Bianca Anna Delapierre - The Face of Hera

Bianca Delapierre is an artist from Bari whose pictorial language is grounded in color and texture. In many of her works, reality undergoes a violent process of distortion that leads to informality. The surface of her canvases is invaded by an energetic and gestural approach, yet the connection with phenomenal reality is not entirely lost.

 Bianca Delapierre was born in Bari in 1968. She began her artistic studies at the Liceo Artistico Statale in Lecce. Following a clear passion, she continued her education, specializing in painting at the Brera Academy of Fine Arts in Milan, where she graduated with honors in 1993. In 1997, she was an assistant professor of artistic anatomy at the same Academy. Throughout the 1990s, she exhibited her paintings, demonstrating a solid artistic foundation and emotional intensity, in Italy and abroad. During her years in Milan, she gained diverse experiences, inspired by her intrinsic artistic curiosity. Succumbing to the fascination of the theater, she dedicated herself to characterizing the characters she played, using skillful and sophisticated stage makeup. In this context, she draws inspiration from her experience with pictorial sculptures and the creation of cast masks, mastering the use of color and material. After returning to her native Puglia, she worked as a makeup artist for theater and television productions, and began working on creative writing with the creation of several art videos, including “Faear project” (2009), an artistic endeavor created with digitally reworked black and white shots, accompanied by electronic sampling in the narration. Subsequently, as if born of an inner need, she gave birth to the screenplay and subsequent production of the short film “Phobetor… il mio sogno” (Phobetor… il mio sogno) in 2010. It is a clever blend of cinema and silent theater. In this production too, the author considers dialogue as an intimate narration, far from common languages ​​that could contaminate the dreamlike-surreal atmosphere. “Tempo Rosso,” “Karma,” and “Requiem” are the central pieces that accompany this myth, which inevitably undergoes its transformation in the sequence of scene changes. Phobetor crosses that door of dreams for the last time, which will close forever behind him, without his knowledge. The painter's unmistakable style is in the foreground, characterized by textured effects in relief on the canvas. It all serves as a powerful example of how nothing truly interesting can be created without passion, sustained by study, and the urgency of the creative moment. Bianca Delapierre currently lives and works in Bari.

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