Aldo Fornoni - Untitled

The "Still Life" genre emerged in the early 17th century. It consisted of compositions of inanimate subjects, most often flowers or fruit. While initially it was an opportunity for painters to experiment with naturalistic or photographic reproductions of reality, with contemporary art, the "Still Life" also became a way of interpreting reality. Indeed, as happened, for example, in the Cubist avant-garde or in Giorgio Morandi, the in-depth exploration of objects was aimed at a conceptual representation, taken beyond the mere sensory aspect.

In the composition of this still life by Aldo Fornoni, the drawing is fundamental, delineating the forms with harmony and balance and, above all, enhancing the plastic qualities. The subject's volumes are highlighted through an almost hyperrealistic style, which eschews overly pictorial or atmospheric effects. The objects' sleek, compact forms are thus immersed in a diffuse, objectifying atmosphere. This, however, does not prevent the artist from creating a lively and evocative play of light and shadow. As usual, Fornoni's color palette focuses on light tones that unify the painted surface in a predominant chromaticism.

Aldo Fornoni was a Milanese painter born in 1916 and died in 2011. He trained at the Brera Academy. Specializing primarily in nude figures, he taught life drawing for a long time at the Scuola del Castello Sforzesco and later in his own studio. He worked in the United States from 1950 to 1958. His preferred techniques were oil, pastel, and watercolor. He participated in numerous exhibitions in Italy and abroad. His works are held at the Yuma Historical Museum, the War Department in Washington, D.C., and in numerous public and private collections worldwide.

The transaction takes place with maximum security for both the seller and the buyer. We take care of the conformity (provenance, authenticity, state of conservation) of the work and handle the shipping.
Returns are possible no later than 14 days after receiving the order.