Antonio Placido - Composition

The iconography of this painting certainly has allegorical meanings and can be defined, in some ways, as symbolist precisely because of its allusion to underlying meanings. It is a type of subject that can be traced back to the artistic language of late nineteenth-century painters such as Moreau, Bocklin, or Puvis des Chavannes, who, while using a primarily figurative language, developed intellectually complex iconographies, full of symbolic and allegorical references. Many of Antonio Placido's works are distinguished precisely by the complex and elaborate iconographies of enigmatic and mysterious objects or figures such as masks.

Artist Antonio Placido's aim is to offer a simplified interpretation of reality or symbolism, seeking new values ​​of purity in representation. For this reason, his painting style can be described as naïve, yet expresses itself in a highly classical and traditional manner. His language, in fact, is essentially figurative and finds its broadest expression in the traditional genres of cityscapes, but also in his bizarre compositions of masks and objects. However, the artist manages to infuse tradition with his originality and personal touch, precisely through his pursuit of purity in representation that defines his style. Concretely, this is expressed in compositions with clean lines and a fluid technique that resolves subjects with a few, quick but incisive strokes. Objects almost dematerialize in the lightness of the glazes. Even in terms of color, the artist favors decidedly pale tones, full of light.

Antonio Placido is a painter born in Foggia in 1951. He began painting in his early school years, initially at the Art School in Melfi and then at the Academy of Fine Arts in Foggia and Urbino. Both in his choice of subjects and his method of execution, we can say that Antonio Placido operates within the realm of classical, figurative art, while also displaying a certain naïve approach to his compositions. His desire to achieve lightness and simplicity in representation is evident, with the aim of imbuing his artwork with primordial values ​​of purity and innocence.

The transaction takes place with maximum security for both the seller and the buyer. We take care of the conformity (provenance, authenticity, state of conservation) of the work and handle the shipping.
Returns are possible no later than 14 days after receiving the order.