Carlo Bazzani - Untitled

Flowers as an independent subject began to appear in still lifes, a genre that emerged in the early 17th century. Subsequently, painters, especially the Impressionists, increasingly focused on the floral world as an extraordinary opportunity to capture vibrant colors and light. Thus, flowers were depicted not only in vases, but also immersed in their natural landscape. If at the beginning of its history,
History was a pretext for painters to try their hand at a photographic reproduction of reality, with contemporary art the subject of flowers also becomes a way of interpreting reality.

This work highlights Carlo Bazzani's post-Impressionist maturity. The composition, whether a still life, a vase of flowers, or a landscape, is compressed into the foreground, allowing no spatial depth. The painter's aim is not to capture the sensory aspect of the subject, but to capture its very essence, its substance. To this end, the brushstroke, rich in texture, intervenes, fleshing out the objects, breaking them down into different planes, recording the vibrations of light and life within them. The sensory aspect, therefore, is completely transcended in a complex conception of pictorial practice in which the artist's gestures also play a fundamental role. Chromatically, the entire surface of the work is blended with a balanced palette of references and correspondences.

Carlo Bazzani, Casina 1908-Reggio Emilia 1997. As can be seen from his works, Carlo Bazzani is a painter who has developed in-depth research into the representation of objects and their perception. His pictorial language draws on post-impressionist movements, reflecting his own unique approach.

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