{"product_id":"peperoncini-renato-guttuso","title":"CHILLI PEPPERS - RENATO GUTTUSO","description":"\u003cb\u003eAldo Renato Guttuso\u003c\/b\u003e ( \u003ca title=\"Bagheria\" href=\"https:\/\/it.wikipedia.org\/wiki\/Bagheria\"\u003eBagheria\u003c\/a\u003e , \u003ca title=\"December 26th\" href=\"https:\/\/it.wikipedia.org\/wiki\/26_dicembre\"\u003e26 December\u003c\/a\u003e \u003ca title=\"1911\" href=\"https:\/\/it.wikipedia.org\/wiki\/1911\"\u003e1911\u003c\/a\u003e – \u003ca title=\"Rome\" href=\"https:\/\/it.wikipedia.org\/wiki\/Roma\"\u003eRome\u003c\/a\u003e , \u003ca title=\"January 18th\" href=\"https:\/\/it.wikipedia.org\/wiki\/18_gennaio\"\u003e18 January\u003c\/a\u003e \u003ca title=\"1987\" href=\"https:\/\/it.wikipedia.org\/wiki\/1987\"\u003e1987\u003c\/a\u003e ) was an \u003ca title=\"Italy\" href=\"https:\/\/it.wikipedia.org\/wiki\/Italia\"\u003eItalian\u003c\/a\u003e \u003ca title=\"Painter\" href=\"https:\/\/it.wikipedia.org\/wiki\/Pittore\"\u003epainter\u003c\/a\u003e and \u003ca title=\"Political\" href=\"https:\/\/it.wikipedia.org\/wiki\/Politico\"\u003epolitician\u003c\/a\u003e , improperly indicated as an exponent of \u003ca title=\"Socialist realism\" href=\"https:\/\/it.wikipedia.org\/wiki\/Realismo_socialista\"\u003esocialist realism\u003c\/a\u003e , protagonist of the Italian \u003ca title=\"Pictorial Neorealism\" href=\"https:\/\/it.wikipedia.org\/wiki\/Neorealismo_pittorico\"\u003eneorealist painting\u003c\/a\u003e which was expressed in the artists of the \u003ci\u003eNew Arts Front\u003c\/i\u003e \u003csup id=\"cite_ref-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_note-1\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e , senator from 1976 to 1983.\r \n\r \nSon of Gioacchino ( \u003ca title=\"1865\" href=\"https:\/\/it.wikipedia.org\/wiki\/1865\"\u003e1865\u003c\/a\u003e - \u003ca title=\"1940\" href=\"https:\/\/it.wikipedia.org\/wiki\/1940\"\u003e1940\u003c\/a\u003e ), \u003ca class=\"mw-redirect\" title=\"Land Surveyor\" href=\"https:\/\/it.wikipedia.org\/wiki\/Agrimensore\"\u003esurveyor\u003c\/a\u003e and amateur \u003ca title=\"Watercolor\" href=\"https:\/\/it.wikipedia.org\/wiki\/Acquerello\"\u003ewatercolourist\u003c\/a\u003e , and Giuseppina d'Amico ( \u003ca title=\"1874\" href=\"https:\/\/it.wikipedia.org\/wiki\/1874\"\u003e1874\u003c\/a\u003e - \u003ca title=\"1945\" href=\"https:\/\/it.wikipedia.org\/wiki\/1945\"\u003e1945\u003c\/a\u003e ) – who preferred to report his birth in \u003ca title=\"Palermo\" href=\"https:\/\/it.wikipedia.org\/wiki\/Palermo\"\u003ePalermo\u003c\/a\u003e on 2 January \u003ca title=\"1912\" href=\"https:\/\/it.wikipedia.org\/wiki\/1912\"\u003e1912\u003c\/a\u003e due to disagreements with the municipal administration of Bagheria due to the \u003ca title=\"Liberalism\" href=\"https:\/\/it.wikipedia.org\/wiki\/Liberalismo\"\u003eliberal\u003c\/a\u003e ideas of the couple \u003csup id=\"cite_ref-2\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_note-2\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e – little Renato showed early on his predisposition for painting.\r \n\r \nInfluenced by his father's hobby and by frequenting the studio of the painter \u003ca title=\"Dominic Quattrociocchi\" href=\"https:\/\/it.wikipedia.org\/wiki\/Domenico_Quattrociocchi\"\u003eDomenico Quattrociocchi\u003c\/a\u003e and the workshop of the cart painter \u003ca title=\"Emilio Murdolo\" href=\"https:\/\/it.wikipedia.org\/wiki\/Emilio_Murdolo\"\u003eEmilio Murdolo\u003c\/a\u003e , the young Renato began dating and signing his paintings at the age of thirteen. They were mostly copies (of 19th-century Sicilian landscape painters, but also \u003ca title=\"France\" href=\"https:\/\/it.wikipedia.org\/wiki\/Francia\"\u003eFrench\u003c\/a\u003e painters like \u003ca title=\"Jean-François Millet\" href=\"https:\/\/it.wikipedia.org\/wiki\/Jean-Fran%C3%A7ois_Millet\"\u003eMillet\u003c\/a\u003e and contemporary artists like \u003ca title=\"Carlo Carrà\" href=\"https:\/\/it.wikipedia.org\/wiki\/Carlo_Carr%C3%A0\"\u003eCarrà\u003c\/a\u003e ), but there were also original portraits. During his adolescence, he also began frequenting the studio of the \u003ca class=\"mw-redirect\" title=\"Futurist\" href=\"https:\/\/it.wikipedia.org\/wiki\/Futurista\"\u003eFuturist\u003c\/a\u003e painter \u003ca title=\"Pippo Rizzo\" href=\"https:\/\/it.wikipedia.org\/wiki\/Pippo_Rizzo\"\u003ePippo Rizzo\u003c\/a\u003e and the artistic circles of Palermo. In \u003ca title=\"1928\" href=\"https:\/\/it.wikipedia.org\/wiki\/1928\"\u003e1928\u003c\/a\u003e , at the age of seventeen, he participated in his first group exhibition in Palermo.\r \n\nHis art, linked to \u003ca title=\"Expressionism\" href=\"https:\/\/it.wikipedia.org\/wiki\/Espressionismo\"\u003eexpressionism\u003c\/a\u003e , was also characterised by a strong social commitment \u003csup id=\"cite_ref-3\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_note-3\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e , which also led him to political experience as a senator of the \u003ca title=\"Italian Communist Party\" href=\"https:\/\/it.wikipedia.org\/wiki\/Partito_Comunista_Italiano\"\u003eItalian Communist Party\u003c\/a\u003e for two legislatures, during the secretariat of \u003ca title=\"Enrico Berlinguer\" href=\"https:\/\/it.wikipedia.org\/wiki\/Enrico_Berlinguer\"\u003eEnrico Berlinguer\u003c\/a\u003e .\u003cinput id=\"toctogglecheckbox\" class=\"toctogglecheckbox\" role=\"button\" type=\"checkbox\"\u003e\n\u003ch2\u003e \u003cspan id=\"Biografia\" class=\"mw-headline\"\u003eBiography\u003c\/span\u003e\n\u003c\/h2\u003e\r \nRenato Guttuso was born on Boxing Day, 1911, in the Sicilian town of Bagheria. His father, the knight Gioacchino Guttuso, was a land surveyor, and several portraits of him exist in the collection donated to the Municipality of Bagheria. The first, dating back to 1925, demonstrates the artist's precocious genius. Others, featuring rulers and set squares, emphasize his profession and his admiration for the upright man, passionate about literature and the arts, and possessing a cult of freedom passed down to him from his father, Ciro, who had fought with Garibaldi. His middle-class adolescence was filled with inspiration for the future painter.\n\u003cfigure class=\"mw-default-size mw-halign-left\"\u003e \u003ca class=\"mw-file-description\" href=\"https:\/\/it.wikipedia.org\/wiki\/File:Renato_Guttuso_ai_Littoriali_di_Palermo_in_divisa_del_GUF.jpg\"\u003e\u003cimg class=\"mw-file-element\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/it\/thumb\/2\/29\/Renato_Guttuso_ai_Littoriali_di_Palermo_in_divisa_del_GUF.jpg\/180px-Renato_Guttuso_ai_Littoriali_di_Palermo_in_divisa_del_GUF.jpg\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/it\/thumb\/2\/29\/Renato_Guttuso_ai_Littoriali_di_Palermo_in_divisa_del_GUF.jpg\/270px-Renato_Guttuso_ai_Littoriali_di_Palermo_in_divisa_del_GUF.jpg 1.5x, \/\/upload.wikimedia.org\/wikipedia\/it\/thumb\/2\/29\/Renato_Guttuso_ai_Littoriali_di_Palermo_in_divisa_del_GUF.jpg\/360px-Renato_Guttuso_ai_Littoriali_di_Palermo_in_divisa_del_GUF.jpg 2x\" width=\"180\" height=\"234\" data-file-width=\"1048\" data-file-height=\"1360\"\u003e\u003c\/a\u003e \u003cfigcaption\u003eRenato Guttuso (circled) at the \u003ca title=\"Coastal\" href=\"https:\/\/it.wikipedia.org\/wiki\/Littoriali\"\u003eLittoriali\u003c\/a\u003e in Palermo in the \u003ca class=\"mw-redirect\" title=\"Fascist University Group\" href=\"https:\/\/it.wikipedia.org\/wiki\/Gruppo_Universitario_Fascista\"\u003eGUF\u003c\/a\u003e uniform but competing with the anti-Franco painting \u003ci\u003eFucilazione in campagna\u003c\/i\u003e .\u003c\/figcaption\u003e\u003c\/figure\u003e\n The young Guttuso lived in a house near the Valguarnera and Palagonia villas, details of which he later portrayed in later paintings, and he was inspired by the \u003ca title=\"Aspra (Bagheria)\" href=\"https:\/\/it.wikipedia.org\/wiki\/Aspra_(Bagheria)\"\u003eAspra\u003c\/a\u003e rocks; between trips to the seaside and his first loves, the painter lived through the entire Sicilian crisis of the post-war period, during which the architectural and social devastation began, which continued for several years to come.\n\r \nIn \u003ca title=\"Palermo\" href=\"https:\/\/it.wikipedia.org\/wiki\/Palermo\"\u003ePalermo\u003c\/a\u003e , and in Bagheria itself, he saw the nobility of the splendid eighteenth-century villas, with their famous monsters, in complete decadence and the advance of a real urban massacre and power struggles within the municipality, which shook Guttuso's temperament, while the family was marked by economic hardship due to the hostility of clerics and fascists towards Renato's father.\n\r \nFeeling an ever-growing inclination towards painting, he moved to Palermo to complete his high school studies at the \u003ca title=\"Umberto I Classical High School (Palermo)\" href=\"https:\/\/it.wikipedia.org\/wiki\/Liceo_classico_Umberto_I_(Palermo)\"\u003eLiceo Classico Umberto I\u003c\/a\u003e and then attend \u003ca title=\"University of Palermo\" href=\"https:\/\/it.wikipedia.org\/wiki\/Universit%C3%A0_degli_Studi_di_Palermo\"\u003euniversity\u003c\/a\u003e . In \u003ca title=\"1931\" href=\"https:\/\/it.wikipedia.org\/wiki\/1931\"\u003e1931,\u003c\/a\u003e some of his works were accepted by the jury of the first \u003ca title=\"The National Quadrennial of Art in Rome\" href=\"https:\/\/it.wikipedia.org\/wiki\/I_Quadriennale_nazionale_d%27arte_di_Roma\"\u003eRome Quadrennial\u003c\/a\u003e and were included in a group exhibition of six Sicilian painters, hailed by critics – says Franco Grasso in the aforementioned monograph – as \"[...] a revelation, a Sicilian affirmation.\" In Palermo, he opened a studio on Corso Pisani and, with the painter \u003ca title=\"Lia Pasqualino Noto\" href=\"https:\/\/it.wikipedia.org\/wiki\/Lia_Pasqualino_Noto\"\u003eLia Pasqualino Noto\u003c\/a\u003e and the sculptors \u003ca title=\"Giovanni Barbera\" href=\"https:\/\/it.wikipedia.org\/wiki\/Giovanni_Barbera\"\u003eGiovanni Barbera\u003c\/a\u003e and \u003ca title=\"Nino Franchina\" href=\"https:\/\/it.wikipedia.org\/wiki\/Nino_Franchina\"\u003eNino Franchina,\u003c\/a\u003e formed the \" \u003ca class=\"new\" title=\"Group of Four (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Gruppo_dei_Quattro\u0026amp;action=edit\u0026amp;redlink=1\"\u003eGroup of Four\u003c\/a\u003e .\"\r \n\nIn \u003ca title=\"1933\" href=\"https:\/\/it.wikipedia.org\/wiki\/1933\"\u003e1933,\u003c\/a\u003e he moved to Rome to devote himself solely to painting. From November 1933 to May 1934, he attended the Reserve Officer Cadet Course in Palermo, as documented in the volume \"The Promise and the Offer. Memoirs of Second Lieutenant Giambattista Lapucci of the 17th Eritrean Battalion, Gold Medal of the Italian Military Police.\" In his posthumously published letters to his parents, the author, in describing his closest friends, mentions \"Renato Guttuso, painter.\" Lapucci's letters do not reveal Guttuso's outcome at the AUC Course.\n\r \nHis training was modeled on European figurative movements, from \u003ca title=\"Gustave Courbet\" href=\"https:\/\/it.wikipedia.org\/wiki\/Gustave_Courbet\"\u003eCourbet\u003c\/a\u003e to \u003ca title=\"Vincent van Gogh\" href=\"https:\/\/it.wikipedia.org\/wiki\/Vincent_van_Gogh\"\u003eVan Gogh\u003c\/a\u003e to \u003ca title=\"Pablo Picasso\" href=\"https:\/\/it.wikipedia.org\/wiki\/Pablo_Picasso\"\u003ePicasso,\u003c\/a\u003e and led him to \u003ca title=\"Milan\" href=\"https:\/\/it.wikipedia.org\/wiki\/Milano\"\u003eMilan\u003c\/a\u003e and travel throughout Europe. Sicilian motifs, such as lush lemon groves, Saracen olive trees, and Mount Palinuro, became increasingly prominent in his \u003ca title=\"Expressionism\" href=\"https:\/\/it.wikipedia.org\/wiki\/Espressionismo\"\u003eExpressionism,\u003c\/a\u003e a blend of myth and island solitude.\n\u003ch3\u003e \n\u003cspan id=\"L.27arte_sociale_di_Guttuso\"\u003e\u003c\/span\u003e\u003cspan id=\"L'arte_sociale_di_Guttuso\" class=\"mw-headline\"\u003eGuttuso's social art\u003c\/span\u003e \u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e \u003ca class=\"mw-editsection-visualeditor\" title=\"Edit the section Guttuso's Social Art\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Renato_Guttuso\u0026amp;veaction=edit\u0026amp;section=2\"\u003eedit\u003c\/a\u003e \u003cspan class=\"mw-editsection-divider\"\u003e|\u003c\/span\u003e \u003ca title=\"Edit section's source code: Guttuso's social art\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Renato_Guttuso\u0026amp;action=edit\u0026amp;section=2\"\u003eedit wikitext\u003c\/a\u003e \u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/h3\u003e\r \nIn \u003ca title=\"1935\" href=\"https:\/\/it.wikipedia.org\/wiki\/1935\"\u003e1935\u003c\/a\u003e , in Milan for military service, Guttuso met Manzù, Birolli, Fontana, and \u003ca title=\"Antonio Banfi\" href=\"https:\/\/it.wikipedia.org\/wiki\/Antonio_Banfi\"\u003eAntonio Banfi\u003c\/a\u003e . During that stay, however, he did not fail to return to Bagheria in the summer, where he developed his \"social\" art, with an increasingly overt moral and political commitment, which was revealed in paintings such as the aforementioned \u003ci\u003eFicilazione in Campagna\u003c\/i\u003e (Fucilation in the Countryside), between 1937 and 1938, \u003ci\u003eand Fuga dall'Etna (Escape from Etna)\u003c\/i\u003e in two versions, before devoting himself a few years later to works representing the maximum expression of Guttuso's social realism such as \u003ci\u003eLa Spiaggia\u003c\/i\u003e (The Beach) (1955) and \u003ci\u003eCarretti a Bagheria (Carts in Bagheria\u003c\/i\u003e ) (1956). Rejecting all academic canons, with figures free in space or the search for a pure sense of colour, Guttuso joined the \"Corrente\" artistic movement.\n\r \nIn \u003ca title=\"1937\" href=\"https:\/\/it.wikipedia.org\/wiki\/1937\"\u003e1937\u003c\/a\u003e in \u003ca title=\"Naples\" href=\"https:\/\/it.wikipedia.org\/wiki\/Napoli\"\u003eNaples\u003c\/a\u003e , Guttuso ranked second for art criticism at the \u003ca class=\"mw-redirect\" title=\"Coastal of culture and art\" href=\"https:\/\/it.wikipedia.org\/wiki\/Littoriali_della_cultura_e_dell%27arte\"\u003eLittoriali della cultura e dell'arte\u003c\/a\u003e . In the 1938 edition in Palermo, he necessarily presented himself in the uniform of the \u003ca title=\"Fascist University Groups\" href=\"https:\/\/it.wikipedia.org\/wiki\/Gruppi_Universitari_Fascisti\"\u003eGUF\u003c\/a\u003e and competed with the painting \u003ci\u003eFucilazione in campagna\u003c\/i\u003e , dedicated to the poet \u003ca title=\"Federico García Lorca\" href=\"https:\/\/it.wikipedia.org\/wiki\/Federico_Garc%C3%ADa_Lorca\"\u003eGarcía Lorca\u003c\/a\u003e , shot by the \u003ca title=\"Francisco Franco\" href=\"https:\/\/it.wikipedia.org\/wiki\/Francisco_Franco\"\u003eFrancoists\u003c\/a\u003e \u003csup id=\"cite_ref-4\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_note-4\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e .\n\r \nIn 1937 he moved permanently to Rome, with a studio in \u003ci\u003eVia Pompeo Magno\u003c\/i\u003e where, due to his exuberant lifestyle, his friend Mazzacurati jokingly nicknamed him \"Sfrenato Guttuso\". He frequented the Roman artistic scene with an anti- \u003ca title=\"Twentieth century (artistic movement)\" href=\"https:\/\/it.wikipedia.org\/wiki\/Novecento_(movimento_artistico)\"\u003e20th century\u003c\/a\u003e tendency: \u003ca title=\"Sebastiano Carta\" href=\"https:\/\/it.wikipedia.org\/wiki\/Sebastiano_Carta\"\u003eSebastiano Carta\u003c\/a\u003e , \u003ca title=\"Alberto Ziveri\" href=\"https:\/\/it.wikipedia.org\/wiki\/Alberto_Ziveri\"\u003eAlberto Ziveri\u003c\/a\u003e , \u003ca title=\"Antonietta Raphaël\" href=\"https:\/\/it.wikipedia.org\/wiki\/Antonietta_Rapha%C3%ABl\"\u003eAntonietta Raphaël\u003c\/a\u003e , \u003ca title=\"Mario Mafai\" href=\"https:\/\/it.wikipedia.org\/wiki\/Mario_Mafai\"\u003eMario Mafai\u003c\/a\u003e ,\u003ca title=\"Renato Marino Mazzacurati\" href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Marino_Mazzacurati\"\u003eMarino Mazzacurati\u003c\/a\u003e , \u003ca title=\"Pericle Fazzini\" href=\"https:\/\/it.wikipedia.org\/wiki\/Pericle_Fazzini\"\u003ePericle Fazzini\u003c\/a\u003e , \u003ca title=\"Corrado Cagli\" href=\"https:\/\/it.wikipedia.org\/wiki\/Corrado_Cagli\"\u003eCorrado Cagli\u003c\/a\u003e , \u003ca title=\"Toti Scialoja\" href=\"https:\/\/it.wikipedia.org\/wiki\/Toti_Scialoja\"\u003eToti Scialoja\u003c\/a\u003e , \u003ca title=\"Filiberto Sbardella\" href=\"https:\/\/it.wikipedia.org\/wiki\/Filiberto_Sbardella\"\u003eFiliberto Sbardella\u003c\/a\u003e , and also kept in touch with the Milanese group of \u003ca title=\"Ernesto Treccani\" href=\"https:\/\/it.wikipedia.org\/wiki\/Ernesto_Treccani\"\u003eErnesto Treccani\u003c\/a\u003e , \u003ca title=\"Giacomo Manzù\" href=\"https:\/\/it.wikipedia.org\/wiki\/Giacomo_Manz%C3%B9\"\u003eGiacomo Manzù\u003c\/a\u003e , \u003ca title=\"Aligi Sassu\" href=\"https:\/\/it.wikipedia.org\/wiki\/Aligi_Sassu\"\u003eAligi Sassu\u003c\/a\u003e . He struck up a friendship with \u003ca title=\"Antonello Trombadori\" href=\"https:\/\/it.wikipedia.org\/wiki\/Antonello_Trombadori\"\u003eAntonello Trombadori\u003c\/a\u003e , a young art critic, son of the painter \u003ca title=\"Francesco Trombadori\" href=\"https:\/\/it.wikipedia.org\/wiki\/Francesco_Trombadori\"\u003eFrancesco Trombadori\u003c\/a\u003e , and began an intellectual and political partnership that would last his entire life.\r \n\nIn 1940 he joined the clandestine \u003ca class=\"mw-redirect\" title=\"Communist Party of Italy\" href=\"https:\/\/it.wikipedia.org\/wiki\/Partito_Comunista_d%27Italia\"\u003eItalian Communist Party\u003c\/a\u003e (he later designed the symbol of the reborn \u003ca title=\"Italian Communist Party\" href=\"https:\/\/it.wikipedia.org\/wiki\/Partito_Comunista_Italiano\"\u003eItalian Communist Party\u003c\/a\u003e , used until its dissolution in 1991, and collaborated with the magazine \u003ci\u003e\u003ca title=\"The People's Calendar\" href=\"https:\/\/it.wikipedia.org\/wiki\/Il_Calendario_del_Popolo\"\u003eIl Calendario del Popolo\u003c\/a\u003e\u003c\/i\u003e ); he left Rome for political reasons, taking refuge in Genoa with friends. He later returned to Rome in hiding.\n\r \nThe painting that gave him fame, amidst a thousand controversies even from the clergy and the fascist party, since under the sacred subject he denounced the horrors of war, was a painting depicting \u003ci\u003e\u003ca title=\"Crucifixion (Guttuso)\" href=\"https:\/\/it.wikipedia.org\/wiki\/Crocifissione_(Guttuso)\"\u003eThe Crucifixion\u003c\/a\u003e\u003c\/i\u003e (1940) which allowed him to win the second prize at the fourth edition of the \u003ca title=\"Bergamo Prize (painting)\" href=\"https:\/\/it.wikipedia.org\/wiki\/Premio_Bergamo_(pittura)\"\u003eBergamo Prize\u003c\/a\u003e , in 1942. Guttuso wrote of it in his diary as « [...] the symbol of all those who suffer outrage, prison, torture for their ideas».\n\r \nThe artist never stopped working in difficult years such as those of the war and alternated, especially in his still lifes, objects from the humble houses of his land, with glimpses of landscapes of the Gulf of Palermo and a collection of drawings entitled \u003ci\u003eMassacri\u003c\/i\u003e , which circulated clandestinely, given that they portrayed Nazi repression, such as the one dedicated to the \u003ca title=\"Ardeatine Caves Massacre\" href=\"https:\/\/it.wikipedia.org\/wiki\/Eccidio_delle_Fosse_Ardeatine\"\u003emassacre of the Fosse Ardeatine\u003c\/a\u003e , an oil on canvas of which from 1944 was exhibited at the Galleria Basile in Palermo in what was the last solo exhibition dedicated to the artist.\n\u003ch3\u003e\u003c\/h3\u003e\n\n\u003cfigure class=\"mw-default-size\"\u003e\u003c\/figure\u003e\r \nHe met and married the woman who would become his faithful companion and confidant Mimise, whom he portrayed in \u003ca title=\"1947\" href=\"https:\/\/it.wikipedia.org\/wiki\/1947\"\u003e1947.\u003c\/a\u003e Already in the aftermath of the Liberation a breath of hope began to breathe again in the master's painting, as in the painting \u003ci\u003ePausa dal lavoro\u003c\/i\u003e , ink and watercolour in \u003ca title=\"1945\" href=\"https:\/\/it.wikipedia.org\/wiki\/1945\"\u003e1945\u003c\/a\u003e , almost a symbol of the rebirth of which \u003ca title=\"Pier Paolo Pasolini\" href=\"https:\/\/it.wikipedia.org\/wiki\/Pier_Paolo_Pasolini\"\u003ePier Paolo Pasolini\u003c\/a\u003e wrote ( \u003ca title=\"1962\" href=\"https:\/\/it.wikipedia.org\/wiki\/1962\"\u003e1962\u003c\/a\u003e ):\n\u003cdl\u003e\n\n\u003cdd\u003e \u003ci\u003eThe figures of ten workers\u003c\/i\u003e\n\u003c\/dd\u003e\n\n\u003cdd\u003e \u003ci\u003ethey emerge white on the white bricks\u003c\/i\u003e\n\u003c\/dd\u003e\n\n\u003cdd\u003e\n\n \u003ci\u003enoon is summer\u003c\/i\u003e .\u003c\/dd\u003e\n\n\u003cdd\u003e \u003ci\u003eBut the humiliated flesh\u003c\/i\u003e\n\u003c\/dd\u003e\n\n\u003cdd\u003e \u003ci\u003ethey cast a shadow: and the disordered order\u003c\/i\u003e\n\u003c\/dd\u003e\n\n\u003cdd\u003e \u003ci\u003eof the whites is faithfully followed\u003c\/i\u003e\n\u003c\/dd\u003e\n\n\u003cdd\u003e\n\n \u003ci\u003efrom the blacks. Midday is peaceful\u003c\/i\u003e .\u003c\/dd\u003e\n\n\n\u003c\/dl\u003e\r \nThis was followed by \u003ci\u003eSinging Cartwrights\u003c\/i\u003e , \u003ci\u003eFarmer Hoeing\u003c\/i\u003e (1947), \u003ci\u003eand Sicilian Farmers\u003c\/i\u003e (ten drawings published in Rome in 1951) in which the pictorial language becomes clear and essential, and of which Guttuso himself wrote that they were preparatory drawings for the painting \u003ci\u003e\u003ca title=\"Occupation of uncultivated lands in Sicily\" href=\"https:\/\/it.wikipedia.org\/wiki\/Occupazione_delle_terre_incolte_in_Sicilia\"\u003eOccupation of Uncultivated Lands in Sicily\u003c\/a\u003e\u003c\/i\u003e (which would later be exhibited at the Venice Art Biennale in 1950), stating: «I believe they are linked to my deepest and most remote inspiration. To my childhood, to my people, to my farmers, to my father the surveyor, to the lemon and orange groves, to the plains of the large estate familiar to my eye and to my feelings, since I was born. Sicilian farmers who have first place in my heart, because I am one of them, whose faces continually come before my eyes no matter what I do, Sicilian farmers who are such a part of the history of Italy…».\n \u003cfigure class=\"mw-default-size mw-halign-left\"\u003e\u003ca class=\"mw-file-description\" href=\"https:\/\/it.wikipedia.org\/wiki\/File:Villa_Cattolica_in_Bagheria.jpg\"\u003e\u003cimg class=\"mw-file-element\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/8\/80\/Villa_Cattolica_in_Bagheria.jpg\/220px-Villa_Cattolica_in_Bagheria.jpg\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/8\/80\/Villa_Cattolica_in_Bagheria.jpg\/330px-Villa_Cattolica_in_Bagheria.jpg 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/8\/80\/Villa_Cattolica_in_Bagheria.jpg\/440px-Villa_Cattolica_in_Bagheria.jpg 2x\" width=\"220\" height=\"165\" data-file-width=\"2592\" data-file-height=\"1944\"\u003e\u003c\/a\u003e\u003cfigcaption\u003e \u003ca title=\"Guttuso Museum\" href=\"https:\/\/it.wikipedia.org\/wiki\/Museo_Guttuso\"\u003eRenato Guttuso Museum\u003c\/a\u003e , Bagheria.\u003c\/figcaption\u003e\u003c\/figure\u003e\n Also in 1949-1950, Renato Guttuso joined the project of the important \u003ca title=\"Verzocchi Collection\" href=\"https:\/\/it.wikipedia.org\/wiki\/Collezione_Verzocchi\"\u003eVerzocchi collection\u003c\/a\u003e (currently preserved at the \u003ca title=\"Civic Art Gallery of Forlì\" href=\"https:\/\/it.wikipedia.org\/wiki\/Pinacoteca_civica_di_Forl%C3%AC\"\u003eCivic Art Gallery of Forlì\u003c\/a\u003e ), sending, in addition to a self-portrait, the work \u003ci\u003eSicilian Worker\u003c\/i\u003e .\n\r \nHe promptly returned to amaze, alternating the bright and colorful vision of \u003ci\u003eBagheria on the Gulf of Palermo\u003c\/i\u003e with the \u003ci\u003eBattle of the Admiral's Bridge\u003c\/i\u003e , in which he portrayed his grandfather Ciro Guttuso, who had enlisted as a Garibaldian, and with a series of paintings from life, the peasant struggles for the occupation of the land, the sulfur miners, or glimpses of landscape among cacti and prickly pears, portraits of friends and men of culture, painters such as \u003ca title=\"Nino Garajo\" href=\"https:\/\/it.wikipedia.org\/wiki\/Nino_Garajo\"\u003eNino Garajo\u003c\/a\u003e and \u003ca title=\"Bruno Caruso\" href=\"https:\/\/it.wikipedia.org\/wiki\/Bruno_Caruso\"\u003eBruno Caruso\u003c\/a\u003e .\n\r \nIn 1953 he participated in the First Trade Union Exhibition of the Roman Provincial Union adhering to the National Federation of Artists of Rome (in Via Margutta 54, together with the artists Antonio Vangelli, \u003ca title=\"Carlo Levi\" href=\"https:\/\/it.wikipedia.org\/wiki\/Carlo_Levi\"\u003eCarlo Levi\u003c\/a\u003e , \u003ca title=\"Peter Cascella\" href=\"https:\/\/it.wikipedia.org\/wiki\/Pietro_Cascella\"\u003ePietro Cascella\u003c\/a\u003e , \u003ca title=\"Corrado Cagli\" href=\"https:\/\/it.wikipedia.org\/wiki\/Corrado_Cagli\"\u003eCorrado Cagli\u003c\/a\u003e , \u003ca title=\"Carla Accardi\" href=\"https:\/\/it.wikipedia.org\/wiki\/Carla_Accardi\"\u003eCarla Accardi\u003c\/a\u003e , Vito Apuleio, Claudio Astrologo, Beppe Assenza, Valente Assenza; \u003ca title=\"Ugo Attardi\" href=\"https:\/\/it.wikipedia.org\/wiki\/Ugo_Attardi\"\u003eUgo Attardi\u003c\/a\u003e ; Eugenio Bardzki; Giulia Battaglia; Fausta Beer; Stelvio Botta; Leoncillo Leonardi; Alessandro Leonori Cecina; Irma Levi; Roberto Melli; Francesco Mercati; Costanza Minniey; Saro Mirabella; Angelo Moriconi; Aldo Natili; Umberto Padella; Vittorio Parisi; Mario Penelope; Sestilio Picari; Paola Piersanti; Ottavio Pinna; Walter Sanges; Filiberto Sbardella; Sergio Schirato; Renato Selvi; \u003ca title=\"Joseph Franz Strachota\" href=\"https:\/\/it.wikipedia.org\/wiki\/Joseph_Franz_Strachota\"\u003eGiuseppe Strachota\u003c\/a\u003e ; Mario Toppa; Edoardo Treves; Ariosto Zampaloni; Nwart Zarian; Gino Zocchi, etc.) \u003csup id=\"cite_ref-5\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_note-5\"\u003e[5]\u003c\/a\u003e\u003c\/sup\u003e .\r \n\r \nFascinated by the \u003ca title=\"Dante Alighieri\" href=\"https:\/\/it.wikipedia.org\/wiki\/Dante_Alighieri\"\u003eDantesque\u003c\/a\u003e model, from \u003ca title=\"1959\" href=\"https:\/\/it.wikipedia.org\/wiki\/1959\"\u003e1959\u003c\/a\u003e to \u003ca title=\"1961\" href=\"https:\/\/it.wikipedia.org\/wiki\/1961\"\u003e1961\u003c\/a\u003e , the artist conceived a series of coloured drawings which were later published in a volume in \u003ca title=\"1970\" href=\"https:\/\/it.wikipedia.org\/wiki\/1970\"\u003e1970\u003c\/a\u003e , \u003ci\u003eIl Dante di Guttuso\u003c\/i\u003e , in which the characters of Hell are revisited as examples of the history of the human race \u003csup id=\"cite_ref-6\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_note-6\"\u003e[6]\u003c\/a\u003e\u003c\/sup\u003e , confirming the versatility of his genius \u003csup id=\"cite_ref-7\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_note-7\"\u003e[7]\u003c\/a\u003e\u003c\/sup\u003e . An entire cycle, however, was dedicated in the \u003ca title=\"1970s\" href=\"https:\/\/it.wikipedia.org\/wiki\/Anni_1970\"\u003eseventies\u003c\/a\u003e to his autobiography in painting, paintings of exceptional value for the knowledge of Guttuso the man-artist.\r \n\nIn 1963 one of his works was exhibited at the \u003ci\u003e\u003ca title=\"Contemporary Italian Paintings\" href=\"https:\/\/it.wikipedia.org\/wiki\/Contemporary_Italian_Paintings\"\u003eContemporary Italian Paintings\u003c\/a\u003e\u003c\/i\u003e exhibition, set up in some \u003ca title=\"Australia\" href=\"https:\/\/it.wikipedia.org\/wiki\/Australia\"\u003eAustralian\u003c\/a\u003e cities \u003csup id=\"cite_ref-8\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_note-8\"\u003e[8]\u003c\/a\u003e\u003c\/sup\u003e . In 1963-64 he exhibited at the \u003ci\u003e\u003ca title=\"Italian paints d'aujourd'hui\" href=\"https:\/\/it.wikipedia.org\/wiki\/Peintures_italiennes_d%27aujourd%27hui\"\u003ePeintures italiennes d'aujourd'hui\u003c\/a\u003e\u003c\/i\u003e exhibition, organised in \u003ca title=\"Middle East\" href=\"https:\/\/it.wikipedia.org\/wiki\/Medio_Oriente\"\u003ethe Middle East\u003c\/a\u003e and \u003ca title=\"North Africa\" href=\"https:\/\/it.wikipedia.org\/wiki\/Nordafrica\"\u003eNorth Africa\u003c\/a\u003e \u003csup id=\"cite_ref-9\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_note-9\"\u003e[9]\u003c\/a\u003e\u003c\/sup\u003e .\n\r \nThe female figure became dominant in painting \u003csup id=\"cite_ref-10\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_note-10\"\u003e[10]\u003c\/a\u003e\u003c\/sup\u003e as it was in private life and among the largest mixed media paintings we remember \u003ci\u003eDonne stanze paesaggi oggetti\u003c\/i\u003e del \u003ca title=\"1967\" href=\"https:\/\/it.wikipedia.org\/wiki\/1967\"\u003e'67\u003c\/a\u003e , today exhibited at the municipal gallery of Bagheria, in Villa Cattolica, as well as the important series of paintings in which he portrayed \u003ca title=\"Marta Marzotto\" href=\"https:\/\/it.wikipedia.org\/wiki\/Marta_Marzotto\"\u003eMarta Marzotto\u003c\/a\u003e , his muse and favourite model for many years, whom he met in Milan at \u003ca title=\"Rolly Marchi\" href=\"https:\/\/it.wikipedia.org\/wiki\/Rolly_Marchi\"\u003eRolly Marchi\u003c\/a\u003e 's house. Also famous is the series of \u003ci\u003eCartoline\u003c\/i\u003e , a collection of 37 drawings and mixed media (published by the Archinto publishing house in the volume \u003ci\u003eLe Cartoline di Renato Guttuso\u003c\/i\u003e ), in which the artist masterfully represents the memories, feelings, emotions, fantasies and states of mind of the man Guttuso towards the woman Marta Marzotto.\r \n\nFrom \u003ca title=\"1968\" href=\"https:\/\/it.wikipedia.org\/wiki\/1968\"\u003e1968\u003c\/a\u003e is \u003ci\u003eThe Daughters of Lot\u003c\/i\u003e , an \u003ca title=\"Eroticism\" href=\"https:\/\/it.wikipedia.org\/wiki\/Erotismo\"\u003eerotic\u003c\/a\u003e painting in two different versions \u003csup id=\"cite_ref-11\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_note-11\"\u003e[11]\u003c\/a\u003e\u003c\/sup\u003e , inspired by the biblical episode of the involuntary \u003ca title=\"Incest\" href=\"https:\/\/it.wikipedia.org\/wiki\/Incesto\"\u003eincest\u003c\/a\u003e of \u003ca title=\"Lot\" href=\"https:\/\/it.wikipedia.org\/wiki\/Lot\"\u003eLot\u003c\/a\u003e with his two daughters.\n\n In the early 1970s, Guttuso worked on the \u003ca title=\"Museum-monument to political and racial deportees\" href=\"https:\/\/it.wikipedia.org\/wiki\/Museo-monumento_al_deportato_politico_e_razziale\"\u003eMuseum-Monument to Political and Racial Deportees\u003c\/a\u003e , producing a wall painting depicting a group of deportees. The painting confronts us with Italy's responsibility for the phenomenon of deportation and extermination.\n\r \nIn \u003ca title=\"1971\" href=\"https:\/\/it.wikipedia.org\/wiki\/1971\"\u003e1971\u003c\/a\u003e he designed the banner for the \u003ca title=\"Palio of Siena\" href=\"https:\/\/it.wikipedia.org\/wiki\/Palio_di_Siena\"\u003ePalio di Siena\u003c\/a\u003e on August 16, while in \u003ca title=\"1972\" href=\"https:\/\/it.wikipedia.org\/wiki\/1972\"\u003e1972\u003c\/a\u003e he painted \u003ci\u003e\u003ca title=\"Togliatti's funeral\" href=\"https:\/\/it.wikipedia.org\/wiki\/I_funerali_di_Togliatti\"\u003eI funerali di Togliatti\u003c\/a\u003e\u003c\/i\u003e , which became a manifesto of post-war communist painting. The work is preserved at the \u003ca title=\"Museum of Modern Art of Bologna\" href=\"https:\/\/it.wikipedia.org\/wiki\/Museo_d%27arte_moderna_di_Bologna\"\u003eMuseum of Modern Art in Bologna\u003c\/a\u003e . It depicts, in an allegorical manner (often many had already died at the time of \u003ca title=\"Palmiro Togliatti\" href=\"https:\/\/it.wikipedia.org\/wiki\/Palmiro_Togliatti\"\u003ePalmiro Togliatti\u003c\/a\u003e 's funeral in \u003ca title=\"1964\" href=\"https:\/\/it.wikipedia.org\/wiki\/1964\"\u003e1964\u003c\/a\u003e ), various \u003ca title=\"Communism\" href=\"https:\/\/it.wikipedia.org\/wiki\/Comunismo\"\u003ecommunist\u003c\/a\u003e figures, both positive and negative, to compose an ideal representation of the collective communist imagination of the 20th century, including workers, red flags and Togliatti's body. In the painting, for example, in addition to the author himself, we can see \u003ca title=\"Karl Marx\" href=\"https:\/\/it.wikipedia.org\/wiki\/Karl_Marx\"\u003eMarx\u003c\/a\u003e , \u003ca title=\"Friedrich Engels\" href=\"https:\/\/it.wikipedia.org\/wiki\/Friedrich_Engels\"\u003eEngels\u003c\/a\u003e , \u003ca title=\"Leon Trotsky\" href=\"https:\/\/it.wikipedia.org\/wiki\/Lev_Trockij\"\u003eTrotsky\u003c\/a\u003e , \u003ca title=\"Elio Vittorini\" href=\"https:\/\/it.wikipedia.org\/wiki\/Elio_Vittorini\"\u003eElio Vittorini\u003c\/a\u003e , \u003ca title=\"Angela Davis\" href=\"https:\/\/it.wikipedia.org\/wiki\/Angela_Davis\"\u003eAngela Davis\u003c\/a\u003e , \u003ca class=\"mw-redirect\" title=\"Stalin\" href=\"https:\/\/it.wikipedia.org\/wiki\/Stalin\"\u003eStalin\u003c\/a\u003e , \u003ca title=\"Lenin\" href=\"https:\/\/it.wikipedia.org\/wiki\/Lenin\"\u003eLenin\u003c\/a\u003e (depicted several times), \u003ca title=\"Jean-Paul Sartre\" href=\"https:\/\/it.wikipedia.org\/wiki\/Jean-Paul_Sartre\"\u003eJean-Paul Sartre\u003c\/a\u003e , \u003ca title=\"Simone de Beauvoir\" href=\"https:\/\/it.wikipedia.org\/wiki\/Simone_de_Beauvoir\"\u003eSimone de Beauvoir\u003c\/a\u003e , \u003ca title=\"Pier Paolo Pasolini\" href=\"https:\/\/it.wikipedia.org\/wiki\/Pier_Paolo_Pasolini\"\u003ePier Paolo Pasolini\u003c\/a\u003e and others.\r \n\nThe famous painting dedicated to the \u003ca class=\"mw-redirect\" title=\"Vucciria (Renato Guttuso)\" href=\"https:\/\/it.wikipedia.org\/wiki\/Vucciria_(Renato_Guttuso)\"\u003eVucciria\u003c\/a\u003e in Palermo, the historic market of the Sicilian capital, dates back to 1974.\n\n A bas-relief on silver metal entitled \u003ci\u003eVolto di donna\u003c\/i\u003e and an enamelled brass sculpture entitled \u003ci\u003eL'Edicola\u003c\/i\u003e are on display at the Fortunato Calleri Museum in Catania.\n\u003ch3\u003e\n\n\u003cspan id=\"L.27esperienza_politica\"\u003e\u003c\/span\u003e \u003cspan id=\"L'esperienza_politica\" class=\"mw-headline\"\u003eThe political experience\u003c\/span\u003e\n\n\u003c\/h3\u003e\n\n\u003cfigure class=\"mw-default-size\"\u003e \u003ca class=\"mw-file-description\" href=\"https:\/\/it.wikipedia.org\/wiki\/File:Logo_Partito_Comunista_Italiano.svg\"\u003e\u003cimg class=\"mw-file-element\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/2\/20\/Logo_Partito_Comunista_Italiano.svg\/220px-Logo_Partito_Comunista_Italiano.svg.png\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/2\/20\/Logo_Partito_Comunista_Italiano.svg\/330px-Logo_Partito_Comunista_Italiano.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/2\/20\/Logo_Partito_Comunista_Italiano.svg\/440px-Logo_Partito_Comunista_Italiano.svg.png 2x\" width=\"220\" height=\"220\" data-file-width=\"330\" data-file-height=\"330\"\u003e\u003c\/a\u003e\u003cfigcaption\u003e The PCI symbol, designed by Renato Guttuso on behalf of the party.\u003c\/figcaption\u003e\u003c\/figure\u003e\r \nIn the \u003ca title=\"1976 Italian general election\" href=\"https:\/\/it.wikipedia.org\/wiki\/Elezioni_politiche_in_Italia_del_1976\"\u003epolitical elections of 20 June\u003c\/a\u003e \u003ca title=\"1976\" href=\"https:\/\/it.wikipedia.org\/wiki\/1976\"\u003e1976\u003c\/a\u003e he was elected to the \u003ca title=\"Senate of the Republic\" href=\"https:\/\/it.wikipedia.org\/wiki\/Senato_della_Repubblica\"\u003eSenate of the Republic\u003c\/a\u003e for the \u003ca title=\"Italian Communist Party\" href=\"https:\/\/it.wikipedia.org\/wiki\/Partito_Comunista_Italiano\"\u003ePCI\u003c\/a\u003e in the \u003ca title=\"Sciacca\" href=\"https:\/\/it.wikipedia.org\/wiki\/Sciacca\"\u003eSciacca\u003c\/a\u003e constituency, collecting 29,897 preferences \u003csup id=\"cite_ref-12\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_note-12\"\u003e[12]\u003c\/a\u003e\u003c\/sup\u003e .\n\r \nHe was confirmed in the \u003ca title=\"1979 Italian general election\" href=\"https:\/\/it.wikipedia.org\/wiki\/Elezioni_politiche_in_Italia_del_1979\"\u003epolitical elections of 3 June\u003c\/a\u003e 1979 for the Senate of the Republic for the PCI in the \u003ca title=\"Lucera\" href=\"https:\/\/it.wikipedia.org\/wiki\/Lucera\"\u003eLucera\u003c\/a\u003e constituency, collecting 29,418 preferences \u003csup id=\"cite_ref-13\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_note-13\"\u003e[13]\u003c\/a\u003e\u003c\/sup\u003e .\n\u003ch3\u003e \u003cspan id=\"Gli_ultimi_anni_e_la_morte\" class=\"mw-headline\"\u003eThe last years and death\u003c\/span\u003e\n\u003c\/h3\u003e\r \nIn \u003ca title=\"1977\" href=\"https:\/\/it.wikipedia.org\/wiki\/1977\"\u003e1977\u003c\/a\u003e Guttuso donated, by public deed, to the \u003ca title=\"Communications Study Center and Archive\" href=\"https:\/\/it.wikipedia.org\/wiki\/Centro_studi_e_archivio_della_comunicazione\"\u003eStudy Centre and Archive of Communication\u003c\/a\u003e in \u003ca title=\"Parma\" href=\"https:\/\/it.wikipedia.org\/wiki\/Parma\"\u003eParma\u003c\/a\u003e his work \u003ci\u003eThe Departure of the Steamer of Naples\u003c\/i\u003e (1966), preserved in the Fund dedicated to him, public and entirely consultable \u003csup id=\"cite_ref-14\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_note-14\"\u003e[14]\u003c\/a\u003e\u003c\/sup\u003e . To this first work, in 1982 \u003ci\u003e, Natura morta con tavola\u003c\/i\u003e ( \u003ca title=\"1947\" href=\"https:\/\/it.wikipedia.org\/wiki\/1947\"\u003e1947\u003c\/a\u003e ) was added to the CSAC Fund.\n\r \nIn \u003ca title=\"1980\" href=\"https:\/\/it.wikipedia.org\/wiki\/1980\"\u003e1980\u003c\/a\u003e he dedicated a watercolour to the \u003ca title=\"Bologna massacre\" href=\"https:\/\/it.wikipedia.org\/wiki\/Strage_di_Bologna\"\u003eBologna massacre\u003c\/a\u003e , entitled \u003ci\u003e\u003ca title=\"The sleep of reason generates monsters (Guttuso)\" href=\"https:\/\/it.wikipedia.org\/wiki\/Il_sonno_della_ragione_genera_mostri_(Guttuso)\"\u003eThe Sleep of Reason Generates Monsters\u003c\/a\u003e\u003c\/i\u003e , like the \u003ca title=\"The sleep of reason breeds monsters\" href=\"https:\/\/it.wikipedia.org\/wiki\/Il_sonno_della_ragione_genera_mostri\"\u003eetching of the same name\u003c\/a\u003e by \u003ca title=\"Francisco Goya\" href=\"https:\/\/it.wikipedia.org\/wiki\/Francisco_Goya\"\u003eGoya\u003c\/a\u003e .\n\r \nIn \u003ca title=\"1982\" href=\"https:\/\/it.wikipedia.org\/wiki\/1982\"\u003e1982\u003c\/a\u003e he painted the 1,000 lire stamp, depicting the FIFA Cup lifted by \u003ca title=\"Dino Zoff\" href=\"https:\/\/it.wikipedia.org\/wiki\/Dino_Zoff\"\u003eDino Zoff\u003c\/a\u003e during the award ceremony of the \u003ca title=\"1982 FIFA World Cup\" href=\"https:\/\/it.wikipedia.org\/wiki\/Campionato_mondiale_di_calcio_1982\"\u003e1982 World Cup in Spain\u003c\/a\u003e , which is highly prized by collectors \u003csup class=\"noprint chiarimento-apice\" title=\"This information is not supported by reliable sources.\"\u003e[ \u003ci\u003e\u003ca title=\"Wikipedia:Use of sources\" href=\"https:\/\/it.wikipedia.org\/wiki\/Wikipedia:Uso_delle_fonti\"\u003eunsourced\u003c\/a\u003e\u003c\/i\u003e ]\u003c\/sup\u003e .\n\r \nIn \u003ca title=\"1985\" href=\"https:\/\/it.wikipedia.org\/wiki\/1985\"\u003e1985\u003c\/a\u003e I finished the fresco depicting \"Colapesce and the sirens\" on the ceiling of the \u003ca title=\"Vittorio Emanuele II Theater (Messina)\" href=\"https:\/\/it.wikipedia.org\/wiki\/Teatro_Vittorio_Emanuele_II_(Messina)\"\u003eVittorio Emanuele II Theatre\u003c\/a\u003e in \u003ca title=\"Messina\" href=\"https:\/\/it.wikipedia.org\/wiki\/Messina\"\u003eMessina\u003c\/a\u003e .\n\u003cfigure class=\"mw-default-size\"\u003e \u003ca class=\"mw-file-description\" href=\"https:\/\/it.wikipedia.org\/wiki\/File:Roma,_lapide_Renato_Guttuso.JPG\"\u003e\u003cimg class=\"mw-file-element\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/2\/28\/Roma%2C_lapide_Renato_Guttuso.JPG\/170px-Roma%2C_lapide_Renato_Guttuso.JPG\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/2\/28\/Roma%2C_lapide_Renato_Guttuso.JPG\/255px-Roma%2C_lapide_Renato_Guttuso.JPG 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/2\/28\/Roma%2C_lapide_Renato_Guttuso.JPG\/340px-Roma%2C_lapide_Renato_Guttuso.JPG 2x\" width=\"170\" height=\"127\" data-file-width=\"2658\" data-file-height=\"1993\"\u003e\u003c\/a\u003e\u003cfigcaption\u003e Plaque in Piazza del Grillo.\u003c\/figcaption\u003e\u003c\/figure\u003e\r \nGuttuso passed away sadly in \u003ca title=\"Rome\" href=\"https:\/\/it.wikipedia.org\/wiki\/Roma\"\u003eRome\u003c\/a\u003e , in isolation, after the death of his wife. Her illness, in fact, had affected him to the point of making him stop all other acquaintances. Having no recognized biological children, \u003ca title=\"Adoption\" href=\"https:\/\/it.wikipedia.org\/wiki\/Adozione\"\u003ehe adopted\u003c\/a\u003e , shortly before his death, Fabio Carapezza Guttuso, who died in 2022 \u003csup id=\"cite_ref-15\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_note-15\"\u003e[15]\u003c\/a\u003e\u003c\/sup\u003e , the son of the scientist and great friend \u003ca title=\"Marcello Carapezza\" href=\"https:\/\/it.wikipedia.org\/wiki\/Marcello_Carapezza\"\u003eMarcello Carapezza\u003c\/a\u003e . The adopted son was very close to the master in the last months of his life and his only comfort after the loss of many loved ones.\n\r \n\u003ca title=\"Marta Marzotto\" href=\"https:\/\/it.wikipedia.org\/wiki\/Marta_Marzotto\"\u003eMarta Marzotto\u003c\/a\u003e , in an interview, claimed that Renato Guttuso had always been \u003ca class=\"mw-redirect\" title=\"Atheist\" href=\"https:\/\/it.wikipedia.org\/wiki\/Ateo\"\u003ean atheist\u003c\/a\u003e . \u003csup id=\"cite_ref-16\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_note-16\"\u003e[16]\u003c\/a\u003e\u003c\/sup\u003e In reality - as can be seen in the narrative - the countess did not frequent Guttuso in the last months of his life. The fact remains that two funerals were celebrated: one secular and party-related, with a following of red PCI flags, and one religious. The religious ceremony was celebrated by the then \u003ca title=\"Archbishop\" href=\"https:\/\/it.wikipedia.org\/wiki\/Arcivescovo\"\u003earchbishop\u003c\/a\u003e \u003ca title=\"Fiorenzo Angelini\" href=\"https:\/\/it.wikipedia.org\/wiki\/Fiorenzo_Angelini\"\u003eFiorenzo Angelini\u003c\/a\u003e , his personal friend, who in the homily and in an interview immediately after his death testified to his spiritual assistance and the painter's religiosity in the last months \u003csup id=\"cite_ref-17\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_note-17\"\u003e[17]\u003c\/a\u003e\u003c\/sup\u003e .\r \n\nUpon his death, Guttuso donated many works to his hometown, Bagheria, which have been collected in the local museum of \u003ca title=\"Catholic Villa\" href=\"https:\/\/it.wikipedia.org\/wiki\/Villa_Cattolica\"\u003eVilla Cattolica,\u003c\/a\u003e where he himself is buried. His tomb is the work of the sculptor \u003ca title=\"Giacomo Manzù\" href=\"https:\/\/it.wikipedia.org\/wiki\/Giacomo_Manz%C3%B9\"\u003eGiacomo Manzù\u003c\/a\u003e .\n\n Fabio Carapezza Guttuso was the sole heir to Guttuso's immense estate. He founded the \u003ci\u003eGuttuso Archives\u003c\/i\u003e , to which he assigned the studio in Piazza del Grillo, and integrated the Bagheria museum collection with numerous inherited works.\n\u003ch2\u003e \n\u003cspan id=\"Nella_cultura_di_massa\" class=\"mw-headline\"\u003eIn mass culture\u003c\/span\u003e \u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e \u003ca class=\"mw-editsection-visualeditor\" title=\"Edit the section In popular culture\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Renato_Guttuso\u0026amp;veaction=edit\u0026amp;section=9\"\u003eedit\u003c\/a\u003e \u003cspan class=\"mw-editsection-divider\"\u003e|\u003c\/span\u003e \u003ca title=\"Edit section's source code: In mass culture\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Renato_Guttuso\u0026amp;action=edit\u0026amp;section=9\"\u003eedit wikitext\u003c\/a\u003e \u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/h2\u003e\n\n\u003cfigure class=\"mw-default-size\"\u003e \u003ca class=\"mw-file-description\" href=\"https:\/\/it.wikipedia.org\/wiki\/File:Artgate_Fondazione_Cariplo_-_Guttuso_Renato,_Profilo.jpg\"\u003e\u003cimg class=\"mw-file-element\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/3\/3a\/Artgate_Fondazione_Cariplo_-_Guttuso_Renato%2C_Profilo.jpg\/220px-Artgate_Fondazione_Cariplo_-_Guttuso_Renato%2C_Profilo.jpg\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/3\/3a\/Artgate_Fondazione_Cariplo_-_Guttuso_Renato%2C_Profilo.jpg\/330px-Artgate_Fondazione_Cariplo_-_Guttuso_Renato%2C_Profilo.jpg 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/3\/3a\/Artgate_Fondazione_Cariplo_-_Guttuso_Renato%2C_Profilo.jpg 2x\" width=\"220\" height=\"500\" data-file-width=\"352\" data-file-height=\"800\"\u003e\u003c\/a\u003e\u003cfigcaption\u003e \u003ci\u003e\u003ca title=\"Profile (Guttuso)\" href=\"https:\/\/it.wikipedia.org\/wiki\/Profilo_(Guttuso)\"\u003eProfile\u003c\/a\u003e\u003c\/i\u003e , 1956\r \n\u003ca title=\"Milan\" href=\"https:\/\/it.wikipedia.org\/wiki\/Milano\"\u003eMilan\u003c\/a\u003e , \u003ca title=\"Art collections of the Cariplo Foundation\" href=\"https:\/\/it.wikipedia.org\/wiki\/Collezioni_d%27arte_della_Fondazione_Cariplo\"\u003eArt Collections of the Cariplo Foundation\u003c\/a\u003e\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003cul\u003e\n\n \t \u003cli\u003eHe is quoted in the \u003ci\u003e\u003ca class=\"mw-redirect\" title=\"Father's Song\" href=\"https:\/\/it.wikipedia.org\/wiki\/Canzone_del_padre\"\u003esong \"Canzone del padre\"\u003c\/a\u003e\u003c\/i\u003e from the album \u003ci\u003e\u003ca title=\"Story of an employee\" href=\"https:\/\/it.wikipedia.org\/wiki\/Storia_di_un_impiegato\"\u003eStoria di un impiegato\u003c\/a\u003e\u003c\/i\u003e ( \u003ca title=\"1973\" href=\"https:\/\/it.wikipedia.org\/wiki\/1973\"\u003e1973\u003c\/a\u003e ) by \u003ca title=\"Fabrizio De André\" href=\"https:\/\/it.wikipedia.org\/wiki\/Fabrizio_De_Andr%C3%A9\"\u003eFabrizio De André\u003c\/a\u003e : \u003ci\u003e«And my alibis catch fire, \/ The Guttuso still to be authenticated»\u003c\/i\u003e , a probable reference to the painting \u003ci\u003eI funerali di Togliatti\u003c\/i\u003e from the previous year. \u003csup id=\"cite_ref-19\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_note-19\"\u003e[19]\u003c\/a\u003e\u003c\/sup\u003e\n\n\u003c\/li\u003e\n\n \t \u003cli\u003eIt is mentioned in the song \u003ci\u003eAD 4000\u003c\/i\u003e from the album \u003ci\u003e\u003ca title=\"Free admission\" href=\"https:\/\/it.wikipedia.org\/wiki\/Ingresso_libero\"\u003eIngresso libero\u003c\/a\u003e\u003c\/i\u003e by \u003ca title=\"Rino Gaetano\" href=\"https:\/\/it.wikipedia.org\/wiki\/Rino_Gaetano\"\u003eRino Gaetano\u003c\/a\u003e and in the song Jet-set from the album \u003ca title=\"And I'm in (album)\" href=\"https:\/\/it.wikipedia.org\/wiki\/E_io_ci_sto_(album)\"\u003eE io ci sto\u003c\/a\u003e by the same artist.\u003c\/li\u003e\n\n\u003cli\u003e In \u003ca title=\"2009\" href=\"https:\/\/it.wikipedia.org\/wiki\/2009\"\u003e2009\u003c\/a\u003e he was played by \u003ca title=\"Corrado Fortuna\" href=\"https:\/\/it.wikipedia.org\/wiki\/Corrado_Fortuna\"\u003eCorrado Fortuna\u003c\/a\u003e in the film \u003ci\u003e\u003ca title=\"Baaria\" href=\"https:\/\/it.wikipedia.org\/wiki\/Baar%C3%ACa\"\u003eBaarìa\u003c\/a\u003e\u003c\/i\u003e by \u003ca title=\"Giuseppe Tornatore\" href=\"https:\/\/it.wikipedia.org\/wiki\/Giuseppe_Tornatore\"\u003eGiuseppe Tornatore\u003c\/a\u003e .\u003c\/li\u003e\n\n \t \u003cli\u003eHe appears, in the role of a street artist, in \u003ci\u003e\u003ca title=\"\u0026quot;FF.SS.\u0026quot; - That is: \u0026quot;...what did you bring me to do up to Posillipo if you don't love me anymore?\u0026quot;\" href=\"https:\/\/it.wikipedia.org\/wiki\/%22FF.SS.%22_-_Cio%C3%A8:_%22...che_mi_hai_portato_a_fare_sopra_a_Posillipo_se_non_mi_vuoi_pi%C3%B9_bene%3F%22\"\u003e\"FF.SS.\" - That is: \"...what did you bring me to do above Posillipo if you don't love me anymore?\"\u003c\/a\u003e\u003c\/i\u003e , a \u003ca title=\"1983\" href=\"https:\/\/it.wikipedia.org\/wiki\/1983\"\u003e1983\u003c\/a\u003e film directed by \u003ca title=\"Renzo Arbore\" href=\"https:\/\/it.wikipedia.org\/wiki\/Renzo_Arbore\"\u003eRenzo Arbore\u003c\/a\u003e .\u003c\/li\u003e\n\n \t \u003cli\u003eIn his painting entitled \u003ci\u003e\u003ca title=\"The Beach (Guttuso)\" href=\"https:\/\/it.wikipedia.org\/wiki\/La_spiaggia_(Guttuso)\"\u003eThe Beach\u003c\/a\u003e\u003c\/i\u003e , exhibited at the \u003ca title=\"National Gallery of Parma\" href=\"https:\/\/it.wikipedia.org\/wiki\/Galleria_nazionale_di_Parma\"\u003eNational Gallery of Parma\u003c\/a\u003e , he depicts \u003ca title=\"Pablo Picasso\" href=\"https:\/\/it.wikipedia.org\/wiki\/Pablo_Picasso\"\u003ePablo Picasso\u003c\/a\u003e in profile with a tanned body and a Hawaiian costume, rubbing a green towel over himself, with the movements of a bullfighter, as if he had just arrived on the beach after a long swim in the sea. \u003csup id=\"cite_ref-20\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_note-20\"\u003e[20]\u003c\/a\u003e\u003c\/sup\u003e\n\n\u003c\/li\u003e\n\n \t \u003cli\u003eThe artistic duo Orticanoodles (composed of Wally and Alita) created the largest portrait in the world of Renato Guttuso. It was created in July 2013 in \u003ca title=\"Giardini Naxos\" href=\"https:\/\/it.wikipedia.org\/wiki\/Giardini-Naxos\"\u003eGiardini-Naxos\u003c\/a\u003e in Sicily during the \u003ci\u003eEmergence Street Festival\u003c\/i\u003e event. It is a \u003ci\u003emural\u003c\/i\u003e created using the \u003ci\u003estencil\u003c\/i\u003e technique. \u003csup id=\"cite_ref-21\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_note-21\"\u003e[21]\u003c\/a\u003e\u003c\/sup\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch2\u003e \u003cspan id=\"Onorificenze\" class=\"mw-headline\"\u003eHonors\u003c\/span\u003e\n\u003c\/h2\u003e\n\n\u003cdiv\u003e\n\n\u003cdiv\u003e\u003c\/div\u003e\n\n\u003cdiv\u003e\n\n\u003cdiv\u003e \u003ca title=\"Lenin Peace Prize\" href=\"https:\/\/it.wikipedia.org\/wiki\/Premio_Lenin_per_la_pace\"\u003eLenin Peace Prize\u003c\/a\u003e\n\u003c\/div\u003e\n\n\u003cdiv\u003e — \u003ca title=\"Moscow (Russia)\" href=\"https:\/\/it.wikipedia.org\/wiki\/Mosca_(Russia)\"\u003eMoscow\u003c\/a\u003e , \u003ca title=\"1970\" href=\"https:\/\/it.wikipedia.org\/wiki\/1970\"\u003e1970-71\u003c\/a\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ch2\u003e \u003cspan id=\"Note\" class=\"mw-headline\"\u003eNotes\u003c\/span\u003e\n\u003c\/h2\u003e\n\n\u003cdiv class=\"mw-references-wrap mw-references-columns\"\u003e\n\n\u003col class=\"references\"\u003e\n\n\u003cli id=\"cite_note-1\"\u003e \n\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_ref-1\"\u003e\u003cb\u003e^\u003c\/b\u003e\u003c\/a\u003e \u003cspan class=\"reference-text\"\u003e\u003ci\u003eSapere.it\u003c\/i\u003e under \"Neorealism\"\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli id=\"cite_note-2\"\u003e\n\n \u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_ref-2\"\u003e\u003cb\u003e^\u003c\/b\u003e\u003c\/a\u003e \u003cspan class=\"reference-text\"\u003e\u003ca class=\"external text\" href=\"http:\/\/www.deodato-arte.it\/artisti-900\/guttuso-renato\/\" rel=\"nofollow\"\u003e\u003ci\u003eGuttuso, Renato\u003c\/i\u003e , biography and quotes\u003c\/a\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli id=\"cite_note-3\"\u003e\n\n \u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_ref-3\"\u003e\u003cb\u003e^\u003c\/b\u003e\u003c\/a\u003e \u003cspan class=\"reference-text\"\u003e\u003ci\u003ePainter of Principle\u003c\/i\u003e . The Financial Times (London, England), Saturday, May 18, 1996; pg. XVI; Edition 32,987.\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli id=\"cite_note-4\"\u003e\n\n \u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_ref-4\"\u003e\u003cb\u003e^\u003c\/b\u003e\u003c\/a\u003e \u003cspan class=\"reference-text\"\u003eLaura Dolfi, \u003ci\u003eThe García Lorca Case: From Spain to Italy\u003c\/i\u003e , Bulzoni, Rome, 2006, p. 92.\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli id=\"cite_note-5\"\u003e \n\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_ref-5\"\u003e\u003cb\u003e^\u003c\/b\u003e\u003c\/a\u003e \u003cspan class=\"reference-text\"\u003e\u003ccite class=\"citation web\"\u003e\u003ca class=\"external text\" href=\"http:\/\/www.ufficignam.beniculturali.it\/archivio\/Bioiconografico\/POST1981\/UA%206%20Lazio.doc\" rel=\"nofollow\"\u003eLazio cultural heritage archive\u003c\/a\u003e ( \u003cabbr title=\"Word 97-2003 document\"\u003eDOC\u003c\/abbr\u003e ), on ufficignam.beniculturali.it.\u003c\/cite\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli id=\"cite_note-6\"\u003e\n\n \u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_ref-6\"\u003e\u003cb\u003e^\u003c\/b\u003e\u003c\/a\u003e \u003cspan class=\"reference-text\"\u003eItalian Realist Painting. FROM OUR ART CRITICAL. The Times (London, England), Thursday, Nov 24, 1960; pg. 8; Issue 54937.\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli id=\"cite_note-7\"\u003e\n\n \u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_ref-7\"\u003e\u003cb\u003e^\u003c\/b\u003e\u003c\/a\u003e \u003cspan class=\"reference-text\"\u003e\u003ci\u003eThe Individual Course of Renato Guttuso\u003c\/i\u003e . The Times (London, England), Thursday, May 13, 1965; pg. 6; Issue 56320.\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli id=\"cite_note-8\"\u003e \n\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_ref-8\"\u003e\u003cb\u003e^\u003c\/b\u003e\u003c\/a\u003e \u003cspan class=\"reference-text\"\u003e\u003ccite class=\"citation web\"\u003e\u003ca class=\"external text\" href=\"http:\/\/www.quadriennalediroma.org\/arbiq_web\/index.php?sezione=mostre\u0026amp;id=33\u0026amp;ricerca=\" rel=\"nofollow\"\u003eContemporary Italian Paintings\u003c\/a\u003e , su quadriennalediroma.org. \u003csmall\u003eURL consulted on 28 February\u003c\/small\u003e .\u003c\/cite\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli id=\"cite_note-9\"\u003e\n\n \u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_ref-9\"\u003e\u003cb\u003e^\u003c\/b\u003e\u003c\/a\u003e \u003cspan class=\"reference-text\"\u003e\u003ccite class=\"citation web\"\u003e\u003ca class=\"external text\" href=\"http:\/\/www.quadriennalediroma.org\/arbiq_web\/index.php?sezione=mostre\u0026amp;id=37\u0026amp;ricerca=\" rel=\"nofollow\"\u003ePeintures italiennes d'aujourd'hui\u003c\/a\u003e , su quadriennalediroma.org. \u003csmall\u003eURL consulted on 28 February 2016\u003c\/small\u003e .\u003c\/cite\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli id=\"cite_note-10\"\u003e\n\n \u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_ref-10\"\u003e\u003cb\u003e^\u003c\/b\u003e\u003c\/a\u003e \u003cspan class=\"reference-text\"\u003e\u003ci\u003eNotions of Dada\u003c\/i\u003e . The Times (London, England), Tuesday, Jul 16, 1968; pg. IV; Issue 57304.\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli id=\"cite_note-11\"\u003e \n\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_ref-11\"\u003e\u003cb\u003e^\u003c\/b\u003e\u003c\/a\u003e \u003cspan class=\"reference-text\"\u003e\u003ca class=\"external text\" href=\"https:\/\/www.google.it\/search?q=le+figlie+di+loth+guttuso\u0026amp;safe=off\u0026amp;biw=1366\u0026amp;bih=615\u0026amp;site=webhp\u0026amp;source=lnms\u0026amp;tbm=isch\u0026amp;sa=X\u0026amp;ved=0CAYQ_AUoAWoVChMIu6jW5NuHxwIVBiweCh2pMA13#imgrc=_\" rel=\"nofollow\"\u003eImages from The Daughters of Lot\u003c\/a\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli id=\"cite_note-12\"\u003e\n\n \u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_ref-12\"\u003e\u003cb\u003e^\u003c\/b\u003e\u003c\/a\u003e \u003cspan class=\"reference-text\"\u003e\u003ccite class=\"citation web\"\u003e\u003ca class=\"external text\" href=\"https:\/\/elezionistorico.interno.gov.it\/candidatodilista.php?tp=S\u0026amp;dt=20\/06\/1976\u0026amp;cta=I\u0026amp;tpEnte=L\u0026amp;tpSeg=C\u0026amp;numEnte=1902\u0026amp;sut1=\u0026amp;sut2=\u0026amp;sut3=\u0026amp;descEnte=%20Regione:%20SICILIA%20-%20Collegio:%20SCIACCA\u0026amp;descArea=\u0026amp;numLista=1\u0026amp;descLista=PCI\" rel=\"nofollow\"\u003eElections to the Senate of the Republic of 20 June 1976\u003c\/a\u003e , on Historical Archive of Elections. \u003csmall\u003eURL consulted on 11 December 2009\u003c\/small\u003e .\u003c\/cite\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli id=\"cite_note-13\"\u003e \n\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_ref-13\"\u003e\u003cb\u003e^\u003c\/b\u003e\u003c\/a\u003e \u003cspan class=\"reference-text\"\u003e\u003ccite class=\"citation web\"\u003e\u003ca class=\"external text\" href=\"https:\/\/elezionistorico.interno.gov.it\/liste.php?tp=S\u0026amp;dt=03\/06\/1979\u0026amp;cta=I\u0026amp;tpEnte=L\u0026amp;tpSeg=C\u0026amp;numEnte=1609\u0026amp;sut1=16\u0026amp;sut2=9\u0026amp;sut3=0\u0026amp;descEnte=%20Regione:%20PUGLIA%20-%20Collegio:%20LUCERA\u0026amp;descArea=\u0026amp;codTipoSegLeader=\" rel=\"nofollow\"\u003eElections to the Senate of the Republic of 3 June 1979\u003c\/a\u003e , on Historical Archive of Elections. \u003csmall\u003eURL consulted on 11 December 2009\u003c\/small\u003e .\u003c\/cite\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli id=\"cite_note-14\"\u003e\n\n \u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_ref-14\"\u003e\u003cb\u003e^\u003c\/b\u003e\u003c\/a\u003e \u003cspan class=\"reference-text\"\u003e\u003ca class=\"external free\" href=\"http:\/\/samha207.unipr.it\/samirafe\/loadcard.do?id_card=17843\u0026amp;force=1\" rel=\"nofollow\"\u003ehttp:\/\/samha207.unipr.it\/samirafe\/loadcard.do?id_card=17843\u0026amp;force=1\u003c\/a\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli id=\"cite_note-15\"\u003e \n\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_ref-15\"\u003e\u003cb\u003e^\u003c\/b\u003e\u003c\/a\u003e \u003cspan class=\"reference-text\"\u003e\u003ccite class=\"citation web\"\u003e\u003ca class=\"external text\" href=\"https:\/\/gds.it\/foto\/cultura\/2022\/10\/26\/e-morto-fabio-carapezza-guttuso-fu-commissario-del-teatro-massimo-di-palermo-0eafd2e6-ceee-4bec-86c9-34d0e7161d87\/\" rel=\"nofollow\"\u003eFabio Carapezza, Guttuso's adoptive son and former commissioner of the Teatro Massimo in Palermo, has died\u003c\/a\u003e , on gds.it, 26 October 2022. \u003csmall\u003eURL consulted on 26 October 2022\u003c\/small\u003e \u003csmall\u003e( \u003ca class=\"external text\" href=\"https:\/\/web.archive.org\/web\/20221026185729\/https:\/\/gds.it\/foto\/cultura\/2022\/10\/26\/e-morto-fabio-carapezza-guttuso-fu-commissario-del-teatro-massimo-di-palermo-0eafd2e6-ceee-4bec-86c9-34d0e7161d87\/\" rel=\"nofollow\"\u003earchived\u003c\/a\u003e on 26 October 2022)\u003c\/small\u003e .\u003c\/cite\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli id=\"cite_note-16\"\u003e \n\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_ref-16\"\u003e\u003cb\u003e^\u003c\/b\u003e\u003c\/a\u003e \u003cspan class=\"reference-text\"\u003e“Renato was a staunch atheist and died as such”, this is how Marta Marzotto defined him in the interview, republished on 29 July 2016 and given to Oscar Puntel for the periodical \u003ca title=\"Modern Woman\" href=\"https:\/\/it.wikipedia.org\/wiki\/Donna_Moderna\"\u003eDonna Moderna\u003c\/a\u003e .\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli id=\"cite_note-17\"\u003e\n\n \u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_ref-17\"\u003e\u003cb\u003e^\u003c\/b\u003e\u003c\/a\u003e \u003cspan class=\"reference-text\"\u003eDomenico Del Rio, \u003ci\u003eBut Christ tempted him\u003c\/i\u003e , in \u003ci\u003eLa Repubblica\u003c\/i\u003e , 20 January 1987\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli id=\"cite_note-18\"\u003e \n\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_ref-18\"\u003e\u003cb\u003e^\u003c\/b\u003e\u003c\/a\u003e \u003cspan class=\"reference-text\"\u003e\u003ca title=\"Marco Giusti\" href=\"https:\/\/it.wikipedia.org\/wiki\/Marco_Giusti\"\u003eMarco Giusti\u003c\/a\u003e , \u003ci\u003eThe Great Book of Carosello\u003c\/i\u003e , Milan, Sperling \u0026amp; Kupfer, 2nd edition, \u003ca class=\"internal mw-magiclink-isbn\" href=\"https:\/\/it.wikipedia.org\/wiki\/Speciale:RicercaISBN\/8820020807\"\u003eISBN 88-200-2080-7\u003c\/a\u003e , p. 470\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli id=\"cite_note-19\"\u003e\n\n \u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_ref-19\"\u003e\u003cb\u003e^\u003c\/b\u003e\u003c\/a\u003e \u003cspan class=\"reference-text\"\u003e\u003ca class=\"external text\" href=\"https:\/\/www.antiwarsongs.org\/canzone.php?id=10678\" rel=\"nofollow\"\u003eInterpretation of the song\u003c\/a\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli id=\"cite_note-20\"\u003e\n\n \u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_ref-20\"\u003e\u003cb\u003e^\u003c\/b\u003e\u003c\/a\u003e \u003cspan class=\"reference-text\"\u003eTaken from the illustration of Guttuso's painting at the National Gallery of Parma\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli id=\"cite_note-21\"\u003e \n\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renato_Guttuso#cite_ref-21\"\u003e\u003cb\u003e^\u003c\/b\u003e\u003c\/a\u003e \u003cspan class=\"reference-text\"\u003eCited in this video: \u003ca class=\"external free\" href=\"https:\/\/www.youtube.com\/watch?v=Syp4c9nKQIo\" rel=\"nofollow\"\u003ehttps:\/\/www.youtube.com\/watch?v=Syp4c9nKQIo\u003c\/a\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\n\n\u003c\/div\u003e\n\n\u003ch2\u003e \u003cspan id=\"Bibliografia\" class=\"mw-headline\"\u003eBibliography\u003c\/span\u003e\n\u003c\/h2\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003ccite id=\"CITEREFGirace_P.\" class=\"citation libro\"\u003e\u003ca title=\"Piero Girace\" href=\"https:\/\/it.wikipedia.org\/wiki\/Piero_Girace\"\u003eGirace P.\u003c\/a\u003e , Contemporary artists, Naples, Ed. EDART, 1970, pp. 152, 153, \u003ca title=\"National Library Service\" href=\"https:\/\/it.wikipedia.org\/wiki\/Servizio_bibliotecario_nazionale\"\u003eSBN\u003c\/a\u003e \u003ca class=\"external text\" href=\"http:\/\/opac.sbn.it\/bid\/NAP0057927\" rel=\"nofollow\"\u003eIT\\ICCU\\NAP\\0057927\u003c\/a\u003e .\u003c\/cite\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e P. Pacini (ed.), \u003ci\u003eRenato Guttuso. Works from 1945 to 1998\u003c\/i\u003e , Firenzelibri, Florence 1983\u003c\/li\u003e\n\n\u003cli\u003e \n\u003ca title=\"Vittorio Sgarbi\" href=\"https:\/\/it.wikipedia.org\/wiki\/Vittorio_Sgarbi\"\u003eVittorio Sgarbi\u003c\/a\u003e , \u003ci\u003eGuttuso. Visits to the Art of the Past\u003c\/i\u003e , Milan, Diarte - Galleria Bergamini, 1985, pp. 29.\u003c\/li\u003e\n\n\u003cli\u003e M. Calvesi, D. Favatella Lo Cascio, \u003ci\u003eRenato Guttuso from the Beginnings to Gott mit uns (1924-1944)\u003c\/i\u003e , Sellerio, Palermo, 1987\u003c\/li\u003e\n\n\u003cli\u003e Lea Vergine, The Last Eccentrics\", Rizzoli, 1990\u003c\/li\u003e\n\n\u003cli\u003e Alessandro Masi, \u003ci\u003eRenato Guttuso: the primacy of painting\u003c\/i\u003e , preface by \u003ca title=\"Marcello Veneziani\" href=\"https:\/\/it.wikipedia.org\/wiki\/Marcello_Veneziani\"\u003eMarcello Veneziani\u003c\/a\u003e , Edimond, 1998.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ca title=\"Werner Haftmann\" href=\"https:\/\/it.wikipedia.org\/wiki\/Werner_Haftmann\"\u003eWerner Haftmann\u003c\/a\u003e , \u003ci\u003eGuttuso\u003c\/i\u003e , Florence, Giunti, 2005, pp. 50.\u003c\/li\u003e\n\n\u003cli\u003e Paolo Parlavecchia, \u003ci\u003eRenato Guttuso. A Portrait of the Twentieth Century\u003c\/i\u003e , UTET, Turin, 2007\u003c\/li\u003e\n\n \t \u003cli\u003eReview of the exhibition \u003ca class=\"external text\" href=\"http:\/\/mostreemusei.sns.it\/index.php?page=_layout_mostra\u0026amp;id=760\u0026amp;lang=it\" rel=\"nofollow\"\u003e\"Guttuso. Passion and Reality\"\u003c\/a\u003e (Parma, September 11 - December 8, 2010)\u003c\/li\u003e\n\n\u003cli\u003e Elena Lissoni, \u003ca class=\"external text\" href=\"http:\/\/www.artgate-cariplo.it\/collezione-online\/page45d.do?link=oln82d.redirect\u0026amp;kcond31d.att3=96\" rel=\"nofollow\"\u003eRenato Guttuso\u003c\/a\u003e , \u003ca class=\"external text\" href=\"http:\/\/www.artgate-cariplo.it\/collezione-online\/page1z.do\" rel=\"nofollow\"\u003eArtgate\u003c\/a\u003e online catalogue of the \u003ca title=\"Cariplo Foundation\" href=\"https:\/\/it.wikipedia.org\/wiki\/Fondazione_Cariplo\"\u003eCariplo Foundation\u003c\/a\u003e , 2010, CC-BY-SA.\u003c\/li\u003e\n\n\u003cli\u003e C. Quattrini, M. Ragozzino, \u003ci\u003eBrera Never Seen Before. Renato Guttuso 1940. The Portrait of Alberto Moravia\u003c\/i\u003e , Skira, 2011\u003c\/li\u003e\n\n\u003cli\u003e E. Dei (edited by), \u003ci\u003eGuttuso and the Friends of Corrente\u003c\/i\u003e , Pacini publisher, Pisa, 2011\u003c\/li\u003e\n\n\u003cli\u003e Maria Antonietta Spadaro, \u003ci\u003eRenato Guttuso\u003c\/i\u003e , Flaccovio, ebook, 2012\u003c\/li\u003e\n\n \t \u003cli\u003eRenato Guttuso, \u003ci\u003eWritings\u003c\/i\u003e , edited by M. Carapezza, Bompiani, Milan, 2013\u003c\/li\u003e\n\n\u003cli\u003e F. Gualdoni, F. Calarota, \u003ci\u003eRenato Guttuso. Realism and the Relevance of the Image\u003c\/i\u003e . Exhibition catalog (Aosta, March 27–September 22, 2013)\u003c\/li\u003e\n\n\u003cli\u003e \u003ccite class=\"citation libro\"\u003e\u003ca title=\"Mario Ursino\" href=\"https:\/\/it.wikipedia.org\/wiki\/Mario_Ursino\"\u003eMario Ursino\u003c\/a\u003e (edited by), Guttuso's Greek Coffee, Rome, Nuova Cultura, 2014, \u003ca title=\"ISBN\" href=\"https:\/\/it.wikipedia.org\/wiki\/ISBN\"\u003eISBN\u003c\/a\u003e \u003ca title=\"Special: ResearchISBN\/978-88-6812-275-1\" href=\"https:\/\/it.wikipedia.org\/wiki\/Speciale:RicercaISBN\/978-88-6812-275-1\"\u003e978-88-6812-275-1\u003c\/a\u003e .\u003c\/cite\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e F. Carapezza Guttuso, V. Crispino, (edited by), \u003ci\u003eGuttuso, the disquiet of a realism\u003c\/i\u003e , De Luca Editori d'Arte, Rome, 2016\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"MANCINO MARIA SOLE","offers":[{"title":"Default Title","offer_id":56218738426242,"sku":"MSMA001","price":1700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/guttuso_f5f3677d-fb5b-4058-b292-528130c6c303.jpg?v=1768476340","url":"https:\/\/cjfh11-ee.myshopify.com\/en\/products\/peperoncini-renato-guttuso","provider":"Venderequadri","version":"1.0","type":"link"}