{"product_id":"attribuito-telemaco-signorini-senza-titolo","title":"Attributed to Telemaco Signorini - Untitled","description":"\u003cp\u003e The work features on the back a statement from Telemaco Signorini's granddaughter\u003c\/p\u003e\n\n\n \u003cp\u003eThe work can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious subjects. The Impressionists, in particular, favored subjects related to modern life in urban and bourgeois settings, while in Italy, movements such as the Divisionists and the Macchiaioli focused on themes related to work and life in the fields. Telemaco Signorini's experience is also connected to this tradition, having been a member of the Macchiaioli group. His pictorial production consists primarily of scenes of country life, dedicated to work in the fields, where the landscape also plays a prominent role.\u003c\/p\u003e\n\n\n \u003cp\u003eThis panel, which has a more sketchy quality compared to Telemaco Signorini's official production, reveals an unusual side of the great Macchiaioli artist. Indeed, we can appreciate a more spontaneous and instinctive Signorini, compared to his balanced compositions. The strokes used to depict this small peasant scene are rapid, and the forms come to life with a few quick strokes. There is, in short, a prevailing impressionistic quality, indicating the desire to create a work fully in keeping with the plein air aesthetic. Color predominates, both in the description of space, through tonal variations, and in the capture of all the light vibrations, with the dense hatching of the brushstrokes.\u003c\/p\u003e\n\n\n \u003cp\u003eTelemaco Signorini was a Florentine painter born in 1835 and died in 1901. He was one of the most important representatives of the Macchiaioli group. His painting training began under the guidance of his father, also a painter, and in 1852 he enrolled at the Academy of Fine Arts. In 1856, growing impatient with academic study, he abandoned his studies to devote himself entirely to plein air painting with Odoardo Borrani and Vincenzo Cabianca. He was an active participant in the meetings at the Caffè Michelangelo. His trip to Paris, where he met Courbet, was crucial to the development of his pictorial language.\u003c\/p\u003e","brand":"Svander Aldo","offers":[{"title":"Default Title","offer_id":56215833411970,"sku":"ASVA001","price":7500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/base-cm-13-altezza-cm-9.-Lartista-e-Telemaco-signorini-copia.jpg?v=1768429647","url":"https:\/\/cjfh11-ee.myshopify.com\/en\/products\/attribuito-telemaco-signorini-senza-titolo","provider":"Venderequadri","version":"1.0","type":"link"}