Attributed to Filippo De Pisis - Still Life

The "Still Life" genre emerged in the early 17th century. It consists of compositions of inanimate subjects, most often flowers or fruit. While initially it was an opportunity for painters to attempt a photographic reproduction of reality, with contemporary art the "Still Life" also becomes a way of interpreting reality, as it did for the Cubists or Giorgio Morandi.

The work is characterized by an artistic language that takes Impressionism to its extreme, seeking to evoke images through a lyricism of memory. Filippo De Pisis is a true master of color, capable of infusing life into his subjects with a single brushstroke. His touch is cursive, yet at the same time rich in vibrations and existential thrills. In this sense, Filippo De Pisis's evolution of Impressionist technique should be interpreted as the poetry of life. Each brushstroke captures chromatic and luminous vibrations, simultaneously infusing an unstoppable vital energy.

The work is attributed to Filippo De Pisis, a painter of Ferrara origins born in 1896 and who died in Brugherio in 1956. He began studying in his hometown, but later trained in Rome, Venice, Milan, Paris, and London. He met Carrà and De Chirico and became interested in Metaphysical Art. Then in Paris, new stylistic horizons opened up, and he developed his own personal, syncopated and fragmented language.

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