Anchise Picchi - Flowers (Triptych)

Flowers as an independent subject began to appear in still lifes, a genre that emerged in the early 17th century. Subsequently, painters, especially the Impressionists, increasingly focused on the floral world, as an extraordinary opportunity to capture vibrant colors and light. Thus, flowers were depicted not only in vases, but also immersed in their natural landscape. While initially a pretext for painters to attempt a photographic reproduction of reality, with contemporary art, the subject of flowers also became a way of interpreting reality.

Anchise Picchi is a prominent representative of the Labronica School, and his pictorial language is therefore distinguished by the prevalence of color over line and a synthetic style of application that represents a reinterpretation of the Tuscan Macchiaioli tradition. In his works, we can appreciate how his use of light, always through the tonal values ​​of color, is highly dramatic. As in Macchiaioli paintings, light, through the macchia, invades the space, clear, crisp, and unifying. The brushstrokes, extremely vibrant and dense with color, give the entire floral composition a fresh feel.

Anchise Picchi was born in Crespina in 1911 and died in Collesalvetti in 2007. He trained primarily in Pisa. In Florence, he met Pietro Annigoni. In 1942, after a stay in Greece, he settled in Collesalvetti. In 1956, he opened his own studio in Livorno, becoming one of the leading representatives of the Gruppo Labronico. His career culminated with a retrospective at Palazzo Strozzi in Florence in 1978. Another retrospective of his work was held in Collesalvetti in 2011.

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