A. Bea - Countess Marilù

Portraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.

A. Bea, as we can see from her works, demonstrates an extraordinary pictorial technique based, first and foremost, on a solid drawing structure. It is precisely through this framework that the artist achieves pinnacles of extreme precision in detail, resulting in an exquisitely realistic interpretation of her subjects, marked by a marked emphasis on plasticity. The painterly approach only confirms the technical quality of A. Bea's paintings. Her touch is soft, composed of light glazes that perfectly blend objects into space, creating an atmosphere of great tonal coherence. Light is then used to further unify the painted surface, creating a skillful direction in the distribution of shadows. Bea's palette is also consistent with her aesthetic, adopting highly realistic and naturalistic chromaticism.

From the analysis of A. Bea's works we can appreciate how he possesses a high level of academic training that allows him to reach very high peaks of naturalism and atmospheric rendering.

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