Barth - Rolly

The work is an abstract composition. "Abstract" derives from the Latin term "abstrahere," which means to extract or draw out. The process of abstraction, in fact, consists of eliminating the particular and individual aspects of an object to derive a universal concept. From Kandinsky to Mondrian, from Pollock to Mirò, many painters have pushed the process of abstraction to the limit in their works, paradoxically creating pure forms and pure colors that do not exist in nature, or translating their emotions and instincts into images.

The painter Barth devoted his entire research to a pure, uncompromising abstraction rooted in the historical avant-garde movements of the early twentieth century, with a particular interest in the work of Kandinsky. Like the Russian master, Barth's pictorial aim is to transform all reality into a pure perception, uncontaminated by any descriptive frills. This requires a remarkable abstraction of reality and perceived things, which, paradoxically, leads to reducing the perceptible world to the iconic concreteness of pure forms and pure colors. Thus, Barth's art, like that of historical abstraction, is composed of geometric shapes—triangles, circles, and lines—and the presence of essential colors, managed according to rational criteria of complementarity. However, Barth's abstraction has its own distinctive aesthetic that makes this artist entirely original. His compositions are founded, above all, on a marked minimalism. The purity of geometric forms and colors is enhanced by a two-dimensional dimension. The space, completely white, is rarefied, filled with a few elements and sparse graphic signs. Everything, therefore, conveys a sense of ethereal lightness. Dynamism, however, prevails in this work, which Barth emphasizes with a clear movement of black pictorial marks from which color is released. Indeed, Barth's artistic practice has a clear cosmic vocation when his representation of perception takes the form of a galaxy with satellites or particles in constant motion.

Barth is the pseudonym used by Quinto Bartolomeo, a painter and modern art critic. Author of several essays and books, he has received numerous academic accolades: an honorary degree from the Pro Deo International University in New York, president of the Academy of European Community Studies, and a member of the Academic Senate of the International Academy of Modern Art. He is considered the founder of the "Logic of Forms" movement. He has exhibited his work in numerous exhibitions (Foreign Press, Rome – Galleria San Luca, Venice – Galleria Mouffe, Paris – Galleria Vallobresuse, Palm Beach, Florida – Mirvin Art in New York – Galleria Motte, Geneva – Galleria Modigliani, Milan – Artexpo, New York – San Francisco).

The transaction takes place with maximum security for both the seller and the buyer. We take care of the conformity (provenance, authenticity, state of conservation) of the work and handle the shipping.
Returns are possible no later than 14 days after receiving the order.