Anonymous - Untitled

Flowers as a subject in themselves began to appear in still lifes, a genre that emerged in the early 17th century. Subsequently, painters, especially the Impressionists, increasingly focused on the floral world as an extraordinary opportunity to capture vibrant colors and light. Thus, flowers began to appear not only in vases, but also immersed in their natural landscape. While initially a pretext for painters to attempt a photographic reproduction of reality, with contemporary art, the subject of flowers also becomes a way of interpreting reality.

From an analysis of this work, we can see how the artist's fundamental elements of expression are color and brushstrokes. Although firmly rooted in a figurative conception, the artist's style is profoundly gestural. The color is distributed in a few, broad, essential brushstrokes. Gesture, then, plays a fundamental role in giving form to the object with a few decisive touches. The result is a powerfully alive and vibrant depiction, an interpretation of painting that stems from the post-Impressionist tradition and reaches an extraordinary contemporaneity.

As we can see from the analysis of this work, the artist is characterized by a pictorial research based on the expressive power of the brushstroke. In his works, he achieves a remarkable synthesis of the subject that enhances the painter's gestures.

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