{"product_id":"tano-festa-senza-titolo-2","title":"Tano Festa - Untitled","description":"\u003cp\u003e The landscape has always been a protagonist in artistic research, both as\u003cbr\u003e\n setting, as a background, but also as the subject itself.\u003cbr\u003e\n naturalistic description of the landscape was one of the major aspirations\u003cbr\u003e\n for artists of every era. Each historical period has given its own\u003cbr\u003e\n interpretation of the landscape contributing to the evolution of its\u003cbr\u003e\n description: first with a research on space, through perspective\u003cbr\u003e\n Brunelleschi's in the early Renaissance; then on the atmospheric rendering in the\u003cbr\u003e\n Sixteenth century; up to the representation of every single vibration\u003cbr\u003e\n of light on objects in Impressionism. Even the historical avant-gardes and\u003cbr\u003e\n contemporary trends have often taken inspiration from the theme\u003cbr\u003e\n of the landscape. This work by Tano Festa is a splendid example and is very significant of the way of conceiving the exotic landscape in the context\u003cbr\u003e \nof the “School of Piazza del Popolo” and of the interpretation of Pop-art in\u003cbr\u003e\n Italy.\u003c\/p\u003e\n\n\n\u003cp\u003e During his artistic career Tano Festa also welcomed the requests of the\u003cbr\u003e\n The Piazza del Popolo School, which in turn was influenced by the Pop\u003cbr\u003e\n American art. In this work we have a classic example of how\u003cbr\u003e\n a massified image (an exotic and banal landscape, almost like a postcard),\u003cbr\u003e\n transforms into something different through the artist's intervention. First of all\u003cbr\u003e\n Festa creates an expressionist synthesis of phenomenal reality. The details are\u003cbr\u003e\n reduce in favor of a simplified and, therefore, iconic representation.\u003cbr\u003e\n Everything is deliberately stereotyped, since the same images, in the society of\u003cbr\u003e\n consumption, have lost their value. This conceptual operation, however, is\u003cbr\u003e\n created by the pictorial gesture of Tano Festa, powerful in connoting the\u003cbr\u003e\n composition, although essential, of deep vibrations and refined in the\u003cbr\u003e\n color combinations. From a chromatic point of view we can see\u003cbr\u003e \nthe peculiarities of Tano Festa's style that make him a unique artist: he\u003cbr\u003e\n wants to bring the subject to an exaggerated saturation of colors, with clear\u003cbr\u003e\n reference to the aggressiveness of the media, advertising and otherwise, of language\u003cbr\u003e\n modern. For this reason Tano Festa uses strong colours, provoking\u003cbr\u003e\n dissonant combinations in a refined contrast.\u003c\/p\u003e\n\n\n\u003cp\u003e Tano Festa was a Roman artist, born in 1938 and died in 1988.\u003cbr\u003e\n He was one of the protagonists of the Pop scene of the capital, but in his research\u003cbr\u003e\n also welcomed the New Dada instances relating to the poetics of the object. In fact\u003cbr\u003e\n His compositions are famous, in which he proposes isolated objects of everyday use\u003cbr\u003e\n monochrome newspaper. Starting in the 1960s, he began reworking\u003cbr\u003e\n of images of Renaissance art through the language of\u003cbr\u003e\n mass communication.\u003c\/p\u003e","brand":"Rossetti Emilio","offers":[{"title":"Default Title","offer_id":56218365591938,"sku":"EROS003","price":8000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_3378-scaled.jpg?v=1768473056","url":"https:\/\/cjfh11-ee.myshopify.com\/en\/products\/tano-festa-senza-titolo-2","provider":"Venderequadri","version":"1.0","type":"link"}