Anna Maria Garibotti - Untitled

The "Still Life" genre emerged in the early 17th century. It consisted of compositions of inanimate subjects, most often flowers or fruit. While initially it was an opportunity for painters to experiment with naturalistic or photographic reproductions of reality, with contemporary art, the "Still Life" also became a way of interpreting reality. Indeed, as happened, for example, in the Cubist avant-garde or in Giorgio Morandi, the in-depth exploration of objects was aimed at a conceptual representation, taken beyond the mere sensory aspect.

Anna Maria Garibotti's style in her still lifes seems to tend toward a realism mediated by a certain desire for synthesis and abstraction. Indeed, one can see the painter's desire to objectively and lucidly convey the sensory data before her eyes on canvas. The artist also demonstrates a fine technique, reminiscent of Flemish painting, in the precision with which she reproduces the various materials and the effects of light falling on them. Despite their objective clarity, however, Ana Maria Garibotti uses such a light touch that she renders the objects almost ethereal, belonging to an intimate and subjective dimension, like that of memory.

Anna Maria Garibotti, an artist and painter from Lucca, stands out for her work in classic and traditional genres such as still life and landscape. Her realist and naturalistic style is characterized by a refined abstraction that renders her subjects ethereal and light.

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