Andrea Vaccaro - Paris

The urban landscape was already a popular subject in the Middle Ages and the Modern Age, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation starting in the 19th century. It's worth remembering how, immediately following the realist movements of the 19th century, the Impressionists also placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the frenetic pace of the city, the crowds, the traffic, and typically bourgeois settings. In this city view by Vaccaro, the everyday aspect prevails, the frank and sincere realism of everyday life in a city setting. Human presence is almost entirely overlooked, and the artist lets the buildings and objects speak for themselves, protagonists of a direct narrative unfiltered by idealization.

Andrea Vaccaro's style presents a perfect fusion of realism and a delicate impressionistic rendering of sensory details. On the one hand, the artist precisely describes the view in all its details, with a strong sense of the city's reality and the everyday life of simple life. On the other, his refined pictorial technique allows him to convey a sense of immediacy to the print, thanks to a line charged with atmospheric vibrations. Light thus reverberates on objects, but without interfering with the precise description of reality, and the artist can modulate, with great naturalism, the shadows that appear on the walls and pavement. Vaccaro's sincere realism is also expressed in the choice of a compositional structure made of clean lines, in the deep spatial escape that follows the path of the Parisian street. The palette is composed of light and delicate hues that avoid any pictorial excess.

Andrea Vaccaro was born in Pallanza in 1939. He is distinguished by his simple and direct style, which embodies a genuinely realistic conception of artistic creation. In his work, sensory data is not idealized but rather reproduced as it is in reality. For this reason, his figurative language draws on life-like reproduction but is distinguished by a certain impressionistic approach that brings vivacity and immediacy to the representation.

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