After the marriage of the virgin

In this work, Francesco Campese reinterprets the two renowned versions of The Marriage of the Virgin by Raphael and Perugino. The artist removes the figures—the saints and the protagonists of the scene—allowing only the central architecture to emerge, reshaped through his own painterly sensibility. Stripped of its narrative core, the image transforms into a suspended, silent space where the sacred building becomes the sole protagonist: no longer a backdrop for an event, but a site of contemplation, memory, and absence.

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