Antonio Bertè - Untitled

Surrealist aesthetics emerged around the 1920s and encompassed all fields of artistic research. Specifically, in the visual arts, Surrealism sought to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, Surrealist artworks proposed the representation of a dreamlike dimension, completely dissociated from reality.

Antonio Bertè's pictorial language always exists in a dimension poised between reality and abstraction, between objectivity and subjectivity. Indeed, his works are generally composed in a figurative language, yet completely transfigured by the artist's poetics. Thus, the entire composition of the work undergoes anti-naturalistic strains in its expressive key, both in terms of the formal synthesis of the subjects and, above all, in terms of the use of color. Indeed, Bertè's works are always contextualized in atmospheres dense with color and dynamic pictorial gestures.

Antonio Bertè was a Neapolitan artist born in 1936 and died in 2009. His career began in the 1960s, and by the 1970s he was a very popular artist. His visionary pictorial production draws inspiration from music and literature. He dedicated thematic cycles to Federico García Lorca (1970 and 1990), Alessandro Manzoni (1973), Kafka (1974), and Pirandello (1980). The "little men" often featured in his works have an existentialist symbolic value.

The transaction takes place with maximum security for both the seller and the buyer. We take care of the conformity (provenance, authenticity, state of conservation) of the work and handle the shipping.
Returns are possible no later than 14 days after receiving the order.