Alexander Kossuth - Waiting

The human figure has always been at the center of artistic research. Since the classical era, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the female figure is an expression of this aspiration, pervasive across all eras and stylistic trends. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the female figure has also been a central figure in the new aesthetic concepts brought about by the historical avant-garde, such as Cubism, Expressionism, and Surrealism.

In his sculptures, Wolfgang Alexander Kossuth draws on a classical and traditional conception of artistic creation. As we can see in this work, the sculptor pursues a completely naturalistic rendering, which he achieves through his remarkable technique. The artist manages to emphasize the subject's volumes in a balanced relationship within the entire human figure. The physiognomy is highly precise, with a certain idealization. To achieve greater expressiveness, however, Kossuth, while remaining within the realm of naturalism, employs slight but noticeable deformations of the human figure. Indeed, in order to achieve an artificial elegance, the artist tends, with refined Mannerist taste, to elongate the forms in an unnatural manner. In the sculpture "Waiting," the tapering and elongation of the figure is particularly evident in the perfect oval of the face and the ostentatious thinness of the body, which is emphasized by the width of the dress. This linearity and stylization of the figure is reflected in the complex interplay of movements and the complex pose assumed by the subject.

Wolfgang Alexander Kossuth is a German artist born in Prfonten in 1947. An eclectic personality, he has dedicated his entire life to art, not only through sculpture, but also through music, literature, and dance. The human figure is always at the center of his research, in a fundamentally natural and harmonious interpretation that draws on classical art.

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