Antonio Bertè - Landscape

Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.

Antonio Bertè's pictorial language always exists in a dimension poised between reality and abstraction, between objectivity and subjectivity. Indeed, his works are generally composed in a figurative language, yet completely transfigured by the artist's poetics. Thus, the entire composition of the work undergoes anti-naturalistic strains in its expressive key, both in terms of the formal synthesis of the subjects and, above all, in terms of the use of color. Indeed, Bertè's works are always contextualized in atmospheres dense with color and dynamic pictorial gestures.

Antonio Bertè was a Neapolitan artist born in 1936 and died in 2009. His career began in the 1960s, and by the 1970s he was a very popular artist. His visionary pictorial production draws inspiration from music and literature. He dedicated thematic cycles to Federico García Lorca (1970 and 1990), Alessandro Manzoni (1973), Kafka (1974), and Pirandello (1980). The "little men" often featured in his works have an existentialist symbolic value.

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