Capozzi - Still Life

The "Still Life" genre emerged in the early 17th century. It consisted of compositions of inanimate subjects, most often flowers or fruit. While initially it was an opportunity for painters to experiment with naturalistic or photographic reproductions of reality, with contemporary art, the "Still Life" also became a way of interpreting reality. Indeed, as happened, for example, in the Cubist avant-garde or in Giorgio Morandi, the in-depth exploration of objects was aimed at a conceptual representation, taken beyond the mere sensory aspect.

Capozzi's pictorial language draws inspiration from a lively naturalism. He possesses a remarkable technique that allows him to effortlessly reproduce objects, delineate them sculpturally, and achieve spatial depth. He displays a highly classical inclination, yet his brushstrokes possess a certain impressionistic verve that gives his works immediacy and freshness. This is also enhanced by his penchant for vibrant colors, always centered on brilliant hues, through which he captures sudden flashes of light. Space is always composed in perfect balance, in which the object becomes the absolute protagonist. All this, combined with the highly elaborate pictorial layering, gives Capozzi's still lifes a truly existential significance.

Capozzi is a painter whose work focuses primarily on still lifes. He approaches art in a very classical manner, with a soft naturalism tempered by a lively, impressionistic style.

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