A. Marinelli - Still Life

The "Still Life" genre emerged in the early 17th century. It consisted of compositions of inanimate subjects, most often flowers or fruit. While initially it was an opportunity for painters to experiment with naturalistic or photographic reproductions of reality, with contemporary art, the "Still Life" also became a way of interpreting reality. Indeed, as happened, for example, in the Cubist avant-garde or in Giorgio Morandi, the in-depth exploration of objects was aimed at a conceptual representation, taken beyond the mere sensory aspect.

The style of the painter A. Marinelli is based on lucid objectivity. We note how the composition is based on a solid drawing structure that delineates the volumes of the objects, placing them within a plausible space. The painter also displays a certain technical skill that allows him to represent objects precisely. In terms of color, he displays a certain predilection for bright hues and almost fluorescent flashes of light.

A. Marinelli is a painter gifted with an excellent technique that allows him to obtain a precise objective representation of sensitive reality.

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