A. Vari - View of Castel San Pietro
A. Vari - View of Castel San Pietro
SKU:CGAS002
Oil, 80x60
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Characteristics
Characteristics
Formato: Medium (40-100cm)
Orientamento: Horizontal
Supporto: Canvas
Soggetto: Landscape with figures
Stile: Figurative
Description of the work
Description of the work
Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.
A. Vari's landscape painting is based on achieving a perfect balance between post-Impressionist pictorial vibrations and the exploration of sensory data through a geometric rationalization of forms. Thus, to a highly accentuated pictorial synthesis, capable of rendering objects with a few rapid brush strokes, Vari combines a highly accentuated sense of structure and form. This structural value in A. Vari's painting can be sensed in his layering of brushstrokes, plane upon plane, and in his constant search for a balance of volumes within the composition. Even from a chromatic perspective, a perfect balance is maintained, based on dominant tones, in this case whites and light grays that combine with the light of the clear sky.
The artist A. Vari stands out for his figurative landscape painting, in which form is emphasized over faithful depictions of sensory information. For this reason, he renders views in a pared-down manner, emphasizing the geometric sense of composition. His works, therefore, express a perfect balance of volume and color.
Shipping and returns
Shipping and returns
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Returns are possible no later than 14 days after receiving the order.




