Angelo De Luca - Three Friends

In the history of art, a clear distinction can often be made between figurative and abstract stylistic movements. However, when an artist's goal is to depict an object that resonates with phenomenal reality but is simultaneously charged with hidden and symbolic meaning, this boundary can become blurred. Symbolism and Expressionism are emblematic stylistic movements in their conceptual interpretation of reality, with an iconic rendering of images and a symbolic interpretation in the use of color. In Angelo De Luca's artistic production, abstract and figurative blend almost seamlessly. This artist's favorite subjects primarily refer to female figures, immersed in metropolitan settings: but everything is transfigured into an extremely experimental language, always striving for strong expressiveness.

As we can see from his numerous works on cardboard, Angelo De Luca's starting point is tangible reality, leaving a clearly visible trace in his work. Often, the appearance of female subjects in urban settings, however, inspires the artist to create complex compositions. The space then takes on a great complexity, constructed from multiple viewpoints and superimpositions. Against these already highly expressive backgrounds, Angelo De Luca's female figures appear, like fragments that complete the existential scenario previously created by the artist. De Luca's experimental approach is also expressed formally: indeed, his language reflects various aesthetic influences of contemporary art, in the expressionist synthesis of his subjects and the frenetic rhythm of his technique.

Angelo De Luca was born in Rome in 1949. He is a painter and musician as well. He works with a variety of subjects, preferring a mixed media. He has held exhibitions in various cities, including Piombino (La Rosa del Venti) and Ponte S. Giovanni (Perugia) in 2003.

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