{"product_id":"emanuele-bettini-senza-titolo-4","title":"Emanuele Bettini - Untitled","description":"\u003cp\u003eThe work can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The Impressionists, in particular, favored subjects related to modern life in urban, bourgeois settings. In the ironic and disenchanted narrative of society, especially bourgeois and provincial, that characterizes Emanuele Bettini's artistic production, the genre scene cannot be excluded. Bettini's genre scene is dominated by decontextualization, and the focus is entirely on the characters in a scathing and humorous existential analysis.\u003c\/p\u003e\n\n\n \u003cp\u003eThe painting is one example of numerous works in which Emanuele Bettini portrays the faces of men and women in ironic bourgeois scenes. In this context, Bettini maintains a consistent artistic language that can be defined, on the one hand, as a naïve simplification of reality, but which, on the other, features clear references to the abstract and surrealist poetics of the avant-garde. Indeed, formally, the figures in Emanuele Bettini's works are constructed from extremely simplified, pure lines and forms. The result is a stark objectivity that lends itself well to the bourgeois nature and ironic detachment of these existential paintings. Everything, however, is brought to life and original by Emanuele Bettini's vibrant naïve streak, which makes his style unique and inimitable.\u003c\/p\u003e\n\n\n \u003cp\u003eEmanuele Bettini (Prato, January 20, 1917 – Prato, November 21, 2002) was an Italian poet, writer, and painter. A painter of undoubted talent, his sources of inspiration included the surrealism of Joan Miró, the Futurism of Giacomo Balla, to whom he was bound by esteem and friendship, the faces of Massimo Campigli and Amedeo Modigliani, and the enchanted flights of Marc Chagall. His depictions are sometimes bitter and grotesque, sometimes surreal and populated by creative and colorful characters, but always ironic.\u003c\/p\u003e","brand":"Di Iorio Altagracia","offers":[{"title":"Default Title","offer_id":56218181534082,"sku":"ADIO003","price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0341.jpg?v=1768471692","url":"https:\/\/cjfh11-ee.myshopify.com\/en\/products\/emanuele-bettini-senza-titolo-4","provider":"Venderequadri","version":"1.0","type":"link"}