Anonymous Florentine School - Madonna of the Grand Duke (after Raphael)

The work is a copy of the famous "Madonna del Granduca" created by Raphael Sanzio around 1504 and housed in the Palatine Gallery in Florence. The iconographic theme stems from the fundamental theme of Western sacred art, the Madonna and Child. It is probably one of the most popular iconographies in the history of both Western and Eastern art. The Madonna and Child appears since the dawn of medieval painting and remained a constant subject as long as religious themes dominated artistic production (that is, until the 19th century, when themes inspired by everyday life began to be introduced).

The author of this copy also formally respects all of the painting's Raphaelesque characteristics. First and foremost, the compositional scheme demonstrates the close connection between the young Raphael's work and Leonardo da Vinci, and is a direct reflection of the aspiration to a classical ideal of harmony and unity in artwork typical of the sixteenth-century Renaissance. The two figures are perfectly enclosed in an ideal pyramid. Furthermore, within this scheme, their position and gestures are calibrated by precise relationships of correspondence and balance. The figures, displaying a typically sixteenth-century monumentality, move with great naturalism, perfectly blending into the space surrounding them. And it is precisely here that the extraordinary skill of the artist who created the copy comes to the fore. Indeed, he is capable of perfectly reproducing the sfumato, still Leonardo-esque, which allows the Madonna and Child to be perfectly integrated into the dark background of the work.

From a stylistic analysis of the work, we have been able to confirm that the hand of the person who created this master copy is that of a truly excellent painter. An extraordinary technique is essential to perfectly reproduce Raphael's sfumato and the graceful facial expressions typical of the Urbino painter.

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Returns are possible no later than 14 days after receiving the order.