Alberto Casarotti - Nude

The human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the nude is the ultimate expression of this aspiration, pervasive across all eras and stylistic trends. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the nude has also been a central theme in the new aesthetic concepts brought about by the historical avant-garde movements, such as Cubism, Expressionism, and Surrealism.

Alberto Casarotti's painting style was influenced by his close association with the "Corrente" group, especially Renato Birolli. His training therefore took place in a context that, in opposition to the traditionalism of the twentieth century, foresaw a return to the avant-garde, particularly the expressionist language. Consistent with this approach, Alberto Casarotti's painting involves a highly synthesised approach to his subjects. They are emptied of their materiality, and what emerges is their purest essence, determined by the strength of color and the painterly gesture. The objects, therefore, reduced to the essential in a two-dimensional space, are evoked through a highly fluid style, typical of Corrente's expressionist reinterpretation, in a representation vibrant with vital energy. This energy determines the object's deformations and folds, forcing the sensitive element to seek a more decisive and vigorous expressiveness. The application of color follows the same lines; the brushstrokes are forceful, almost gestural, confirming the expressionistic vigor. The sensory elements dissolve in the force of color, and object and space merge into one in a powerfully evocative image.

Alberto Casarotti was born in Verona in 1906 and passed away in Montalto di Rivoli in 1991. His artistic training took place in Milan, where, in the 1930s, he frequented Arturo Martini, Carrà, Manzù, De Chirico, and the other artists who exhibited at the Il Milione gallery. A pivotal moment was 1942, when the painter, after a period at the Brera Academy, became involved with the "Corrente" group and befriended Renato Birolli. With his first official exhibition, in 1945, at the Santa Redegonda gallery, Casarotti immediately achieved public and critical acclaim. Among his many participations in events and exhibitions, we also remember his two appearances at the Venice Biennale (1950 and 1985) and the major retrospective held in 1990 at the Palazzo della Gran Guardia in Verona.

The transaction takes place with maximum security for both the seller and the buyer. We take care of the conformity (provenance, authenticity, state of conservation) of the work and handle the shipping.
Returns are possible no later than 14 days after receiving the order.