana\" href=\"https:\/\/it.wikipedia.org\/wiki\/Lucio_Fontana\" target=\"_blank\" rel=\"noopener\"\u003eLucio Fontana\u003c\/a\u003e , \u003ca title=\"Salvatore Fancello\" href=\"https:\/\/it.wikipedia.org\/wiki\/Salvatore_Fancello\" target=\"_blank\" rel=\"noopener\"\u003eSalvatore Fancello\u003c\/a\u003e and other artists. The work, commissioned by the owner of the \u003ci\u003eTrattoria Pescetto\u003c\/i\u003e , occupied an entire thirty-five metre wall and, when the restaurant closed 14 years later, it was completely dismantled. Today only a few photographs remain.\r \n\nIn \u003ca title=\"Arcumeggia\" href=\"https:\/\/it.wikipedia.org\/wiki\/Arcumeggia\" target=\"_blank\" rel=\"noopener\"\u003eArcumeggia\u003c\/a\u003e he painted the \u003ca class=\"mw-redirect\" title=\"Frescoes\" href=\"https:\/\/it.wikipedia.org\/wiki\/Affreschi\" target=\"_blank\" rel=\"noopener\"\u003efrescoes\u003c\/a\u003e \u003ci\u003eRunners\u003c\/i\u003e (1957), a work of considerable size in homage to cycling, \u003ci\u003eJesus nailed to the cross\u003c\/i\u003e , XI station of the \u003ci\u003eVia Crucis\u003c\/i\u003e (1963), and \u003ci\u003eSaint Martin gives part of his cloak to the poor\u003c\/i\u003e (1991).\n\r \nTen years later, his Spanish period began (in \u003ca title=\"1963\" href=\"https:\/\/it.wikipedia.org\/wiki\/1963\" target=\"_blank\" rel=\"noopener\"\u003e1963\u003c\/a\u003e in the Balearic Islands), with the \u003ci\u003eTauromachie\u003c\/i\u003e , presented by the Spanish poet \u003ca title=\"Rafael Alberti\" href=\"https:\/\/it.wikipedia.org\/wiki\/Rafael_Alberti\" target=\"_blank\" rel=\"noopener\"\u003eRafael Alberti\u003c\/a\u003e , the mythological characters, his experiments with acrylics and increasingly bright colours (red will be even more present in his paintings). In \u003ca title=\"1965\" href=\"https:\/\/it.wikipedia.org\/wiki\/1965\" target=\"_blank\" rel=\"noopener\"\u003e1965,\u003c\/a\u003e his drawings and sculptures were exhibited at the Galleria Civica in Monza; it was then the turn of an anthological exhibition in Bucharest and, subsequently, at the Galleria d'Arte Moderna in Cagliari (where, in \u003ca title=\"1967\" href=\"https:\/\/it.wikipedia.org\/wiki\/1967\" target=\"_blank\" rel=\"noopener\"\u003e1967\u003c\/a\u003e , \u003ca title=\"Foiso Fois\" href=\"https:\/\/it.wikipedia.org\/wiki\/Foiso_Fois\" target=\"_blank\" rel=\"noopener\"\u003eFoiso Fois\u003c\/a\u003e was also present). In the same year, he moved to \u003ca title=\"Monticello Brianza\" href=\"https:\/\/it.wikipedia.org\/wiki\/Monticello_Brianza\" target=\"_blank\" rel=\"noopener\"\u003eMonticello Brianza\u003c\/a\u003e , during which he mainly painted \u003ci\u003emurals\u003c\/i\u003e .\r \n\r \nFrom \u003ca title=\"1968\" href=\"https:\/\/it.wikipedia.org\/wiki\/1968\" target=\"_blank\" rel=\"noopener\"\u003e1968\u003c\/a\u003e belong various large paintings, among which the \u003ci\u003eChe Guevara\u003c\/i\u003e , donated to the Museum of \u003ca title=\"Havana\" href=\"https:\/\/it.wikipedia.org\/wiki\/L%27Avana\" target=\"_blank\" rel=\"noopener\"\u003eHavana\u003c\/a\u003e . In \u003ca title=\"1969\" href=\"https:\/\/it.wikipedia.org\/wiki\/1969\" target=\"_blank\" rel=\"noopener\"\u003e1969\u003c\/a\u003e , at the Biennale, he was awarded the first prize for the \u003ci\u003epainted wall\u003c\/i\u003e . In \u003ca title=\"1972\" href=\"https:\/\/it.wikipedia.org\/wiki\/1972\" target=\"_blank\" rel=\"noopener\"\u003e1972\u003c\/a\u003e he married \u003ca class=\"new\" title=\"Helenita Olivares (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Helenita_Olivares\u0026amp;action=edit\u0026amp;redlink=1\" target=\"_blank\" rel=\"noopener\"\u003eHelenita Olivares\u003c\/a\u003e . Travelling between \u003ca title=\"Majorca\" href=\"https:\/\/it.wikipedia.org\/wiki\/Maiorca\" target=\"_blank\" rel=\"noopener\"\u003eMajorca\u003c\/a\u003e and \u003ca title=\"Italy\" href=\"https:\/\/it.wikipedia.org\/wiki\/Italia\" target=\"_blank\" rel=\"noopener\"\u003eItaly\u003c\/a\u003e , he collaborated in \u003ca title=\"1973\" href=\"https:\/\/it.wikipedia.org\/wiki\/1973\" target=\"_blank\" rel=\"noopener\"\u003e1973\u003c\/a\u003e with the \u003ca title=\"Sicilian Vespers\" href=\"https:\/\/it.wikipedia.org\/wiki\/Vespri_siciliani\" target=\"_blank\" rel=\"noopener\"\u003eSicilian Vespers\u003c\/a\u003e for the reopening of the \u003ca title=\"Teatro Regio (Turin)\" href=\"https:\/\/it.wikipedia.org\/wiki\/Teatro_Regio_(Torino)\" target=\"_blank\" rel=\"noopener\"\u003eTeatro Regio\u003c\/a\u003e in \u003ca title=\"Turin\" href=\"https:\/\/it.wikipedia.org\/wiki\/Torino\" target=\"_blank\" rel=\"noopener\"\u003eTurin\u003c\/a\u003e . In the \u003ca class=\"mw-redirect\" title=\"Vatican\" href=\"https:\/\/it.wikipedia.org\/wiki\/Vaticano\" target=\"_blank\" rel=\"noopener\"\u003eVatican\u003c\/a\u003e a room was dedicated to him in the \u003ci\u003eGallery of Modern Art\u003c\/i\u003e . Three years later he created two mosaics for the parish of \u003ca title=\"Andrew the Apostle\" href=\"https:\/\/it.wikipedia.org\/wiki\/Andrea_apostolo\" target=\"_blank\" rel=\"noopener\"\u003eSant'Andrea\u003c\/a\u003e in \u003ca title=\"Pescara\" href=\"https:\/\/it.wikipedia.org\/wiki\/Pescara\" target=\"_blank\" rel=\"noopener\"\u003ePescara\u003c\/a\u003e and the following year he exhibited his works in the cities of \u003ca title=\"Rotterdam\" href=\"https:\/\/it.wikipedia.org\/wiki\/Rotterdam\" target=\"_blank\" rel=\"noopener\"\u003eRotterdam\u003c\/a\u003e , \u003ca title=\"Toronto\" href=\"https:\/\/it.wikipedia.org\/wiki\/Toronto\" target=\"_blank\" rel=\"noopener\"\u003eToronto\u003c\/a\u003e and \u003ca title=\"Majorca\" href=\"https:\/\/it.wikipedia.org\/wiki\/Maiorca\" target=\"_blank\" rel=\"noopener\"\u003eMajorca\u003c\/a\u003e . In \u003ca title=\"1984\" href=\"https:\/\/it.wikipedia.org\/wiki\/1984\" target=\"_blank\" rel=\"noopener\"\u003e1984\u003c\/a\u003e he held a first anthological exhibition in \u003ca title=\"Ferrara\" href=\"https:\/\/it.wikipedia.org\/wiki\/Ferrara\" target=\"_blank\" rel=\"noopener\"\u003eFerrara\u003c\/a\u003e , at the \u003ca title=\"Diamond Palace\" href=\"https:\/\/it.wikipedia.org\/wiki\/Palazzo_dei_Diamanti\" target=\"_blank\" rel=\"noopener\"\u003ePalazzo dei Diamanti\u003c\/a\u003e , and then in Rome at \u003ca title=\"Castel Sant'Angelo\" href=\"https:\/\/it.wikipedia.org\/wiki\/Castel_Sant%27Angelo\" target=\"_blank\" rel=\"noopener\"\u003eCastel Sant'Angelo\u003c\/a\u003e , which was followed by one in Milan, at the \u003ca class=\"new\" title=\"Royal Palace of Milan (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Palazzo_reale_di_Milano\u0026amp;action=edit\u0026amp;redlink=1\" target=\"_blank\" rel=\"noopener\"\u003ePalazzo Reale\u003c\/a\u003e \u003csup id=\"cite_ref-5\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Aligi_Sassu#cite_note-5\" target=\"_blank\" rel=\"noopener\"\u003e[5]\u003c\/a\u003e\u003c\/sup\u003e .\r \n\r \nSubsequently, exhibitions were held in \u003ca title=\"Seville\" href=\"https:\/\/it.wikipedia.org\/wiki\/Siviglia\" target=\"_blank\" rel=\"noopener\"\u003eSeville\u003c\/a\u003e , \u003ca title=\"Germany\" href=\"https:\/\/it.wikipedia.org\/wiki\/Germania\" target=\"_blank\" rel=\"noopener\"\u003eGermany\u003c\/a\u003e , \u003ca title=\"Madrid\" href=\"https:\/\/it.wikipedia.org\/wiki\/Madrid\" target=\"_blank\" rel=\"noopener\"\u003eMadrid\u003c\/a\u003e , \u003ca title=\"Toronto\" href=\"https:\/\/it.wikipedia.org\/wiki\/Toronto\" target=\"_blank\" rel=\"noopener\"\u003eToronto\u003c\/a\u003e , \u003ca class=\"mw-redirect\" title=\"Montreal\" href=\"https:\/\/it.wikipedia.org\/wiki\/Montreal\" target=\"_blank\" rel=\"noopener\"\u003eMontreal\u003c\/a\u003e and \u003ca title=\"Ottawa\" href=\"https:\/\/it.wikipedia.org\/wiki\/Ottawa\" target=\"_blank\" rel=\"noopener\"\u003eOttawa\u003c\/a\u003e . In 1986 he exhibited in \u003ca title=\"Palma de Mallorca\" href=\"https:\/\/it.wikipedia.org\/wiki\/Palma_di_Maiorca\" target=\"_blank\" rel=\"noopener\"\u003ePalma de Mallorca\u003c\/a\u003e , at the \u003ca title=\"Rome Quadrennial\" href=\"https:\/\/it.wikipedia.org\/wiki\/Quadriennale_di_Roma\" target=\"_blank\" rel=\"noopener\"\u003eXI Quadriennale in Rome\u003c\/a\u003e , at the \u003ca title=\"Milan Triennale\" href=\"https:\/\/it.wikipedia.org\/wiki\/Triennale_di_Milano\" target=\"_blank\" rel=\"noopener\"\u003eTriennale in Milan\u003c\/a\u003e and at the \u003ca title=\"Mantegna's House\" href=\"https:\/\/it.wikipedia.org\/wiki\/Casa_del_Mantegna\" target=\"_blank\" rel=\"noopener\"\u003eCasa del Mantegna\u003c\/a\u003e in \u003ca title=\"Mantua\" href=\"https:\/\/it.wikipedia.org\/wiki\/Mantova\" target=\"_blank\" rel=\"noopener\"\u003eMantua\u003c\/a\u003e and \u003ca title=\"Munich\" href=\"https:\/\/it.wikipedia.org\/wiki\/Monaco_di_Baviera\" target=\"_blank\" rel=\"noopener\"\u003eMunich\u003c\/a\u003e . In the same year he completed the one hundred and thirteen plates on the \u003ci\u003eDivine Comedy\u003c\/i\u003e \u003csup id=\"cite_ref-6\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Aligi_Sassu#cite_note-6\" target=\"_blank\" rel=\"noopener\"\u003e[6]\u003c\/a\u003e\u003c\/sup\u003e . In 1992 he participated in the exhibition project \u003ca class=\"new\" title=\"Italian Art in the World (this page doesn't exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Arte_Italiana_nel_mondo\u0026amp;action=edit\u0026amp;redlink=1\" target=\"_blank\" rel=\"noopener\"\u003eArte Italiana nel mondo\u003c\/a\u003e in \u003ca class=\"mw-redirect\" title=\"South America\" href=\"https:\/\/it.wikipedia.org\/wiki\/Sud_America\" target=\"_blank\" rel=\"noopener\"\u003eSouth America\u003c\/a\u003e , exhibiting in \u003ca title=\"Sao Paulo (Brazil)\" href=\"https:\/\/it.wikipedia.org\/wiki\/San_Paolo_(Brasile)\" target=\"_blank\" rel=\"noopener\"\u003eSan Paolo\u003c\/a\u003e , \u003ca title=\"Bogota\" href=\"https:\/\/it.wikipedia.org\/wiki\/Bogot%C3%A0\" target=\"_blank\" rel=\"noopener\"\u003eBogota\u003c\/a\u003e and \u003ca title=\"Buenos Aires\" href=\"https:\/\/it.wikipedia.org\/wiki\/Buenos_Aires\" target=\"_blank\" rel=\"noopener\"\u003eBuenos Aires\u003c\/a\u003e . In \u003ca title=\"Brussels\" href=\"https:\/\/it.wikipedia.org\/wiki\/Bruxelles\" target=\"_blank\" rel=\"noopener\"\u003eBrussels\u003c\/a\u003e , in the new seat of the \u003ca title=\"European Parliament\" href=\"https:\/\/it.wikipedia.org\/wiki\/Parlamento_europeo\" target=\"_blank\" rel=\"noopener\"\u003eEuropean Parliament\u003c\/a\u003e , in \u003ca title=\"1993\" href=\"https:\/\/it.wikipedia.org\/wiki\/1993\" target=\"_blank\" rel=\"noopener\"\u003e1993\u003c\/a\u003e he completed the ceramic mural \u003ci\u003eI Miti del Mediterraneo\u003c\/i\u003e , which occupies 150 square metres. The \u003ci\u003eManuscriptum\u003c\/i\u003e engravings for the travelling exhibition in \u003ca title=\"Sweden\" href=\"https:\/\/it.wikipedia.org\/wiki\/Svezia\" target=\"_blank\" rel=\"noopener\"\u003eSweden\u003c\/a\u003e \"I ponti di Leonardo\" date back to \u003ca title=\"1994\" href=\"https:\/\/it.wikipedia.org\/wiki\/1994\" target=\"_blank\" rel=\"noopener\"\u003e1994.\u003c\/a\u003e The exhibition at the \u003ca class=\"mw-redirect\" title=\"Gallery of Modern and Contemporary Art of Bergamo\" href=\"https:\/\/it.wikipedia.org\/wiki\/Galleria_d%27Arte_Moderna_e_Contemporanea_di_Bergamo\" target=\"_blank\" rel=\"noopener\"\u003eGalleria d'Arte Moderna e Contemporanea in Bergamo\u003c\/a\u003e took place in the following year, and the anthological exhibition at \u003ca title=\"Strozzi Palace\" href=\"https:\/\/it.wikipedia.org\/wiki\/Palazzo_Strozzi\" target=\"_blank\" rel=\"noopener\"\u003ePalazzo Strozzi\u003c\/a\u003e \u003csup id=\"cite_ref-7\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Aligi_Sassu#cite_note-7\" target=\"_blank\" rel=\"noopener\"\u003e[7]\u003c\/a\u003e\u003c\/sup\u003e in \u003ca title=\"Florence\" href=\"https:\/\/it.wikipedia.org\/wiki\/Firenze\" target=\"_blank\" rel=\"noopener\"\u003eFlorence\u003c\/a\u003e in \u003ca title=\"1999\" href=\"https:\/\/it.wikipedia.org\/wiki\/1999\" target=\"_blank\" rel=\"noopener\"\u003e1999\u003c\/a\u003e .\n \u003cdiv class=\"thumb tright\"\u003e\n\n\u003cdiv class=\"thumbinner\"\u003e\n\n\n\u003ca class=\"image\" href=\"https:\/\/it.wikipedia.org\/wiki\/File:Right_side_of_%22Nuredduna%22_sculpture_by_Aligi_Sassu,_1995_(Legnano).JPG\" target=\"_blank\" rel=\"noopener\"\u003e\u003cimg class=\"thumbimage\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/2\/29\/Right_side_of_%22Nuredduna%22_sculpture_by_Aligi_Sassu%2C_1995_%28Legnano%29.JPG\/220px-Right_side_of_%22Nuredduna%22_sculpture_by_Aligi_Sassu%2C_1995_%28Legnano%29.JPG\" srcset=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/2\/29\/Right_side_of_%22Nuredduna%22_sculpture_by_Aligi_Sassu%2C_1995_%28Legnano%29.JPG\/330px-Right_side_of_%22Nuredduna%22_sculpture_by_Aligi_Sassu%2C_1995_%28Legnano%29.JPG 1.5x, https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/2\/29\/Right_side_of_%22Nuredduna%22_sculpture_by_Aligi_Sassu%2C_1995_%28Legnano%29.JPG\/440px-Right_side_of_%22Nuredduna%22_sculpture_by_Aligi_Sassu%2C_1995_%28Legnano%29.JPG 2x\" alt=\"\" width=\"220\" height=\"392\" data-file-width=\"2048\" data-file-height=\"3648\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"thumbcaption\"\u003e\n\n\u003cdiv class=\"magnify\"\u003e\u003c\/div\u003e\n\n The \u003ci\u003eNuredduna\u003c\/i\u003e sculpture from 1995\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\r \nIn \u003ca title=\"1996\" href=\"https:\/\/it.wikipedia.org\/wiki\/1996\" target=\"_blank\" rel=\"noopener\"\u003e1996,\u003c\/a\u003e he donated 356 works, created since 1927, to the city of \u003ca title=\"Lugano\" href=\"https:\/\/it.wikipedia.org\/wiki\/Lugano\" target=\"_blank\" rel=\"noopener\"\u003eLugano\u003c\/a\u003e : this gave birth to the \u003ci\u003eAligi Sassu and Helenita Olivares Foundation\u003c\/i\u003e , which has since held thematic exhibitions of his works. On June 25, 1999, the Aligi Sassu and Helenita Olivares Foundation was founded in Mallorca by will of the Sassu couple. On March 31, 2000, the non-profit cultural association Amici dell'Arte di Aligi Sassu was established in Besana in Brianza. He died in Pollença on July 17 of the same year, at the age of 88, his \u003ca title=\"Birthday\" href=\"https:\/\/it.wikipedia.org\/wiki\/Compleanno\" target=\"_blank\" rel=\"noopener\"\u003ebirthday\u003c\/a\u003e .\n\n\n\u003c\/div\u003e","brand":"paolo tacchin 1710€","offers":[{"title":"Default Title","offer_id":56218597392770,"sku":"patac003","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/momentidipace.jpg?v=1776669636","url":"https:\/\/cjfh11-ee.myshopify.com\/en\/products\/aligi-sassu-momenti-di-pace-2-2","provider":"Venderequadri","version":"1.0","type":"link"}