{"product_id":"remo-brindisi-senza-titolo-25","title":"Remo Brindisi - Untitled","description":"Triptych of Multiples, dimensions:\n\u003cul\u003e\n\n\u003cli\u003e 48X68\u003c\/li\u003e\n\n\u003cli\u003e 74X54\u003c\/li\u003e\n\n\u003cli\u003e 78X48\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\r \nRemo Brindisi's works always display a marked expressionist vocation, which tends to emphasize the expression of emotions. Expressionist art seeks to proclaim its moods to the world and flaunt them with passion. Formally, this translates into a summary rendering of figures, through a highly nervous and animated line, as well as the use of a violent color palette. These characteristics are found in the historical avant-garde movements of expressionism: Fauvism and the Die Brücke movement in Germany. For this reason, Remo Brindisi's subjects often consist of abstract figures and are permeated with expressionistic deformations, two examples of which are found in this series. The third work, however, is part of a comprehensive series in which Remo Brindisi focused on views of the city of Venice.\n\r \nRemo Brindisi's Expressionism is expressed through a synthesis of the subject aimed at enhancing dynamism, especially in works with more abstract figuration, such as the two examples in this series. Brindisi highlights the potential of the subject's movement, which he expresses with a thick, black line, drawn with vigorous gestures. The underlying aesthetic, simultaneously synthetic and frenetic, is Expressionist, so much so that the subject's form is virtually erased, suppressed by the evocative power of the pictorial mark. In short, the rendering of sensory data definitively gives way to the rhythm of the composition and the painter's gestures, which are the true protagonists of the work. In the series of Venetian landscapes, we see how the artist, even when drawing on traditional iconography such as landscape, achieves a synthesis of the subject through curved lines, a nervous progression, and a rough stroke that draws him closer to Fauvism. Particularly in the series of Venetian landscapes, one can see how the artist subjects phenomenal reality to that extreme synthesis, between brutalism and infantilism, conducted through line and color, that is very reminiscent of the manner of Matisse. Even in terms of palette, the aggressive chromatic range of Remo Brindisi's works can be truly described as Fauvist.\r \n\nRemo Brindisi was born in Rome in 1918 and died in Lido di Spina in 1996. His first solo exhibition was held in Florence in 1940. From that moment on, he continued to enjoy great renown. His painting cycles, \"Venezie\", \"Oppositori\", \"Pastorelli\", and \"Maternità\", are famous. He also painted a cycle on the history of Fascism. His works have been exhibited in numerous shows in Italy and abroad (Paris, Nice, Milan, Venice, Rome, Cairo, and São Paulo, Brazil). Between the 1940s and 1950s, he participated in various editions of the Rome Quadrennial and the Venice Biennale.","brand":"Dotti Andrea 1350 trattabilissimi","offers":[{"title":"Default Title","offer_id":56217998492034,"sku":"ADOT001","price":490.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/2-REMO-BRINDISI-IL-BACIO-SERIGRAFIA-cm-74x54-73-DI-150-1.jpg?v=1768470090","url":"https:\/\/cjfh11-ee.myshopify.com\/en\/products\/remo-brindisi-senza-titolo-25","provider":"Venderequadri","version":"1.0","type":"link"}