Aldo Andreolo - Standing Woman

This type of subject can be classified within a metaphysical aesthetic. What is reproduced is plausibly and plausibly realistic, but the interpretations evoke a sense of suspension, frozen in time. A situation, therefore, poised between reality and surreality, charged with mystery and enigma.

Aldo Andreolo's works are the product of an aesthetic grounded in uncompromising rationality. The composition is built on a system of pure lines, impossible in nature, which create a spatial box, in which the painter delights in flaunting his orthogonal system, his conventional perspective. Within this scenario, imbued with geometry and rationality, Andreolo's women appear, immobile and stylized, as if they themselves were the product of the process of geometric synthesis that underpins the entire work.

Aldo Andreolo was born in Venice in 1926 and graduated from the Academy of Fine Arts there in 1949. Throughout his career, he exhibited extensively, making his work known in Italy and abroad, in cities such as London, New York, Los Angeles, Tokyo, Paris, Geneva, Basel, Munich, Mannheim, Lübeck, The Hague, Brussels, and Vienna. His artistic language, initially in the 1950s, was characterized by a highly textured, gestural expressionist style. This was followed by the series of abandoned cars, newsstands, and beaches, in which the women who are the protagonists of his works appear, immersed in long meditations or awaiting mysterious events.

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