Bruno Bruni - Untitled

The iconography of this painting certainly has allegorical meanings and can be defined, in some ways, as symbolist precisely because of its allusion to underlying meanings. It is a type of subject that can be traced back to the artistic language of late nineteenth-century painters such as Moreau, Bocklin, or Puvis des Chavannes, who, while using a primarily figurative language, developed intellectually complex iconographies, full of symbolic, allegorical, and, in particular, literary references.

In this work, we can appreciate Bruni's refined technique in depicting a complex symbolist iconography. The painter distorts reality with expressionistic intent to convey the symbolic value of the scene. Indeed, although the artist's language is essentially figurative, proportions are not respected, and there is a certain tendency to generalize the physiognomies. The plasticity is very pronounced, but Bruni treats it with a dynamic pictorialism that dissolves the forms into a more lyrical interpretation. The space created by the artist is neutral, almost metaphysical, and the colors are based on strong, not entirely naturalistic, tones.

Artist Bruno Bruni demonstrates an excellent pictorial technique. He remains essentially faithful to a figurative vocabulary but does not hesitate to creatively shape reality to enhance the expressiveness of his works.

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