Antonio Sannino - Symphony of Love

The "Still Life" genre emerged in the early 17th century. It consisted of compositions of inanimate subjects, most often flowers or fruit. While initially it was an opportunity for painters to experiment with naturalistic or photographic reproductions of reality, with contemporary art, the "Still Life" also became a way of interpreting reality. Indeed, as happened, for example, in the Cubist avant-garde or in Giorgio Morandi, the in-depth exploration of objects was aimed at a conceptual representation, taken beyond the mere sensory aspect.

This still life is essentially surrealist in nature, not only in its iconography but also in its form. The artist's language, in fact, harks back to traditional figurative art, typical of painters like Dalí and Magritte, but does so with a personal touch. Sannino's interpretation, in fact, reveals a certain geometric regularity of Cubist inspiration in the interweaving of lines that form the composition and in the complexity of the space. The color palette is composed of bright blues, yellows, and violets. The complexity of Sannino's work thus leads to a hermetic nature to his surrealism, where even the figurative elements are difficult to interpret. Everything on the surface of the painting, both subject and space, seems to implode in a multiplicity of visual stimuli and viewpoints, which also engages the dynamic application of the color mixture.

Artist Antonio Sannino stands out for his original and coherent surrealist research. In his aesthetic, figuration is completely recontextualized within a complex composition and pictorial layering.

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