Angiolino Braga - Untitled

The urban landscape was already a popular subject in the Middle Ages and the Modern Era, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation starting in the 19th century. It's worth remembering how, immediately following the realist movements of the 19th century, the Impressionists also placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the frenetic pace of the city, its crowds, traffic, and typically bourgeois settings.

In Angiolino Braga's artistic production, the perception of the world becomes a pure aesthetic pleasure. Reality is synthesized and altered in favor of geometric composition and linear rhythms. Everything is resolved in a decomposition of space according to multiple directives, into which the regular forms of houses or human figures are inserted. Phenomenal reality is reduced to the bare minimum, exalting the plastic qualities of objects within a rationalist vision, which, however, is not as rigorous as it might seem. Indeed, we always notice a vibrant expressionist streak, especially in the distribution of color, made up of compact fields and bright, almost electric hues.

Angiolino Braga is the protagonist of a highly interesting pictorial production. In his paintings, landscapes and genre scenes are reworked in an original and aesthetically evocative pop and rationalist vein.

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