{"product_id":"pino-pinelli-senza-titolo","title":"Pino Pinelli - Untitled","description":"\u003cp\u003eDuring the 1950s and 1960s, the so-called poetics of the object began to spread in European and American art. Harking back to the readymade of Dadaist memory, a new wave of groups or movements emerged that repurposed everyday objects or discarded materials as works of art. The departure from traditional Dada lay in the strong influence of Abstract Expressionism, which led to the reconfiguration of objects with new languages ​​and new stimuli. Within this experimentation, the object of study of Pino Pinelli, one of the greatest exponents of \"analytical painting,\" was the painting itself. According to the demands put forward by this group, painting, an ancient and now out-of-touch expressive medium, could be revived only through a definitive renewal.\u003c\/p\u003e\n\n\n \u003cp\u003eAs we can also see in the present work, Pinelli's work of renewal and recontextualization of painting involves the entire painted object. Starting with its very structure, which is dismantled and dismantled. The painting loses one of its fundamental prerogatives, namely the unity of its surface, becoming something entirely new and fragmented, determined by the coexistence of diverse, regularly shaped elements that almost reference the very concept of painting. Obviously, to be new and contemporary, the painting must lose all ties to mimetic representation. Thus, Pino Pinelli's creative process is characterized by a highly conceptual monochrome application and by an exploration of the rough texture that also characterizes his works sensorially. The painted object, entirely new, finds its expressiveness no longer in figuration, but not even in abstraction: it now identifies itself in monochrome, rough rectangles that bring to life a subtle vibration, an underlying restlessness.\u003c\/p\u003e\n\n\n \u003cp\u003ePino Pinelli was born in Catania in 1938. His artistic training took place primarily in Milan during the cultural ferment of the early 1960s. From the beginning, his research aimed to find a connection between tradition and innovation. For this reason, he sought to renew the very concept of painting. Through this process, he developed the Topologies series (Alterazione del quadrato, 1971; Punti molli, Alterazione del singolo angolo, 1972) and the Monocromi series, 1973–1975. This conceptual direction Pino Pinelli pursued places him squarely within the movement that critic Filiberto Menna defined as \"analytical painting.\" In 1975, Pino Pinelli definitively arrived at the conception of the new work of art, which manifested itself in a small-scale monochrome made of deerskin. From this point on, his research focused precisely on fragments, particularly their form, surface, and arrangement in space.\u003c\/p\u003e","brand":"Pennuto Salvatore","offers":[{"title":"Default Title","offer_id":56215815389570,"sku":"SPEN002","price":2900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2020-10-06-12-59-29-copia.jpg?v=1768429348","url":"https:\/\/cjfh11-ee.myshopify.com\/en\/products\/pino-pinelli-senza-titolo","provider":"Venderequadri","version":"1.0","type":"link"}