{"product_id":"xavier-bueno-senza-titolo","title":"Xavier Bueno - Untitled","description":"\u003cp\u003eThe human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the female figure is an expression of this aspiration, which spans all eras and stylistic movements. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the female figure has also been a central figure in the new aesthetic concepts brought about by the historical avant-garde movements, such as Cubism, Expressionism, and Surrealism. Xavier Bueno's entire artistic production focuses on the female figure. In particular, figures of little girls, solitary and melancholic, recurring in his works—characters of a simple humanity, yet with fascinating existential implications.\u003c\/p\u003e\n\n\n \u003cp\u003eIn the Bueno brothers' artistic practice, although there is a great divergence in stylistic views, it can be said that they share a common ground, found in the emphasis placed on the exaltation of plastic values. In Xavier's case, this affinity with Antonio can be found especially in a graphic work like this, where formal synthesis corresponds to a geometric rationalization of the human figure. The purity of the volumes and the elegance of the graphic line that derives their forms are particularly noteworthy. The distance from Antonio, however, can be measured in the application of color, which is more vibrant in Xavier, suited to highlighting the existential and symbolic implications typical of his figures of little girls. Thus, the color is applied with a dense, clumped stroke that, however, does not disrupt the exaltation of form, which is always fundamental to this artist.\u003c\/p\u003e\n\n\n \u003cp\u003eXavier Bueno was a Spanish painter born in Vera de Bidasoa in 1915 and died in Fiesole in 1979. His painting career took place largely in Italy, where he moved in 1940. Together with his brother Antonio, Pietro Annigoni, and Gregorio Sciltian, he was part of the \"Modern Painters of Reality\" group. The group's stylistic leanings were based on Realism, which, over the years, increasingly took on the characteristics of social commentary in Xavier's work. This led to a profound divergence with his brother Antonio.\u003c\/p\u003e","brand":"Zuin Alessandro 300","offers":[{"title":"Default Title","offer_id":56217821315458,"sku":"AZUI005","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/bb6096ea-9c13-4476-b716-858bca4565f4-copia.jpg?v=1768468594","url":"https:\/\/cjfh11-ee.myshopify.com\/en\/products\/xavier-bueno-senza-titolo","provider":"Venderequadri","version":"1.0","type":"link"}