Aligi Sassu - Coffee of the Roses

The painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones.

In this work, the anti-naturalistic strains typical of Sassu's style seem less present. Formally, the subjects seem to correspond to a natural truth; rather, the strain seems to be present in the space, which appears compressed to the point of impossibility. The pictorial interpretation is very lively, almost as if the color were a material to be modeled.

Aligi Sassu, born in Milan in 1912, was a painter and sculptor. His painting efforts focused primarily on the representation of movement and physical strength, which is why the subject of the horse or man on horseback was always congenial to him. In the late 1970s, he and Bruno Munari drafted the pictorial manifesto "Dynamism and Muscular Reform," which called for a return to anti-naturalistic forms in a dynamic sense. Much of his painting, moreover, is inspired by Delacroix and his battles.

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