Boldrini - Marina

Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.

The work is magically suspended between naturalism and a dreamlike dimension. Formally, the painter represents a plausible reality, but his language belongs to a dimension different from that of the perceptible world. Indeed, the decontextualization is complete, and everything is captured in a magical atmosphere suspended in time. Sky and sea form a single sheet reflecting an almost dazzling light.

Boldrini is a painter whose language is essentially naturalistic. But his interpretation of phenomenal reality introduces a strong surreal connotation.

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