Alfonso Pietrosemoli - Clown

The clown was a popular subject among genre painters of the 1970s and 1980s. Many artists dedicated much of their careers to depicting this theme, Romano Mussolini being a prime example. Typically, the interpretation of this subject is similar for all artists who attempt it: the clown appears with his makeup designed to evoke laughter and hilarity, but instead displays a melancholic expression. This contrast is intended to spark an empathetic dialogue with the viewer. The clown has also been favored by many painters for another formal reason. Indeed, his flamboyant makeup and colorful clothing offer painters a pretext for creating original color harmonies.

Alfonso Pietrosemoli's pictorial language, as we can also see in this clown figure, is grounded in a frank realism, which, however, the painter drapes in a delicate, impressionistic lyricism. Indeed, the subject's depiction is handled with absolute sincerity, free from any form of idealization. The relationship with the viewer is direct, charged with strong expressive and physiognomic characterization. Furthermore, the figure is very concrete, characterized by its own volume that determines the space of the work. From a pictorial perspective, the application of color is extremely dynamic, with impressionistic overtones. Thus, the depiction of the clown is charged with vibrations that are not only luminous but also existential. The subject, therefore, in its profound realism, is transfigured into a more poetic dimension determined by its very being. Regarding the choice of colors, Pietrosemoli favors a mixture of light hues that ensure great coherence and harmony to the painted surface.

Artist Alfonso Pietrosemoli stands out for his highly classical and traditional painting style, in which the realistic rendering of the subject blends perfectly with a lyricism determined by the application of color.

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