Bonacina - Untitled

The "Still Life" genre emerged in the early 17th century. It consists of compositions of inanimate subjects, most often flowers or fruit. While initially it was an opportunity for painters to attempt a photographic reproduction of reality, with contemporary art the "Still Life" also becomes a way of interpreting reality, as it did for the Cubists or Giorgio Morandi.

Bonacina's style in this painting seems to lean toward hyperrealism. Indeed, one can see the painter's desire to objectively convey to the canvas, with cold lucidity, the sensory data before his eyes. The artist also demonstrates a fine technique, reminiscent of Flemish painting, in the precision with which he reproduces the various materials and the effects of light falling on them. However, Bonacina also does not shy away from certain painterly effects that softly blur the objects in the work.

Bonacina is a painter with a solid background. He possesses excellent drawing and painting techniques, which allow him to achieve highly detailed reproductions of real objects. Although he favors an objective interpretation of reality, he does not shy away from pictorial effects that enhance the lyricism of his works.

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