Ambrogio Vismara - Untitled

Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been an artist's aspiration throughout the centuries. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.

This work highlights Ambrogio Vismara's post-Impressionist maturity. The composition is compressed entirely into the foreground, allowing no spatial depth. The painter's aim is not to capture the sensory aspect of the subject, but to capture its very essence, its substance. To this end, the brushstrokes, rich in texture, intervene, which, despite the essentiality of the representation, fleshes out the objects, breaking them down into different planes, recording the vibrations of light and life within them. The sensory aspect, therefore, is completely transcended in a complex conception of pictorial practice in which the artist's gestures themselves play a fundamental role. Furthermore, we find in this painter a certain tendency to structure things according to geometric principles that hark back to Cézanne. Chromatically, the entire surface of the work is blended with a balanced palette of references and correspondences.

Considered one of the most poetic landscape painters of the 20th century, Lombard painter Ambrogio Vismara (Milan 1900-1994) transposed his love for his native land into his work, dedicating the bulk of his output to Lombard landscapes—the mountains, the plains, and the hills of his native Brianza—and evoking almost all of them in their autumnal atmospheres and tones. His distinctive style was his use of a palette knife rather than a brush, which allowed him to achieve a tonal effect with a sharp contrast of planes.

The transaction takes place with maximum security for both the seller and the buyer. We take care of the conformity (provenance, authenticity, state of conservation) of the work and handle the shipping.
Returns are possible no later than 14 days after receiving the order.