Anonymous - Untitled - BMUT007

The subject of this print may be connected to the genre of Vedutismo. Vedutismo originated in the 18th century and developed primarily in Venice. Vedutismo painters aimed to represent a landscape objectively and scientifically, placing it as the protagonist of the work. There are essentially two types of vedute: the realistic one, taken exactly from reality, and the "capriccio," a fanciful view invented by the painter. Vedutismo is a genre that continues to enjoy popularity in artistic production, revived by artists in new forms and new interpretations. It has also become particularly popular in printmaking, where depictions of city views or other buildings abound, emphasizing the architectural element within a rigorous perspective.

The work fully lives up to its high illustrative and didactic commitment to portraying the architectural view in every minute detail. The technique, in fact, is extraordinary, in its rigorous perspective approach and in its ability to capture every architectural detail with miniaturist refinement. Formally, the work was created with a very concrete drawing structure, consisting of clean and precise lines. Thus, an objective and rational rendering prevails over a poetic and characteristic view.

From an analysis of the style and subject matter, the artist who created this work can be defined as a continuation of the Vedutismo tradition. We are therefore faced with a painter with a solid academic background, which has provided him with a remarkable technique that allows him to achieve a perfect naturalistic rendering and objective precision in representing the subject, even in a graphic work.

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