Barlini - Untitled

Flowers as a subject in themselves began to appear in still lifes, a genre that emerged in the early 17th century. Subsequently, painters, especially the Impressionists, increasingly focused on the floral world as an extraordinary opportunity to capture vibrant colors and light. Thus, flowers began to appear not only in vases, but also immersed in their natural landscape. While initially a pretext for painters to attempt a photographic reproduction of reality, with contemporary art, the subject of flowers also becomes a way of interpreting reality.

In this painting, the painter Barlini demonstrates a remarkable technique that allows him to achieve a harmonious naturalism in his depiction of the subject. The artist chooses a neutral, compact surface to highlight the volumes and colors of the flowers, which are perfectly arranged in the decontextualized space. The pure and objective volumes, undisturbed by overly deep shading, are achieved through a fluid brushstroke that spreads the vibrant, brilliant colors.

The painter Barlini demonstrates a strong education and a classical understanding of painting. He possesses a remarkable technique that allows him to render objects beautifully in a naturalistic manner. He is a painter who enjoys highlighting the plasticity of his subjects through sharpness of volume and brilliance of color.

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