{"product_id":"antonio-navarra-senza-titolo","title":"Antonio Navarra - Untitled","description":"\u003cp\u003eFlowers as an independent subject began to appear in still lifes, a genre that emerged in the early 17th century. Subsequently, painters, especially the Impressionists, increasingly focused on the floral world, as an extraordinary opportunity to capture vibrant colors and light. Thus, flowers were depicted not only in vases, but also immersed in their natural landscape. While initially a pretext for painters to attempt a photographic reproduction of reality, with contemporary art, the subject of flowers also became a way of interpreting reality.\u003c\/p\u003e\n\n\n \u003cp\u003eThe style of artist Antonio Navarra, in his landscapes of flowery fields and still lifes, draws essentially from Hyperrealism. Indeed, one can see a desire to objectively convey to the canvas, with cold lucidity, the sensory data before his eyes. Antonio Navarra possesses a remarkable technique, reminiscent of Flemish painting, in the precision with which he reproduces various materials and surfaces and the effects of light falling on them. Despite its objective clarity and while avoiding overly accentuated atmospheric effects, Antonio Navarra's technique is such that it naturally inserts objects into space, with a continuity and indefiniteness of contours. Indeed, the view proposed by the painter maintains a perfect coherence and unity of space and light.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio Navarra was born in Monterotondo in 1965. From a very young age, he showed an interest in art, instinctively manipulating any plastic material he could get his hands on. At the age of ten, he arrived at Rome's Città dei Ragazzi (Children's City). This school would prove to be crucial to his development. It was here that, at twelve, he was introduced to artistic ceramics, and at thirteen, he was given his own room to paint. The school's director himself enrolled him in the Art Institute, where he graduated with a degree in applied art. He later enrolled at the Academy of Fine Arts, taking a sculpture course to further his artistic development. Receiving a rejected commission, he left for Paris and created a fresco in a building. He then decided to stay in the French capital for another three months, where, in addition to visiting museums and art galleries, he also pursued the experience that had always fascinated him: street art. Upon returning to Italy he decided to stop in Rimini, where he began his career as a painter, selling his works to various galleries and frequenting the salons on Viale Ceccarini in Riccione.\u003c\/p\u003e","brand":"Esposito Massimo","offers":[{"title":"Default Title","offer_id":56215834493314,"sku":"MESP002","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/NAVARRA-ANTONIO-70-X-50-copia.jpg?v=1768429668","url":"https:\/\/cjfh11-ee.myshopify.com\/en\/products\/antonio-navarra-senza-titolo","provider":"Venderequadri","version":"1.0","type":"link"}