{"product_id":"cesare-bruno-senza-titolo","title":"Cesare Bruno - Untitled","description":"\u003cp\u003eDuring the 1950s and 1960s, the so-called poetics of the object began to spread in European and American art. Harking back to the readymades of Dadaist memory, a new wave of groups or movements repurposed everyday objects as works of art. The departure from traditional Dada lay in the strong influence of Abstract Expressionism, which led to the reconfiguration of objects with new languages ​​and new stimuli. Cesare Bruno's work fits perfectly into this trend, with his poetics of chairs, with which he created numerous compositions, developing a profound research.\u003cbr\u003e\n\u003cbr\u003e \nMost of Cesare Bruno's paintings focus on the subject of the chair. The compositions are created through the iteration of a particular chair, low but with an extremely high back. The juxtaposition of different examples forms, in the paintings, actual theories that often take on an exquisitely metaphysical appearance. In other cases, Bruno adopts a more abstract language, and the juxtaposition of chairs gives rise to compositions of dense lines that almost form walls. The work in question is an example of precisely this type of interpretation. Indeed, even on a formal level, the artist adopts a very synthetic approach based on color. Thus, the composition resolves itself into a tightly packed group of lines that forms an impassable barrier. One could almost say that Bruno here adopts an informal aesthetic, precisely because of the sense of rejection and incommunicability expressed in this painting.\u003c\/p\u003e\n\n\n \u003cp\u003eCesare Bruno was born in 1919 in Cantalupo. Already during his adolescence, self-taught, along with his brother Vittorio, he discovered a marked talent for the figurative arts. After becoming a doctor, Cesare began his career at the hospital in Alessandria. His move from Alessandria to Turin significantly boosted his painting career; in 1972, he held his first solo exhibition at the Cassiopea gallery on Via Cavour, where he first organically developed the theme of the chair, which would become a recurring motif in his paintings. In the 1970s, he began collaborating with his friend, critic, and mentor Ernesto Caballo, who would advise and support him throughout his life.\u003c\/p\u003e","brand":"Fresolone Giulia","offers":[{"title":"Default Title","offer_id":56215843570050,"sku":"GFRE001","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-20201128-WA0002.jpg?v=1768429812","url":"https:\/\/cjfh11-ee.myshopify.com\/en\/products\/cesare-bruno-senza-titolo","provider":"Venderequadri","version":"1.0","type":"link"}