Bussotti - Untitled

Surrealist aesthetics emerged around the 1920s and encompassed all fields of artistic research. Specifically, in the visual arts, Surrealism sought to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, Surrealist artworks propose the representation of a dreamlike dimension, completely dissociated from reality. However, this representation often relies on a hyperrealistic formal rendering, precisely to paradoxically accentuate the illusory and ambiguous nature of the surreal dimension.

The execution remains figurative, where tangible reality is still discernible. However, the painter, in his interpretation, applies various stylistic strains in an Expressionist vein. There is no high degree of abstraction, yet the figures are not delineated at a physiognomic level and present only sketchy features. The spatial setting is anti-naturalistic and does not adhere to any naturalistic norms. Even the bold chromatic range contributes to this Expressionist interpretation of the subject.

The artist is a figurative painter, yet open to various solutions and experiments in Symbolist and Expressionist styles. His themes reflect a certain taste for surreal situations and an anti-naturalistic aesthetic.

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