{"product_id":"elvio-marchionni-senza-titolo-madonna-col-bambino-e-santanna","title":"Elvio Marchionni - Motherhood \"The Values ​​of Life\"","description":"\u003cp class=\"Corpo\" style=\"text-align: justify;\"\u003e\u003cspan style=\"font-family: 'Avenir Next LT Pro',sans-serif;\"\u003eAs the title suggests, the theme of Elvio Marchionni's work refers to maternal love, which is treated with a religious tone. The figures of the Virgin Mary holding Saint Anne and the Child in her arms are a symbol of motherhood. The artist's symbolic approach to his work draws on a religious dimension inspired by the medieval world, adding a technical execution and rendering that draws on humanistic and Renaissance research. Along with naturalistic rendering, the other fundamental concept, according to Classicist standards, is the unity of the artwork, through a harmonious correspondence between all its parts.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"Corpo\" style=\"text-align: justify;\"\u003e\u003cspan style=\"font-family: 'Avenir Next LT Pro',sans-serif;\"\u003eThe vision\u003cb\u003e \u003c\/b\u003eIn this multi-material silkscreen, inspired by his famous \"strappi,\" artist Elvio Marchionni revisits an extremist composition inspired by humanism and the Italian Renaissance, not only by its classicist leanings, based on Greco-Roman models, but also by a composition that embraces a depth of perspective found in artists such as Piero della Francesca, Paolo Uccello, and Mantegna. All of this is reworked through a tonal composition characteristic of Marchionni's art, featuring soft, suffused hues that seek to bring volumes and forms to life. Marchionni draws inspiration from the ancient artistic model, artfully creating the very degradation of the work, which enhances its charm and value.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"Corpo\" style=\"text-align: justify;\"\u003e\u003cspan style=\"font-family: 'Avenir Next LT Pro',sans-serif;\"\u003eArtist Elvio Marchionni was born in Spello in January 1944. He attended the Bernardino di Betto Institute in Perugia, where he explored and developed a passion for medieval art, restoration techniques, and medieval painting techniques. From the 1970s, we observe the artist's delight in experimenting with ancient materials. From the rough plaster, Marchionni extracts the figure, his idea of ​​beauty: symmetry, balance between mass, forms, lines, and colors. In Spello, in 1970, he opened his studio near the Basilica of Santa Maria Maggiore, which houses works by Pinturicchio and Perugino. His encounter with artist Mario Tozzi, who stayed in Paris in 1978, led to an important artistic partnership. The solo exhibition that celebrated his work took place in 1981 in Foligno, where he inaugurated his famous \"strappi\" series. In the following years he will participate in numerous solo exhibitions and receive commissions not only in Italy, but also in Paris, Madrid, Palma de Mallorca and others.\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cp class=\"Corpo\" style=\"text-align: justify;\"\u003e\u003cspan style=\"font-family: 'Avenir Next LT Pro',sans-serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Guanziroli Mario Giovan Battista (3500)","offers":[{"title":"Default Title","offer_id":56219356168578,"sku":"MGUA001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Riga-1-4-1.jpg?v=1768480300","url":"https:\/\/cjfh11-ee.myshopify.com\/en\/products\/elvio-marchionni-senza-titolo-madonna-col-bambino-e-santanna","provider":"Venderequadri","version":"1.0","type":"link"}