A. Pandolfini - Untitled

Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.

Pandolfini's style can undoubtedly be described as expressionist. He begins with a marked formal synthesis of his subjects. The space is two-dimensional, and the composition is resolved through compact fields of gray-toned color. At the same time, Pandolfini is also capable of modulating a more energetic application, using thick brushstrokes that make the representation more lively and vibrant. In this sense, a characteristic of this artist and a recurring theme in his works (especially in his landscapes) is a dense distribution of color in large, square strokes. In this way, the expressive qualities of color are associated with a structural function that renders the pictorial surface extremely complex.

As we can see from the analysis of this painting, A. Pandolfini's production is similar to the search for an expressionist stylistic register,

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