{"product_id":"vittorio-brevi-composizione-3","title":"Vittorio Brevi - Composition 3","description":"\u003cp\u003eVittorio Brevi's artistic research falls within the realm of Spatialist aesthetics. Born in 1946 with Lucio Fontana's Manifesto Blanco, Spatialism posed primarily as a question of how artworks were perceived. The goal of movement was to definitively transcend the surface of the canvas for a perceptual experience that definitively engaged Space. Hence, the use of electronic technical devices, employed for their ability to radiate energy, or the use of gestural techniques, such as holes or cuts, to break through the surface of the work and invade it with the accidentality of reality. In Brevi's case, the work's irradiation into space occurs through the circular movements of his mechanical figures.\u003c\/p\u003e\n\n\n \u003cp\u003eThis work is a prime example of Vittorio Brevi's research. Reality is completely reworked by the artist through a process of mechanomorphic reconstruction. Brevi's aesthetic is based on the presence of spirals whose circular movements we sense. The forms possess a hyperreal rationality, which finds its most personal expression in the purity of the design. In this work, too, Vittorio Brevi strives to transcend two-dimensionality with a composition capable of radiating energy into the very space of the viewer. The dynamism of the subject, already developed by the figure itself, is further emphasized by the objective execution.\u003c\/p\u003e\n\n\n \u003cp\u003eVittorio Brevi (Pontoglio, 1927 – Milan, 2003) moved to Milan in the late 1950s, where he trained as an artist in the Brera district. During this period, he refined his technique by engaging with the Spatialist movement and met artists such as Lucio Fontana, Piero Manzoni, and Daniele Oppi. Beginning in the 1960s, he began holding solo exhibitions and participating in group exhibitions of both Italian and international standing. Among these was his 1969 exhibition at the Caravan House of East and West Gallery in New York. In 1973, he participated in the Manifesto Spatialista Futuribile group exhibition at the Centro Braidense. In 1974, some of his works were included in the 21st International Exhibition of Nuclear and Aerospace Electronics. In the following years, he exhibited in various cities, including Milan, Brescia, and Como, and his works were featured in numerous trade and non-trade magazines, including the authoritative New York Times.\u003c\/p\u003e","brand":"Gozzini Danilo","offers":[{"title":"Default Title","offer_id":56218722238850,"sku":"DGOZ002","price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2023-06-21-16-12-30.jpg?v=1768476125","url":"https:\/\/cjfh11-ee.myshopify.com\/en\/products\/vittorio-brevi-composizione-3","provider":"Venderequadri","version":"1.0","type":"link"}