Carlo Quaglia - Untitled

Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has always been an artist's aspiration. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance, then with atmospheric rendering in the 16th century, up until the depiction of every single vibration of light on objects in Impressionism. Carlo Quaglia can be considered one of the most important exponents of the pictorial tendencies of the Roman School, the movement that, between the 1930s and 1940s, opposed the rigor and plastic exaltation of the Novecento movement with a painting style inspired by European Expressionism. A distinctive characteristic of the Roman School, as well as of Carlo Quaglia, is an elegant formal synthesis that is essentially achieved through color. In this silkscreen, even more so than in his easel work, the Terni-born artist advances this approach, achieving a high degree of abstraction in the image, in a composition that offers few figurative references and is entirely resolved in the balance of color juxtapositions.

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