Capozzi - Flowers

Flowers as an independent subject began to appear in still lifes, a genre that emerged in the early 17th century. Subsequently, painters, especially the Impressionists, increasingly focused on the floral world, as an extraordinary opportunity to capture vibrant colors and light. Thus, flowers were depicted not only in vases, but also immersed in their natural landscape. While initially a pretext for painters to attempt a photographic reproduction of reality, with contemporary art, the subject of flowers also became a way of interpreting reality.

Capozzi's pictorial language draws inspiration from a lively naturalism. He possesses a remarkable technique that allows him to effortlessly reproduce objects, delineate them sculpturally, and achieve spatial depth. He displays a highly classical inclination, yet his brushstrokes possess a certain impressionistic verve that gives his works immediacy and freshness. This is also enhanced by his penchant for vibrant colors, always centered on brilliant hues, through which he captures sudden flashes of light. Space is always composed in perfect balance, in which the object becomes the absolute protagonist. All this, combined with the highly elaborate pictorial layering, gives Capozzi's still lifes a truly existential significance.

Capozzi is a painter whose work focuses primarily on still lifes. He approaches art in a very classical manner, with a soft naturalism tempered by a lively, impressionistic style.

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